T. Boyle - Drop City

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T.C. Boyle has proven himself to be a master storyteller who can do just about anything. But even his most ardent admirers may be caught off guard by his ninth novel, for Boyle has delivered something completely unexpected: a serious and richly rewarding character study that is his most accomplished and deeply satisfying work to date.
It is 1970, and a down-at-the-heels California commune has decided to relocate to the last frontier-the unforgiving landscape of interior Alaska-in the ultimate expression of going back to the land. The novel opposes two groups of characters: Sess Harder, his wife Pamela, and other young Alaskans who are already homesteading in the wilderness and the brothers and sisters of Drop City, who, despite their devotion to peace, free love, and the simple life, find their commune riven by tensions. As these two communities collide, their alliances shift and unexpected friendships and dangerous enmities are born as everyone struggles with the bare essentials of life: love, nourishment, and a roof over one's head.
Drop City

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“Burt Lancaster?” Ronnie said. “What planet are you coming from?”

Marco snaked his arm up over the back of the seat and put it around her and pulled her close, a little act of intimacy Pan didn't pay even a lick of attention to. “Yeah, but don't you want to get there? Don't you want to see the place, all of those millions of acres for the taking, the lakes there, the rivers? See the cabin? Walk off the site where we're going to build? Plus,” and he was smiling now, “I'll bet that water's just a wee bit chilly, wouldn't you think?”

Lydia's voice rose up out of the void of the backseat. “I'm hungry. And I have to pee.”

Ronnie glanced over his shoulder to where Lydia lay sprawled beneath her breasts, then exchanged a look with Star. “Lydia's got a point,” he said.

From the backseat: “What point? That I have to pee?”

Lydia was sitting up now, and he studied her a moment in the rearview mirror before he responded. She was looking good-if the light hit her just right, she could look very good, sultry, like one of those big-shouldered women in the Italian movies, her black hair windswept, her makeup smeared, and that randy, let's-lick-the-sauce-off-the-spoon-together look on her face.

“What I mean is, maybe it's time to pull over for the night. We've got to find a place to crash, right? And cook something up?”

“I don't know,” Star said, “yeah, sure, I could stop.”

So Ronnie calculated and took his chance and swung out into the fast lane till he came up abreast of the bus, the air roaring at the windows, insects giving themselves up to the superior force in a quickening series of thumps and splats-and why, he wondered, were they all uniformly yellow inside, was that their blood, was that it? And there was Norm, sitting up high in the driver's seat with his arms wrapped round the wheel as if it were the head of some seabeast he was wrestling, a fixed, no-nonsense, I-am-driving-the-bus look in his Dexedrine-tranced eyes, and Ronnie was flapping his left arm up over the roof of the car and laying on the horn. Marco rolled down the window and shouted to Norm to pull over at the next stop because Lydia had to pee and everybody was tired and hungry and wrung-out from driving straight through the first night and day and on into the evening that was even now spreading its wings out over the hills ahead of them like a big celestial bat.

Norm jerked his head back and gave them a faraway look, as if they were just anybody burning down the highway in a rusted-out Studebaker with New York plates, but then the shining white-hot gleam of recognition came into his eyes and he started fumbling with the little window at his elbow, all the while cupping a hand to his ear and pantomiming his bewilderment. What could they possibly want? Had he dropped a wheel? Run down a passel of Vietnamese orphans? Did the road ahead end in the sheer drop-off of a Roadrunner cartoon?

And this was fun, this was hilarious-anything for a little diversion. Side by side, hurtling down the road, Marco shouting and laughing, and Star and Lydia getting into the act now too, people in the bus-Premstar, Reba-making faces and sticking out their tongues like six-year-olds, _Casey Jones, you better watch your speed!__ But then, gradually, Ronnie became aware of another sound altogether-a horn, sharp and insistent-and people on the bus were pointing behind him, like _look out,__ and he brought his eyes up to the rearview mirror. It was only a heartbeat between awareness and recognition, but his first thought had been _the man,__ what else? But it wasn't the man, it was three crewcut young Oregonian shit-flingers in a Ford pickup the color of arterial blood. They wouldn't have liked hippies, anyway, and Ronnie had seen _Easy Rider__-three times now and counting-but that didn't figure into the calculus of the moment. They were giving him the finger, riding his bumper, laying on the horn. Assholes. Redneck assholes. Red-faced redneck assholes.

