David Szalay - Spring

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Spring: краткое содержание, описание и аннотация

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The U.S. debut of leading U.K. author David Szalay, named one of
’s twenty best British novelists under forty. James is a man with a checkered past — sporadic entrepreneur, one-time film producer, almost a dot-com millionaire — now alone in a flat in Bloomsbury, running a shady horse-racing-tips operation. Katherine is a manager at a luxury hotel, a job she’d intended to leave years ago, and is separated from her husband. The novel unfolds in 2006, at the end of the money-for-nothing years, as a chance meeting leads to an awkward tryst and James tries to make sense of a relationship where “no” means “maybe” and a “yes” can never be taken for granted.
David Szalay builds a novel of immense resonance as he cycles though perspectives that add layers of depth to the hesitations, missteps, and tensions as James tries to win Katherine. James’s other pursuit is money, and
follows his investments and schemes, from a half share in a thoroughbred to a suit-and-tie day job he’s taken to pay the bills.
is a sharply tuned novel so nuanced and precise in its psychology that it establishes Szalay as a major talent.

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While they were waiting, he touched her a second time. Sitting side by side at a table near the entrance—a stained tablecloth, plastic flowers—they had lapsed into silence and he put his hand on her thin jeaned thigh and stroked the fabric a few times with his thumb. She did not seem surprised. She did not tense up or move her leg. She just lifted her eyes from the Taste of India carpet and looked at him steadily for a minute with no particular expression on her face—or an expression, at most, of tolerant indulgence. Then the smiling waiter approached with their supper.

They ate it with the television on. Her flatmate, Summer, was there—she had been away for the weekend with some man; her suitcase was still in the hall. He had not even known of her existence until they found her sitting on the sofa with her small stockinged feet on the old leather pouf, watching TV. Her presence had the effect of taking most of the interesting tension from the situation—things seemed flat now that she was there—and when Katherine went to do the washing-up, leaving them to talk amongst themselves, he felt that it was probably time for him to leave.

He found her standing at the sink in the kitchen. She may not have noticed he was there until, stepping up to her, he put his hands on her waist. When she did not move even then, he went a step further and, tucking down the tag of her sweater, kissed her exposed neck.

‘Do you want to stay the night?’ she said, still sloshing things in the sink.

‘Do you want me to?’

‘It’s up to you.’

He seemed to think for a moment. ‘Yes, I’d like to.’

‘Okay.’

‘Are you sure?’ he said.

‘Am I sure?’

‘Are you sure it’s okay? I don’t want to stay if you don’t want me to.’

‘It’s okay,’ she said, freeing herself from his hands, which had stolen onto her stomach, and taking a dishcloth.

Her pale hair was tied up severely, showing the high pallor of her forehead, and her face had a freshly scrubbed look. She was wearing a loose T-shirt and old-fashioned pyjama trousers. ‘I’ve still got my period,’ she announced, turning down the duvet.

‘Okay.’

Sitting there, he found it slightly difficult to see what the point of his presence was—she was under the duvet now, and did not seem to pay him any attention as he slowly undressed and joined her. She was lying on her side, facing away from him, and she did not move when he put out his hand and sent it down the shallow slope of her side and up the steeper hill of her hip, feeling under his fingertips the filled, homely fabric of the pyjama trousers.

‘Are you sure you want me to stay?’ he said.

A sudden susurration of the sheets—she turned. In such proximity her face looked different. His perusal of it, and his silence, seemed to unnerve her and shaking her head on the pillow, she said, ‘What?’

‘Nothing… I like looking at you.’

She smiled very slightly and he kissed her. She let him. She let him kiss her unparted lips, once, twice, and even then it seemed no more than a sort of tolerant indulgence, until her mouth melted open and for a few seconds seemed to be searching urgently for something inside his. His hands were inside her T-shirt. ‘I don’t want to have sex,’ she said. ‘I told you, I have my period. And even if I didn’t, I wouldn’t want to have sex.’

They lay still for a while.

She put her hand on his face and said, ‘I’m sorry. I’m pleased you insisted on staying.’

