T. Boyle - Drop City

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T.C. Boyle has proven himself to be a master storyteller who can do just about anything. But even his most ardent admirers may be caught off guard by his ninth novel, for Boyle has delivered something completely unexpected: a serious and richly rewarding character study that is his most accomplished and deeply satisfying work to date.
It is 1970, and a down-at-the-heels California commune has decided to relocate to the last frontier-the unforgiving landscape of interior Alaska-in the ultimate expression of going back to the land. The novel opposes two groups of characters: Sess Harder, his wife Pamela, and other young Alaskans who are already homesteading in the wilderness and the brothers and sisters of Drop City, who, despite their devotion to peace, free love, and the simple life, find their commune riven by tensions. As these two communities collide, their alliances shift and unexpected friendships and dangerous enmities are born as everyone struggles with the bare essentials of life: love, nourishment, and a roof over one's head.
Drop City

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Bosky came at them too fast. He'd been expecting to find them upriver still, lagging in the current, and the roar gathered itself up and the naked pontoons rocketed past them before he could lean out and fire again, but Sess was ready and Sess let the boat swing out lateral to the current while Pamela fought for control up front and he got off three shots, three hard copper-jacketed thank-you notes hurtled up into the cauldron of the sky that probably caught nothing but air. He couldn't say. He didn't know. He was too lathered with adrenaline even to feel anger yet and outrage. He laid down the rifle and took up the paddle and a moment later they hit the shore ice and broke through it to the cover of the trees.

Everything was silent. A hard, pelting, wind-driven snow began to rush down out of the sky as if awaiting release. He heard the river then, the ice on the river slipping and squealing like two wet hands rubbed together, and he heard Pamela. She was hunched over her shoulders, a shadow amongst the deeper shadows, and she was crying so softly he thought at first it was the whisper of the hard white pellets finding their way between the last, lingering blades of grass. The bottom of the canoe had shipped two inches of water, two inches at least, and their feet-they were wearing hiking boots, ankle-high suede, the best shoes they owned for a jaunt in the city-their feet were wet. They had no sleeping bags, no ground cloth, no tent, and who needed a tent in the Williwaw Motor Inn? “It's okay, Pamela,” he said, the words stuck in his throat, “it's all right, everything's going to be fine.”

The first thing was a fire, but he was afraid of a fire because Bosky might see it and come back for them, so he concentrated on hauling the canoe up out of the water, unloading the wet groceries and the wet clothes and the tools and equipment and all the rest of the things they just couldn't live without, and then propping the hull up as a windbreak. Pamela worked beside him, and they didn't have to talk, didn't have to say a word, working in consonance to unload everything and cut spruce boughs to lay down under the canoe and collect driftwood to mound up for the fire if there was going to be a fire, and they would have to wait and see about that. In the meanwhile, the snow stiffened, rattling off their hoods and sleeves in pellets and granules, sifting to the ground with the soft shush of rice spilled from a sack, and soon the dark vacancy of the riverbank began to fill in with the pale glowing substance of it. “He's not coming back, is he, Sess?” Pamela said out of the void.

He looked to her, the ghostly stoop and movement of her as she mounded wood and let the phrases escape her mouth in quick snatched drifts of windblown vapor. “No,” he said, “not in this, and I hope to god the son of a bitch crashes and burns till there's nothing recognizable left of him. Can you believe it? Can you believe he actually shot at us? I told you, Pamela. I told you from the beginning, and you wouldn't listen.”

They waited half an hour, shivering, and then he held a match to a twist of birch bark and the fire took. They dried their shoes, their socks, their feet. Pamela dug a damp box of crackers out of a shredded grocery bag and they shared them with slices of Cracker Barrel cheddar and let their internal engines wind down a bit. What this looked like was the first big storm of the year-it had all the earmarks, what with the wind and the snow formed into pellets and temperatures in the twenties, and he had no doubt it would settle in colder and the snow turn to powder-and they had a very narrow window of opportunity here if they were going to get the canoe and all their precious stuff back to the Thirtymile before next spring. After a while, he got up and fished around through the baggage till he found a pair of his new guaranteed-to-keep-your-toes-warm-at-forty-below Outdoorsman-brand thermal socks and worked one of them through the bullethole in the bottom of the canoe till he had a plug he thought would hold. Then they loaded up again and went out on the river in the full blow of the storm, their forearms and shoulders fighting the resistance, their hands molded to the paddles as if they'd been sculpted of ice.

