Tahmima Anam - The Good Muslim

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From prizewinning Bangladeshi novelist Tahmima Anam comes her deeply moving second novel about the rise of Islamic radicalism in Bangladesh, seen through the intimate lens of a family.
Pankaj Mishra praised
, Tahmima Anam's debut novel, as a "startlingly accomplished and gripping novel that describes not only the tumult of a great historical event. . but also the small but heroic struggles of individuals living in the shadow of revolution and war." In her new novel,
, Anam again deftly weaves the personal and the political, evoking with great skill and urgency the lasting ravages of war and the competing loyalties of love and belief.
In the dying days of a brutal civil war, Sohail Haque stumbles upon an abandoned building. Inside he finds a young woman whose story will haunt him for a lifetime to come. . Almost a decade later, Sohail's sister, Maya, returns home after a long absence to find her beloved brother transformed. While Maya has stuck to her revolutionary ideals, Sohail has shunned his old life to become a charismatic religious leader. And when Sohail decides to send his son to a madrasa, the conflict between brother and sister comes to a devastating climax. Set in Bangladesh at a time when religious fundamentalism is on the rise,
is an epic story about faith, family, and the long shadow of war.

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Maya peered between Rokeya’s legs. ‘It’s not long now, just a few more minutes. I can feel it coming.’

Rokeya shook her head. ‘Can’t,’ she whispered.

‘You have to. There’s no other way.’ Maya tried to pull her up again, but she fell back on the rolled-up mattress, shaking her head. Now the scream came as the baby bore down on her, a low, black bellow. ‘Come on now,’ Maya said, ‘the baby wants to come out, you can feel it, I know you can.’

Rokeya was too tired to move. Maya came up behind her and pushed her into a sitting position. Then she squatted behind her and held her by the armpits. She pushed her mouth close to the girl’s ear. ‘You know what? It’s a girl. I felt it during the exam. This is your little girl. You know how hard it is to be a little girl in this world? Don’t you want to let her know you love her, right now, before she’s even in the world? Tell her. Tell her now. Push with me.’ Maya gripped Rokeya hard while she pushed, and her strength seemed to return as she bore down. Maya saw the baby’s legs. With the next surge, the torso and shoulders emerged. Now that the arms were free, Maya tugged, gently, holding the neck in place. ‘Just one more,’ she said, but Rokeya was fully in control now, her body dictating every breath. The baby’s chin began to emerge, and the bridge of the nose, eyes covered in yellow and green, remnants of an already old world. Maya lifted her up, her arms and legs flopping to the sides while she rubbed the little chest, waiting for the cry, and then it came, high and grand and powerful. Before placing her in her mother’s arms, she whispered, as she had at all the other births, hello, little amphibian . Someone had to acknowledge the strangeness of this soul, and the distance it had traversed, millions and millions of years, in order to be here.

She had witnessed the birth of so many of these beings, held their hands as they left their sea-scapes and came ashore, but she had never allowed herself the thought that it might someday be hers, this spilling out of life. Now, in the quiet moment that followed, Maya allowed herself a small fantasy. Something of her own. She thought of Joy, and the child they might have, a strange little creature that would be hers this time, all hers.

Bundled into a katha, the baby was handed to the family while Maya attended to Rokeya. She held a needle to the kerosene flame and threaded it with string. ‘It’s going to hurt again,’ she said. ‘I’m sorry.’

Rokeya bit down on her lip. ‘I have to tell you something,’ she said, her fists curled around the mattress.

‘Now?’

‘Yes,’ she said, ‘I have to tell you now. It’s about the boy.’

About to make another stitch, Maya steadied herself. ‘Zaid?’

‘Did you know he ran away from the madrasa?’

Maya concentrated on her fingers, reaching, dipping, rising, closing the wound. ‘He’s run away?’

‘It was when your mother was in the hospital.’

He had lied. How stupid of her not to have known. ‘You saw him?’ she asked.

