Tahmima Anam - A Golden Age

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As young widow Rehana Haque awakes one March morning, she might be forgiven for feeling happy. Her children are almost grown, the city is buzzing with excitement after recent elections. Change is in the air.
But no one can foresee what will happen in the days and months that follow. For this is East Pakistan in 1971, a country on the brink of war. And this family's life is about to change forever.
Set against the backdrop of the Bangladesh War of Independence, 'A Golden Age' is a story of passion and revolution, of hope, faith, and unexpected heroism. In the chaos of this era, everyone must make choices. And as she struggles to keep her family safe, Rehana will be forced to face a heartbreaking dilemma.

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It was Maya who looked more like her father. She had his chestnut skin and deep-set eyes that made her look serious even when she was trying to say something funny or make a joke — which rarely happened — but Rehana had often seen her friends pause and look at each other, wondering whether to laugh.

They took two rickshaws. Maya and Sohail climbed into the first and Rehana followed. She liked being behind them, watching their shoulders knocking through the rolled-up flap on the back of the rickshaw.

She hadn’t seen her own sisters for years now. Marzia had come to Dhaka a few years after the children’s return. She had brought photos of her own children, plump twin boys with big faces and windswept hair. She kept talking about the smell of salt in the Karachi streets, and the burned taste of kababs on Clifton Beach, and, even though she devoured Rehana’s dimer halwa and swallowed the sweet Dhaka air with relish, she kept asking, again and again, why Rehana hadn’t gone to live in Karachi when her husband had died. ‘Everyone is there,’ she’d said. ‘Your whole family.’

When they parted at the airport Rehana had felt empty; she wanted to long for Marzia to stay, to cry and beg to be taken with her, but in the end she was just relieved to see her go. Marzia had behaved as though Rehana had betrayed them all; she had said things like, ‘Your Urdu is not as good as it used to be; must be all that Bengali you’re speaking.’ She had pronounced it Bungali . And when she had referred to the servants at her house, she had said, ‘Yes, we’re very lucky, we have two Bungalis ; Rokeya only has one and it’s never enough, you know, the houses out there are so big.’

Still, there wasn’t a day that went by that Rehana didn’t think of them, out there in the sprawling, parched western wing of their country. She held them to her by a loose bit of feeling, not fully connected, not entirely severed. She wrote them letters. Dear sisters , she would begin. She never finished one; she never sent one. She kept the letters in a biscuit tin under her bed, beside the winter blankets and the dried rice balls.

The rickshaws crossed Road 5 and made their way through Mirpur Road, blue-black and newly paved. The shops nudging the road were beginning to open, their shutters rattling up, the shopkeepers clearing their noses in the outside gutters.

A sign above the graveyard said women no admittance. Beside it, the caretaker leaned his elbow on a new length of wooden fencing painted a dull yellow and already smattered with flecks of mud. He gave Rehana a salaam and said, ‘Hot day.’ She nodded and gave him five annas. They wove through the gravestones. As she passed them, Rehana recognized old friends and noted a few new arrivals.

There was a man who had been visiting his wife every day for forty-three years. She had died, it was rumoured, in childbirth. The man was very old now, but he made the unsteady walk to his wife’s grave, laid down a small square of pati and sat facing her for hours at a time. So Rehana had always considered herself the second-most devoted mourner at the graveyard. She had never met the man, but once, after he’d left, she had approached his wife’s grave. begum hakim ullah hossain, the headstone read, wife and mother.

Over the years Rehana had made sure Iqbal’s was one of the best-tended squares in the graveyard. She began by doing what everyone else did: laying roses on his gravestone. But every time she came back to find the sight of the rotten flowers, she felt she had somehow betrayed him. She didn’t want to see dead things when she came to visit. So she planted a few seeds around the edge of the plot, and a few weeks later the tiny white jasmine flowers appeared, casting themselves resolutely upwards, as though pointing the way. Rehana came back regularly with her trowel and her watering can, trimming and perfecting the little white border.

