T. Boyle - The Tortilla Curtain

Jack had picked up the check and from there they'd gone to Grantham's GunMart in Van Nuys, and it wasn't at all what Delaney had expected. There were no escaped convicts or Hell's Angels sifting through bins of hollow-point bullets, no swaggering bear hunters or palpitating accountants running up and down the aisles with their tails between their legs. The place was wide open, brightly lit, the wares laid out on display as if Grantham's was dealing in fine jewelry or perfume or Rolex watches. Nothing was furtive, nobody was embarrassed, and the clientele, so far as Delaney could see, consisted of average ordinary citizens in shorts and college sweatshirts, business suits and dresses, shopping for the tools of murder as casually as they might have shopped for rat traps or gopher pellets at the hardware store. The woman behind the counter-Samantha Grantham herself-looked like a retired first-grade teacher, gray hair in a bun, silver-framed glasses, her fingers fat and elegant atop the display case. She sold Delaney the same model handgun she carried in her purse, the one she'd used to scare off the would-be muggers in the parking lot at the Fallbrook Mall after the late movie, and she sold him a lightweight Bianchi clip-on holster made of nylon with a Velcro strap that fit right down inside the waistband of his pants as comfortably as a second pocket. When he got home, he felt ashamed of himself, felt as if he'd lost all hope, and he'd locked the thing away in a chest in the garage and forgotten all about it. Till now.

Now he came in the front door, water puddling on the carpet, fished the key out of the desk drawer in his office and went directly out to the garage. The chest was made of steel, fireproof, the size of two reams of paper, stacked. There was dust on it. He fit the key in the lock, flipped back the lid, and there it was, the gun he'd forgotten all about. It glowed in his hand, flashing light under the naked bulb that dangled from the ceiling, and the rain crashed at the roof. His mouth was dry. He was breathing hard. He inserted the bullets in the slots so ingeniously designed to receive them, each one sliding in with a precise and lethal click, and he knew he would never use the thing, never fire it, never-but he was going to draw it out of the holster in all its deadly flashing beauty and hold it there over that vandalizing alien black-eyed jack-in-the-box till the police came and put him away where he belonged.

Delaney tucked the gun into his holster and tucked the holster into his pants and then a spasm passed through him: he was freezing. Shivering so hard he could barely reach a hand to the light switch. He was going to have to change, that was the first thing-and where was Kyra, shouldn't she be home by now? And then the film, and maybe something to eat. The lights had been out at Jack and Selda's as he passed by on the street, but he knew where they kept the spare key, under the third flowerpot on the right, just outside the back door, and he was sure they wouldn't mind if he just slipped in for a minute and used the darkroom-he had to have those photos; had to catch the jerk with the spray can in his hand, catch him in the act. The other picture, the first one, was something, but it wasn't conclusive-they could always say in court that it didn't prove a thing except that the suspect was out there on public property, where he had every right to be, and who was going to say he wasn't, on his way to the gate to visit friends in Arroyo Blanco or that he wasn't there looking for work or delivering fliers? But these new photos, these six-Delaney would have them printed and blown up and lying right there on the counter in the kitchen when the police came in…

But first, his clothes. His body was seized with an involuntary tremor, then another, and he sneezed twice as he set the gun down on the bed and kicked off his shoes. He would take a hot shower to warm up, that's what he would do, then he'd check the message machine-Kyra must have taken Jordan out for a pizza-and then he'd sit down and have something himself, a can of soup, anything. There was no hurry. He knew now where to find the bastard-up there, up in the chaparral within sight of the wall-and he'd have to have a fire on a night like this, and the fire would give him away. It would be the last fire he'd ever start-around here, at least.

While the soup was heating in the microwave, Delaney pulled a clean pair of jeans out of the closet, dug down in back for his High Sierra lightweight hiking boots with the half-inch tread, laid out a pair of insulated socks, a sweater and his raingear on the bed. The shower had warmed him, but he was still trembling, and he realized it wasn't the cold affecting him, but adrenaline, pure adrenaline. He was too keyed up to do much more than blow on the soup-CampbeH's Chunky Vegetable-and then he was in the hallway, standing before the full-length mirror and watching himself tuck the gun into his pants and pull it out again while listening to the messages on the machine. Kyra was going to be late, just as he'd thought-she'd got involved with some house in Agoura, of all places, and she was late picking up Jordan and thought she'd just maybe take him out for Chinese and then to the card shop; he was collecting X-Men cards now. Delaney looked up, dropped the film in his pocket and stepped back out into the rain.

It was coming down hard. Piñon was like a streambed, nothing moving but the water, and he could hear boulders slamming around in the culverts high up on the hill that were meant to deflect runoff and debris from the development. Delaney wondered about that, and he stood there in the rain a long moment, listening for the roar of the mountain giving way-what with erosion in the burn area and all this rain anything could happen. They were vulnerable-these were the classic mudslide conditions, nothing to hold the soil in thanks to the match-happy Mexican up there-but then there really wasn't much he could do about it. If the culverts overflowed, the wall would repel whatever came down-it wasn't as if he and his neighbors would have to be out there sandbagging or anything. He was concerned, of course he was concerned-he was concerned about everything-and if the weather gods would grant him a wish he'd cut this back to a nice safe gently soaking drizzle, but at least the way it was coming down now that bastard up there would be pinned down in whatever kind of hovel he'd been able to throw together, and that would make him all the easier to find.

At the Cherrystones, Delaney found the key under the pot with no problem, and he hung his poncho on the inside of the doorknob in the kitchen so as not to dribble water all over the tile. He fumbled for the light switch, the gun pressing at his groin like a hard hot hand, like something that had come alive, and his heart slammed at his ribs and thudded in his ears. The light suddenly exploded in the room, and Selda's cat-a huge manx that was all but indistinguishable from a bobcat-sprang from the chair and shot down the hallway. Delaney felt like a thief. But then he was in the darkroom, the film in the tank, and that calmed him, that was all right-Anytime, Jack had said, anytime you want. Delaney was so sure of what he was going to get this time he barely registered the reversed images on the negatives-there was something there, shadowy figures, a blur of criminal activity-and he cut the curling strip of film and let it drop to the floor, printing up the first six frames on a contact sheet. When it was ready, he slid the paper into the developer and received his second photographic jolt of the week: this was no Mexican blinking scared and open-faced into the lens on a pair of towering legs anchored by glistening leather hi-tops, no Mexican with the spray can plainly visible in his big white fist, no Mexican with hair that shade or cut…

It was Jack Jr.

Jack Jr. and an accomplice Delaney didn't recognize, and there they were, replicated six times on a sheet of contact paper, brought to life, caught in the act. It was as complete a surprise as Delaney had ever had, and it almost stopped him. Almost. He pushed himself up from the counter and in a slow methodical way he cleaned up, draining the trays, rinsing them and setting them back on the shelf where Jack kept them. Then he dropped the negatives on the contact sheet and balled the whole thing up in a wad and buried it deep in the trash. That Mexican was guilty, sure he was, guilty of so much more than this. He was camping up there, wasn't he? He'd wrecked Delaney's car. Stolen kibble and plastic sheeting. And who knew but that he hadn't set that fire himself?