‘Only for a few minutes, then Sister Khadija found him. I asked him why he ran away. He said it was because at the madrasa the Huzoor made him lie down. What did he mean by that, Maya Apa? Because I have been thinking about it and thinking about it, and it can mean only one thing, really. Only one thing.’

Suddenly it seemed to Maya that Rokeya had breathed all the air out of the room. ‘You’re sure that’s what he said?’

‘I know the child lies. But I believed him.’

It can mean only one thing . It took every shred of Maya’s will to finish stitching Rokeya’s tear, give her instructions on how to look after the wound and slip quietly from the room, making her excuses to the family and jumping into the first rickshaw she could find, dawn tapping its feet on the horizon, the sky still black and studded with stars.

1977 November

Sohail was throwing away his books. Maya caught him boxing them into crates and alphabetising, sorting, dusting the spines. It was the loving way he did this, lining each crate with newspaper and placing the books gently inside, that made her angry. She saw the struggle that bent his hand over this title, that spine. The way he opened, read a page — lingered over Ibsen, perhaps considering Hedda, or Nora — then closed each volume with firmness, those women from another age, another world, forbidden to him now.

That’s when she confronted him, standing in the doorway of his bedroom, the books clustered at his feet like a dense school of fish. She knew the answer, had known all along, the change in his clothes, the dusting over of the guitar. Silvi, she said, I know it is Silvi.

‘She’s my wife; you can’t speak that way about her.’

‘So this is your idea?’

‘It was my choice.’ He was holding a volume of Rilke and shaking it at her.

Getting those books together hadn’t been easy. He had scoured New Market for each of the volumes, sitting on the chairs outside the booksellers, leaning into dusty, spiderwebbed corners for the books they pretended they didn’t have. Lawrence, Fitzgerald. The Scarlet Letter . He loved the outcast heroines, Lily Bart and Hester Prynne and Moll Flanders. The Rilke, she knew, he had stolen from the university library. The volume had attached itself to him and asked to be taken home, stuffed into the rucksack of a boy-soldier, battered in rain, in the water-filled air of the monsoon. It had been read in the pale orange of a kerosene lamp, in the yellow and gold of a candle, over meals of coarse bread and green banana curry. Orange and yellow and gold and green banana. This was what he was pointing at her now, the corner of the stolen volume, about to be closed into the dark of a crate, never to be touched again by the soldier, never lodged in the caress of his throat as he read its verses aloud, because his new love allowed him only one poet.

‘It has nothing to do with her.’

‘You suddenly have something against books?’

‘There has to be a limit, Maya.’

‘I agree. There has to be a limit. Isn’t that why you joined the fighting?’

‘It didn’t do any good, did it?’

‘I know it feels that way now, but it won’t always be like this.’

‘It doesn’t matter. There is another life after this one.’

He packed away the Rilke, pulled another volume from the shelf and tossed it into the box.

‘I want to talk about it,’ she said. ‘You never told me anything about the war.’

‘What could I tell you? We fought, we won. It didn’t make a difference in the end.’ He peeled off his cap and wrung it between his hands. His hair was cut close against his skin. He looked, as he never had during the war, like a soldier.

Any minute now she knew he could be gone to her. Gone for ever. What could she say to keep him back? Nothing, probably. Silvi’s hold on him was too strong, and she had the Almighty to back her up. A formidable foe. But there was one thing, one thing she had never told Sohail. Perhaps now was the time to tell him, something that might shock him into realising he wasn’t the only one who was suffering because of what he had done. ‘I want to talk about Piya,’ she said.

He swerved around to face her, and in a low, secretive voice said, ‘That’s finished, Maya.’

She knew he was trying to convince himself. She knew he thought of Piya every day. Every day he thought of her and wondered where she had gone. Just as Maya did.

She took the cap from his hands and made a space for them to sit down. He put his palms on the stacks of books and sat like a king, suddenly attentive. She couldn’t get out of it now. It occurred to her that if she told him, he might take all the books out of their crates and put them back on to the shelves. And exchange his loose cotton pyjamas for a pair of trousers and buy a reel-to-reel player so they could listen to Simon and Garfunkel.

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