T. Boyle - T.C. Boyle Stories II - Volume II

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A second volume of short fiction — featuring fourteen uncollected stories — from the bestselling author and master of the form. Few authors write with such sheer love of story and language as T.C. Boyle, and that is nowhere more evident than in his inventive, wickedly funny, and always entertaining short stories. In 1998,
brought together the author’s first four collections to critical acclaim. Now,
gathers the work from his three most recent collections along with fourteen new tales previously unpublished in book form as well as a preface in which Boyle looks back on his career as a writer of stories and the art of making them.
By turns mythic and realistic, farcical and tragic, ironic and moving, Boyle’s stories have mapped a wide range of human emotions. The fifty-eight stories in this new volume, written over the last eighteen years, reflect his maturing themes. Along with the satires and tall tales that established his reputation, readers will find stories speaking to contemporary social issues, from air rage to abortion doctors, and character-driven tales of quiet power and passion. Others capture timeless themes, from first love and its consequences to confrontations with mortality, or explore the conflict between civilization and wildness. The new stories find Boyle engagingly testing his characters’ emotional and physical endurance, whether it’s a group of giants being bred as weapons of war in a fictional Latin American country, a Russian woman who ignores dire warnings in returning to her radiation-contaminated home, a hermetic writer who gets more than a break in his routine when he travels to receive a minor award, or a man in a California mountain town who goes a little too far in his concern for a widow.
Mordant wit, emotional power, exquisite prose: it is all here in abundance.
is a grand career statement from a writer whose imagination knows no bounds.

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And what did she say then? “I don’t need any man to cling to.” That was it. All she said and all she wrote. And he stood in the blast, watching her work her way from one handhold to another out over the yawning sea as the birds careened round her and her hair strangled her face, and then he strode back to the minivan, fired up the engine, and drove back into town.

That night the wind soughed and keened and rattled like a set of pipes through the canyon of the high street on till midnight or so, and then it came at us with a new sound, a sound people hadn’t heard in these parts since ’92. It was blowing a gale. Shingles fled before the gusts, shrubs gave up their grip on the earth, the sheep in the fields were snatched up and flung across the countryside like so many puffs of lint. Garages collapsed, bicycles raced down the street with no more than a ghost at the pedals. Robbie was unconscious in the sitting room of his cottage at the time, sad victim of drink and sorrow. He’d come home from the pub before the wind rose up in its fury, boiled himself a plate of liver muggies, then conked out in front of the telly before he could so much as lift a fork to them.

It was something striking the side of the house that brought him to his senses. He woke to darkness, the electric gone with the first furious gusts, and at first he didn’t know where he was. Then the house shuddered again and the startled bellow of the Ayrshire cow he kept for her milk and butter roused him up out of the easy chair and he went to the door and stuck his head out into that wild night. Immediately the door was torn from his grasp, straining back on its hinges with a shriek even as the pale form of the cow shot past and rose up to tear away like a cloud over the shingles of the roof. He had one thought then, and one thought only: Junie. Junie needs me.

It was his luck that he carried five hundred pounds of coal in the back of his minivan as ballast, as so many of us do, because without it he’d never have kept the thing to the road. As it was, he had to dodge the hurtling sheep, rabbits that flew out of the shadows like nightjars, posts torn from their moorings, the odd roof or wall, even a boat or two lashed up out of the heaving seas. He could barely see the road for the blowing trash, the wind slammed at him like a fist and he had to fight the wheel to keep the car from flipping end over end. If he was half-looped still when he climbed into the car, now he was as sober as a foude, all the alcohol burned away in his veins with the terrible anxiety that drove him. He put his foot to the floor. He could only pray that he wouldn’t be too late.

Then he was there, fighting his way out of the car, and he had to hold to the door to keep from being blown away himself. The moor was as black as the hide of an Angus bull. The wind shrieked in every passage, scouring the heather till it lay flat and cried out its agony. He could hear the sea battering the cliffs below. It was then that the door of the minivan gave way and in the next instant he was coasting out over the scrub like a tobogganer hurtling down Burrafirth Hill, and there’ll be men to tell you it was a tree saved him from going over, but what tree could grow on an island as stingy as this? It was a thornbush is what it was, a toughened black unforgiving snarl of woody pith combed down to the ground with fifty years of buffeting, but it was enough. The shining white door of the minivan ran out to sea as if it would run forever, an awkward big plate of steel that might as well have been a Frisbee sailing out over the waves, but Robbie Baikie was saved, though the thorns dug into his hands and the wind took the hair off his head and flailed the beard from his cheeks. He squinted against it, against the airborne dirt and the darkness, and there it was, two hundred yards away and off behind him to the left: the crofter’s cottage, and with her in it. “Junie!” he cried, but the wind beat at the sound of his voice and carried it away till it was no voice at all. “Junie!”

