Evie Wyld - After the Fire, A Still Small Voice

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Following the breakdown of a turbulent relationship, Frank moves from Canberra to a shack on the east coast once owned by his grandparents. There, among the sugar cane and sand dunes, he struggles to rebuild his life. Forty years earlier, Leon is growing up in Sydney, turning out treacle tarts at his parents' bakery and flirting with one of the local girls. But when he's conscripted as a machine-gunner in Vietnam, he finds himself suddenly confronting the same experiences that haunt his war-veteran father. As these two stories weave around each other — each narrated in a voice as tender as it is fierce — we learn what binds together Frank and Leon, and what may end up keeping them apart.

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It didn’t seem possible that a man like his father could live here. The last time Frank had seen him he’d been grey and silent in a doorway with nothing in his face to show there was any kind of thought going on inside. The colour he had been it was hard to imagine there was even blood in there.

Fantail Rise had no rise in it. The road was long and straight and flat, and the houses were sparse, with large front yards bristling with razor grass. He found the house and stood outside while a hot sweat got him. It was white weatherboard, with a porch — not a veranda, somehow. The curtains were bright and lace. It had been a bad idea to walk, it was just past midday and his face burnt; there were dark patches under his arms and on his chest. His feet twitched saltily in their boots.

As he stood in the drive, an orange Holden pulled up behind him and he was trapped. The woman who got out wore a broad smile of old-fashioned red. She was younger than his father, or perhaps she worked very hard to look younger. He wondered suddenly if she’d been shown photographs of him. Closer up the woman’s eyes were blue.

‘Hello, darl, can I help you?’ she said in a voice laced with Perth and Texas. There was a silence. The woman put her hands on her neat hips, glanced behind him at the house.

‘Does Leon Collard live here?’

‘Leo?’ The woman’s smile wilted a little. She moved to the back of the car, opened the boot and started to take out shopping bags. ‘What d’you want with Leo?’ she asked turning round, laden.

‘I’m a friend.’

The woman looked at him and smiled again. She shut her mouth and tilted her head to one side. ‘You’re awfully young to be his friend.’ Her eyes were bright.

‘Well, he was a friend of my father’s.’

‘Well, how about that, darl?’ she asked him softly. He wondered if he should help her with her shopping, but then it might seem as if he wanted to get inside her house. They stood quietly, the shopping bags making a noise against the woman’s leg.

‘So… is he in?’

‘No — but you’d better come in — help me with these, won’t you?’

He took the bags from her, sweatily, and let himself be ushered inside her house, which was unlocked. She stood in the doorway behind him and checked up and down the street before closing the door. He stood, ballasted by the shopping.

The woman smiled large again. ‘Straight through to the kitchen,’ she said, dropping her car keys in a bowl and wiping her eyebrow with one finger. ‘It certainly is a hot one today — did you come far? I’m Merle, by the way. Leo’s wife.’

His face felt sugar-coated, stiffened. ‘Frank,’ he said, still holding the shopping, forgetting he was incognito.

Merle took the bags from him and smiled, her eyebrows raised in perfect ns. She placed the bags on the counter. ‘Now,’ she said, turning her full attention to him. ‘What kind of cordial would you like?’

He sat on the edge of an over-soft sofa that threatened to fold him in two if he sank too deeply and sipped a bright-green drink in a thick glass. Merle was putting away her frozens and he waited, feeling like a grubby child. A black and white portrait of a young man hung over an electric fireplace, the man’s expression seemed to say, infallibly and sternly, yes. Yes to what he wasn’t sure, but definitely yes to something. The picture was backlit so that the man seemed to be coming from the light, looming out in the dark. WILLIAM FRANKLIN GRAHAM, AUGUST 1956 it read on a small gold-leaf plaque in a neat black hand beneath him.

He watched in alarm as a crumb of mud fell off one of his boots. He picked it up and put it in his pocket.

‘I hope you like scotch fingers, Frank!’ Merle said, appearing in the doorway. ‘Your father’s favourite.’ He knew that they were not and thought this before realising she knew who he was. He pretended not to notice and accepted a biscuit from the elaborately decorated plate. The biscuit made a noise when he picked it up, a squeak against the china, which was, for some reason, embarrassing.

Merle switched on the large television that had a wooden statue of Jesus doing a peace sign on top. She snatched the remote control and muted an advert for turtle wax, then placed the control back on top of the television, next to Jesus and the scotch fingers. She settled in an armchair and made a sighing noise, like she had finally been made at ease. Frank saw that she had reapplied lipstick in the kitchen and despite her comfortable sigh, her mouth was firm and shut.

Merle’s cordial was bright pink — cherry — he could smell it. What he really wanted was a cold beer, something to kill the awkwardness of this strange meeting.

‘Thanks for that.’ He gestured to the drink that he couldn’t seem to swallow. She smiled, mouth still closed. Frank’s eyes wandered over to the television, some huge supermarket with a couple gaily pushing their empty trolley towards it. There was a burst of fluorescent stars and then the couple emerged, surprised and jubilant, their trolley full to overflowing. The woman picked out a bottle of shampoo and held it to her cheek. The man inspected some aluminium barbecue tongs as though they were just the weapons he needed.

‘So is, um, Leon at work?’ It was weird to use his first name and Merle raised an eyebrow.

‘We call him Leo now — like the lion? Due back around seven o’clock tonight, Frank — he’s been away on a trip.’

‘A trip?’

‘He sells The Book.’

‘The Book?’ His brain caught up with him. ‘The Bible Book?’

‘The very same.’

There was a needlework embroidery on the wall — in fact, there were several. They said things like CHRIST IS BEYOND OUR UNDERSTANDING and GLORY IN THY NAME. The one that was the most impressive, that was decorated with hearts and flowers, roses and poppies, vines and oranges, read AFTER THE FIRE, A STILL SMALL VOICE.

Merle noticed him looking. ‘Leo does those himself,’ she said. Frank was unable to stop the honk of a laugh that came out of him. He immediately thought he would be sick. He imagined his father sitting there in an apron delicately sewing away, a small smile on his lips. ‘Takes time and dedication and love to get those looking so good,’ said Merle. She parted her lips and smiled again, a line of sunlight blanketing her tightly pressed shins. Frank thought about the time he’d opened his lunch box at school to find a tin of sardines, missing the key to open them, and a balled-up sock.

‘It must be quite a lot to take in after all these years. I know that he didn’t always believe, Frank.’ A long silence followed during which Merle took a sip of her drink and blotted her lips on a napkin. Frank could not take his eyes off the embroidery. Merle rolled her tongue in to her cheek.

‘So this place was actually invented by Billy Graham?’

Merle smiled. ‘We prefer discovered. Or saved.’

‘Right.’ He wondered if he would have it in him to get up and leave, just to pretend he never came, ignore Merle as he crossed the room, leaving his scotch finger and lime cordial untouched, a trail of mud to the door.

‘Billy was the biggest thing to happen in Roedale.’ She shuffled forward a bit, lowered her voice like she was telling a fairy tale. ‘When I was a very young girl, I didn’t even know who Jesus was — thought he was something like Father Christmas, I think.’ She sat back in her seat a little, eyes on Frank’s. ‘See, my family weren’t the believing kind. At Christmas the town’d set up this chocolate wheel, and all the kids would line up and buy tickets and hope their number would be called, hope they’d be the ones eating all that sweet chocolate. Only — that chocolate wheel — all you’d ever win were cuts of meat.’ Merle took another sip, blotted, looked towards the portrait. ‘That was an ill-named wheel.’

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