Now she stood at the foot of Iqbal’s grave, facing the headstone that said, in black letters, muhammad iqbal haque. Sohail was on her left, Maya on her right. They cupped their hands and held them up.

This was the part when her throat always tightened.

My dear Husband, she began. Here are your two grown children. Mahshallah, it is the tenth year of their return.

Your son is now nineteen. Your daughter is seventeen. They are healthy and obedient.

Last time I was here I told you about the elections. Right now we are waiting for Mujib to be declared Prime Minister. There have been many delays. Your children are waiting for the government to change. Inshallah, once that happens they will be able to return to their studies.

She paused, took a deep breath. Steadied herself.

There was so much more she could say. I still miss you every day. Why did you leave me all alone. Why.

But she didn’t. If he was listening he would know it all anyway.

She pressed her palms to her face. Goodbye, Husband.

When she looked up, Rehana saw Sohail brush a few tears from his cheek. Maya was stroking the headstone. Then she bent down and kissed it at the top, where the dome was highest.

They returned to the bungalow to get ready for the guests. Maya dusted the drawing-room furniture, and Sohail helped the decorators to put up the tent in the garden. Rehana had made the biryani the night before, layering the ingredients and sealing the pot with flour paste. It had taken six or seven hours to cook; now she peeled back the seal, lifted the lid, and mixed up the layers of meat, potato and rice so that they were evenly distributed.

She counted out the plates. There would be about twenty people altogether. She was always nervous before this party; since she’d stopped going to the Gymkhana Club, it was one of the few times a year she saw her friends.

They had understood her absence from the club after Iqbal’s death. They came to her instead; Mrs Rahman, Rehana remembered, often brought cake. Hard, inedible cake that would sit brick-like on the dining table, collecting flies and scraps of dust. Mrs Chowdhury brought Silvi. And Mrs Akram, the youngest of them, skirted awkwardly around her, brushing the stink of bad fortune from the air with a flapping hand-fan.

After the children came back, there was, the gin-rummy ladies said, no reason for Rehana to stay away. So she tried once, a few months after she returned from Lahore, to revive the old group.

Mrs Chowdhury had been in a particularly festive mood that day, a smile playing in her eyes. ‘I have a surprise!’ she said to Rehana. Rehana had ignored her. Must be a new sweetshop she’d discovered. Best laddoos in town, she could almost hear her say. She felt awkward and nervous; it was hot inside, and the fans pulsing from the ceiling didn’t seem to be doing much good. She had been to the club many times before, but suddenly it was all very strange, and she was a little annoyed with Mrs Chowdhury for appearing so cheerful.

The square card table was decorated with flower-patterned tiles. The names of the flowers were written underneath with a curling, feminine hand. Bougainvillea, they declared. English rose. Daffodil.

Rehana had sat facing a row of yellow tulips. Across from her, Mrs Chowdhury was perched between the asters and the lilacs. Mrs Rahman shuffled over a row of dahlias. Mrs Akram made up the fourth, reapplying her lipstick in a thin sliver of mirror.

‘OK,’ Mrs Rahman said to Rehana. ‘Cut.’

Rehana divided the stack in two. Mrs Rahman shuffled again, raising her arm high and bringing it down again with a slap.

‘Face cards ten, low ace, as usual,’ she said, tossing cards to the four corners of the table.

There was a knock. A waiter wearing a coat that used to be white came in with a tray of teacups and a plate of biscuits. ‘Finally,’ Mrs Chowdhury giggled. ‘Just leave it here. No need to pour. Go. Go .’ She lifted her bag from where it sat on the floor and pulled out a small silver flask. She unscrewed the top and tipped its tea-coloured contents into the four cups. She topped up the cups with real tea. Then like a chemist, she added milk. ‘There we are!’ she said with a flourish.

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