As for her, the bird woman, the American girl with the legs that took the breath out of you and the face and figure that were as near perfection as any man here had ever dreamed of on the best night of his life, she never knew Robbie had come for her. What she did know was that the wind was bad. Very bad. She must have struggled against it and realized how futile it was to do anything more than to succumb to it, to huddle and cling and wait it out. Where were the birds? she wondered. How would they weather this — on their wings? Out at sea? She was cold, shivering, the fire long since consumed by the gusts that tore at the chimney. And then the chimney went, with a sound of claws raking at a windowpane. There was a crack, and the roof beams gave way, and then it was the night staring down at her from above. She clung to the andirons, but the andirons blew away, and then she clung to the stones of the hearth but the stones were swept away as if they were nothing more than motes of dust, and what was she supposed to cling to then?

We never found her. Nobody did. There are some who’ll say she was swept all the way to the coast of Norway and came ashore speaking Norse like a native or that a ship’s captain, battened down in a storm-sea, found her curled round the pocked safety glass of the bridge like a living figurehead, but no one really believes it. Robbie Baikie survived the night and he survived the mourning of her too. He sits even now over his pint and his drop of whisky in the back nook at Magnuson’s, and if anybody should ask him about the only love of his life, the bird woman from America, he’ll tell you he’s heard her voice in the cries of the kittiwakes that swarm the skies in spring, and seen her face there too, hanging over the black crashing sea on the stiff white wings of a bird. Poor Robbie.

(2001)

Dogology

Rumors

It was the season of mud, drainpipes drooling, the gutters clogged with debris, a battered and penitential robin fixed like a statue on every lawn. Julian was up early, a Saturday morning, beating eggs with a whisk and gazing idly out the kitchen window and into the colorless hide of the day, expecting nothing, when all at once the scrim of rain parted to reveal a dark, crouching presence in the far corner of the yard. At first glance, he took it to be a dog — a town ordinance he particularly detested disallowed fences higher than three feet, and so the contiguous lawns and flowerbeds of the neighborhood had become a sort of open savanna for roaming packs of dogs — but before the wind shifted and the needling rain closed in again, he saw that he was wrong. This figure, partially obscured by the resurgent forsythia bush, seemed out of proportion, all limbs, as if a dog had been mated with a monkey. And what was it, then? Raccoons had been at the trash lately, and he’d seen a opossum wavering down the street like a pale ghost one late night after a dreary overwrought movie Cara had insisted upon, but this was no opossum. Or raccoon either. It was dark in color, whatever it was — a bear, maybe, a yearling strayed down from the high ridges along the river, and hadn’t Ben Ober told him somebody on F Street had found a bear in their swimming pool? He put down the whisk and went to fetch his glasses.

A sudden eruption of thunder set the dishes rattling on the drainboard, followed by an uncertain flicker of light that illuminated the dark room as if the bulb in the overhead fixture had gone loose in the socket. He wondered how Cara could sleep through all this, but the wonder was short-lived, because he really didn’t give a damn one way or the other if she slept all day, all night, all week. Better she should sleep and give him some peace. He was in the living room now, the gloom ladled over everything, shadows leeching into black holes behind the leather couch and matching armchairs, the rubber plant a dark ladder in the corner and the shadowy fingers of the potted palms reaching out for nothing. The thunder rolled again, the lightning flashed. His glasses were atop the TV, where he’d left them the night before while watching a sorry documentary about the children purportedly raised by wolves in India back in the nineteen twenties, two stringy girls in sepia photographs that revealed little and could have been faked in any case. He put his glasses on and padded back into the kitchen in his stocking feet, already having forgotten why he’d gone to get them in the first place. Then he saw the whisk in a puddle of beaten egg on the counter, remembered, and peered out the window again.

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