Ronnie feathered the brakes, then feathered them again-and again, till the rednecks had to ride their own brakes and the bus slid ahead of them like a big yellow wall, Harmony's Bug, Lester's Lincoln and Dale Murray's ratcheting bike pulled along in its wake like the twisted little things it had given birth to. When Dale Murray cleared the Studebaker, Ronnie was going about twenty-five and the middle finger of his right hand was fixed just over the reflection of his eyes in the rearview mirror. He expected the rednecks to pass on his right in a flurry of hoots and catcalls, but they just held there in the passing lane, right on his tail, and so he eased in behind Dale Murray and hit the accelerator.

But the occupants of the pickup surprised him. They swung in behind the Studebaker and put on a sudden burst of speed, looming up on his rear bumper as if they meant to hook on to it. “Son of a bitch,” Ronnie said, and it came out of him in a stunned and wounded gasp, as if he'd been punched in the stomach-he wasn't even driving anymore, just floating. And now Lydia made herself known, kneeling on the backseat so they could get a good look at her and alternately flashing the peace sign and blowing them kisses. Which enraged them even more. Twice they tapped the bumper-at something like fifty or fifty-five miles an hour, and what were they, not simple rednecks but redneck frat boys, because there were all the frat boy decals, DELTA UPSILON, U. OF OREGON, GO DUCKS, plastered across the windshield as if they meant something. Ronnie braced himself for the next thump.

“Are they crazy or what?” Marco said. He leaned out the window and showed them his fist.

The wind was wild, everybody's hair whipping, and it seemed to snatch the breath right out of Ronnie's lungs. “Stop the car,” Marco shouted, whirling on him. “Just fucking pull over!”

Star said no. “Just forget it,” she said. “Ignore them.”

“Forget it?” Marco's face was like a bad dream, and Ronnie saw that and registered it, because there was a violent divide here, and he wouldn't want to find himself on the wrong side of it. Ever. “I'm going to fucking kill them, all three of them! You with me, Ronnie-Pan? You with me?”

Ronnie's hands were frozen on the wheel, his eyes pasted to the rearview mirror. “Peace,” Star kept saying, “peace and love, remember?” Ronnie looked at the three faces ranged across the hood of the car behind him, looked at Lydia's shoulders, the mad flying tangle of her hair, and his heart was looping back on itself. “I hear you, man,” he said.

But then the whole procession was slowing, chain reaction-bus, Bug, Lincoln, motorcycle, Studebaker, pickup-and Norm had the big amber blinker going on the bus and the yellow wall was sliding into a turn, a side road, and there was the sign that spelled relief in foot-high letters: PUBLIC CAMPGROUND__, ALL CARS WELCOME__, 2$ PER NITE__. Now, surely now, Ronnie was thinking, the pickup would peel away from them and vanish on down the highway, but no, it came on still, the faces behind the windshield taut and pale and vengeful.

The pavement gave out beneath him, and the Studebaker was thumping into a big rutted dirt lot interspersed with trees, barbecue smoke snatching at the air, cars and Winnebagos pulled up around tents and picnic tables, kids chasing each other in a flash of motion while white-legged old stick-people sucked bourbon out of paper cups and dogs yapped in a territorial frenzy, and this was it, America the beautiful, home of the brave, all cars welcome. Lydia had to pee. She was hungry. They were all hungry. But before Ronnie could twist the key off and set the brake, the three frat boys were at the driver's side window, and a hand, a meaty red outraged hand, was snatching at his hair, even as he flung his head back and away and Star let out with a screech that just about stopped his heart.

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