It must have been past midnight when they skirted Woodchopper Creek, veering far out from shore on the off chance Joe Bosky was out there somewhere laying for them, and neither of them dared even to think of what might have happened upriver, at the cabin, when Joe Bosky knew they were away from home and had the means and the motive to do them real and irreparable harm. The snow flew in their faces. A thin crust of ice formed over the baggage where the leavings of Pamela's paddle flew back on the wind and settled, and a layer of snow formed atop that. The night was a dense and private thing, working through the motions of its own unknowable rhythms, and they had no right to be out in it. Sess Harder didn't care. He was glad to be here, now, equal to the challenge, glad to be alive, glad for every furious driven bite the wooden paddle took out of the refrigerated river. And when they rounded the Thirtymile and the dogs sang out with the apprehension of their coming, he was the gladdest man in the world.

PART SIX.OLD NIGHT

This was that Earth of which we have heard, made out of Chaos and Old Night.

— Henry David Thoreau, “Ktaadn”

27

It was Halloween, October thirty-first, Pan's favorite day of the year, and what did he have to show for it? Nothing-no black cats, no skeletons, not even a jack-o'-lantern. It was four o'clock in the afternoon, black dark, and the river, the big roiling silver playground chock-full of fish and game he'd cavorted on all summer, was locked up tight in a tomb of ice. Freeze-up, that's what they called it, and Pan had shuffled off down the frozen highway of Woodchopper Creek in the declining light of day to see that the last open channel had sealed up overnight. It was twenty below zero. There was a wind. He'd stood there shivering on the rock-hard bank and listening to the silence-it was mind-blowing, all that noise of buckling ice and angry water, all that _life,__ smoothed out to nothing, not a whimper, not so much as a pop or burble-and then he'd hiked back up the creek to the cabin and stooped outside the door to fill his arms with firewood.

Nobody blinked. He came in through the dogtrot, slammed the outer door to, then squeezed through the heavy cabin door like a contortionist and slammed that behind him, his nose dripping, fingers numb, the sawed-off lengths of pine tucked under his arm like a stack of unreadable books. A garment of cold-thinned air came with him, and the _smell__ of the cold, almost a chemical smell, and what was it going to be like when the temperature dropped another twenty degrees? Another forty? He crossed the room, poked the coals and laid on the wood, and nobody said _Hey, man, what's it like out there?__ or _Did it lock up?__ or _We thought maybe you were frozen to a stump or something.__ They said, “Raise and call.” They said, “Two pairs.” They said, “Three jacks, pair of nines.”

Joe was cramped in at the table with Sky Dog and Dale, shuffling cards. They'd been playing poker for the past twelve hours at least-since they got back from the Three Pup on the snow machines, anyway-and they showed no sign of letting up. They kept a joint circulating. They were drinking beer out of the quart bottle and they threw back reds and Dexamils according to need, and he'd sat in himself for a while and made sure to look after his own pharmaceutical well-being, but he'd got to the end of that and what he wanted now was some action, some fun, some _Halloween,__ for shitsake.

Joe had the generator going because money meant nothing to him and he could fly in gasoline anytime he wanted, and so the lights were on, and that was a pure and beneficial thing in one way-at least you could _read__ to fight back the boredom that was already closing in like a smotherer's hand-but it was a curse too. It was curse and a royal pain in the ass to the degree that Pan, pacifist and flower child though he might have been, was considering triple homicide and maybe suicide into the bargain, because electricity meant music and for Joe Bosky music meant show tunes and country-“Oklahoma,”

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