‘Insisted? I didn’t insist…’

She smiled. ‘Okay, you didn’t insist…’

Taking it from his face, he kissed the palm of her hand—plump and mild and slightly damp—and that was the start of a tortuously slow exploration, an exploration sub specie aeternitatis, of the sense of touch.

Towards morning—they were naked on the mattress, their senses painfully peeled in the warmth of the storage heater—she muttered, ‘I don’t think I can not have an orgasm,’ and letting her knees fall open, quietly started to play with herself.

*

Suddenly, unexpectedly, no longer even seriously hoped for, there were a few lovely days. Sun-fire on frozen ponds. Everything seemed okay then.

Then on Saturday afternoon, towards the end of the afternoon, when the winter daylight was starting to fail, he met her at Angel tube station, and there was something wrong. He had sensed it earlier in the day when they had spoken on the phone, and when he met her at the station and tried to kiss her she just turned and started to walk away.

They had walked some way up Essex Road—past Packington Street, were in front of the open facade of Steve Hatt the fishmonger, standing on the stained pavement in a faint sea smell—when she stopped and said, ‘What are we doing? Where are we going?’

‘I don’t know,’ he said. ‘Where are we going?’

‘I thought you wanted to get a drink,’ she said.

‘Is that what you want to do?’

‘Isn’t that what you want to do?’… ‘Do you want to get a drink?’ she said.

‘I don’t mind. What do you want to do?’

If it was a drink he wanted, she insisted on returning to Angel, and they were nearing Islington Green, still in silence, when he stopped and said, ‘Look, if you’re not going to say anything, maybe I should just go.’

She went very still.

‘You’re not saying anything either,’ she said half-heartedly. Then she said, ‘I’m sorry. I don’t know…’

‘What?’

‘I’m sorry.’ She put a hand on his arm. ‘I feel a bit weird.’

‘What do you mean you feel a bit weird?’

‘I’ve been feeling a bit weird this afternoon, since earlier.’

‘I don’t know what you mean when you say a bit weird.

‘Let’s just get a drink,’ she said. ‘Let’s just get a drink and see how it goes.’

‘See how it goes ?’

‘Yes,’ she said.

He followed her into the nearest pub. Not a particularly nice pub. The Nag’s Head. And she still seemed to be feeling quite weird. While they stood at the bar waiting to be served, surrounded by screens shouting about sport, she started to laugh. Perhaps it was just the fact that they had ended up there, in the Nag’s Head, a straightforward pub with a passion for sport, and a sour smell of lager soaked into wood. They sat down at a long table which they had to share with some other people. She seemed strangely exhilarated. There was a strong flush in her pale skin.

He was wary. He pressed her on what she had meant outside when she said she was feeling a bit weird.

She stopped smiling. ‘I just… didn’t… feel anything,’ she said.

‘You didn’t feel anything?’

‘No.’

‘What do you mean? When?’

‘This afternoon.’ Seeing the expression on his face, she took his hands in hers and said, ‘It was just something weird. I don’t know what happened. I’m sorry.’

‘This isn’t just what you’re like, is it?’ he suggested, smiling sceptically.

She laughed and shook her head. ‘No.’

‘You’re sure?’

‘I’m sure.’

Over the second pint they started to talk about other things— he told her how he had once owned a pizza-delivery franchise nearby, and how he had mortgaged it to produce a film (directed by Julian Shoe—the name made her laugh, he swore he wasn’t making it up), which had never found a distributor, forcing him to sell the pizza franchise and work instead as an estate agent at one of the snootier Upper Street outfits—Windlesham Fielding, pinstriped suits moving in the shop window. Though she knew by then that he had old links with the postcode, this was the first time they had been mapped out for her. He told her how—after a stint in the City which ended in minor scandal—he had set up on his own as an Islington estate agent. For a while he was successful. He owned up to having owned a Porsche—to having been a Porsche-owning estate agent. (She laughed at that.) He said he had lived in several thousand square feet of warehouse flat overlooking the canal. He had not seen the place for years and he suggested they walk over there tomorrow.

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