William Boyd - Waiting for Sunrise

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Waiting for Sunrise: краткое содержание, описание и аннотация

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Vienna. 1913. It is a fine day in August when Lysander Rief, a young English actor, walks through the city to his first appointment with the eminent psychiatrist, Dr. Bensimon. Sitting in the waiting room he is anxiously pondering the nature of his problem when an extraordinary woman enters. She is clearly in distress, but Lysander is immediately drawn to her strange, hazel eyes and her unusual, intense beauty.
Later the same day they meet again, and a more composed Hettie Bull introduces herself as an artist and sculptor, and invites Lysander to a party hosted by her lover, the famous painter Udo Hoff. Compelled to attend and unable to resist her electric charm, they begin a passionate love affair. Life in Vienna becomes tinged with the frisson of excitement for Lysander. He meets Sigmund Freud in a café, begins to write a journal, enjoys secret trysts with Hettie and appears to have been cured.
London, 1914. War is stirring, and events in Vienna have caught up with Lysander. Unable to live an ordinary life, he is plunged into the dangerous theatre of wartime intelligence — a world of sex, scandal and spies, where lines of truth and deception blur with every waking day. Lysander must now discover the key to a secret code which is threatening Britain’s safety, and use all his skills to keep the murky world of suspicion and betrayal from invading every corner of his life.
Moving from Vienna to London’s west end, the battlefields of France and hotel rooms in Geneva, Waiting for Sunrise is a feverish and mesmerising journey into the human psyche, a beautifully observed portrait of wartime Europe, a plot-twisting thriller and a literary tour de force from the bestselling author of Any Human Heart, Restless and Ordinary Thunderstorms.

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“The boy is mine but I don’t know when and how I’m ever going to be able to see him.”

“Another man in the picture?”

“Yes. Miss Bull’s common-law husband — as the expression goes. An unpleasant fellow, a painter called Udo Hoff.”

“Painters are always difficult. But you’re in touch with Miss Bull, at least. What’s her Christian name?”

“Esther.”

“Sounds religious to me. Is she religious?”

“Not in the least. She’s known as Hettie.”

“Hettie Bull. We have a chambermaid here called Hettie.”

“Hettie Bull is an…extraordinary person. I was completely…” Lysander paused. “She was helpful to me and I rather lost my head. She overwhelmed me. We overwhelmed each other.”

“So it was very passionate.”

“Very.”

“And little Lothar is the outcome.”

They sat there in silence for a while.

“Have you a photograph of this Hettie Bull?”

“Do you know, I haven’t. I left in such a hurry. All I have is this.”

Lysander took the libretto of Andromeda und Perseus out of his pocket and handed it to her.

“That’s her. She posed for Andromeda.”

“Very daring. She’s completely naked. She looks pretty anyway. Is she tall?”

“She’s tiny. A little slip of a thing — gamine . Electric.”

Lysander suddenly thought this was a good sign, a further indication of the success of his Vienna cure, in that he was practically talking with his mother about sex. She reached out and removed some thistle down from his lapel.

“I thought you liked tall girls, like Blanche.”

“I did. Until I met Hettie.”

She looked at the cover of the libretto again.

“Can I borrow this? It seems interesting. Did you hear the music? I don’t know the composer.”

“It was very modern, apparently. But, no, I didn’t. Do take it.”

“Lysander! Why did no one tell us you were here?”

They looked up to see, coming through the door from the large walled garden, the lanky figure of the Hon. Hugh Faulkner. He turned and shouted back through the open door.

“Girls! Uncle Lysander’s here!”

Squeals of delight followed this announcement and, seconds later, Emily and Charlotte came racing across the lawn towards them.

“I think we’ll keep this news from the rest of the family for a while,” his mother said, quietly. “Careful, girls, don’t fall and spoil your lovely dresses!”

Crickmay Faulkner offered Lysander a cigar.

“Your mother tells me you’re acting in an indecent play.”

“I’ll take a cigarette, thank you. Yes, it’s Swedish, called Miss Julie .”

“I like the sound of that already. I want tickets for the first night, front row.” Crickmay smiled. “I want to be corrupted before I die.”

“Me too,” Hugh added, lighting his cigar. “I want to be corrupted too — but you’ve got a good few years left in you, Papa.” He passed the port decanter to Lysander. “What’s it about?”

“It’s about a rich, well-born woman who has an affair with a valet.”

“Marvellous. But they’ll never let you put it on.”

They laughed. Crickmay lit his cigar, coughed and slapped his chest.

“Don’t tell your mother, she’ll get cross with me.”

He was looking decidedly older these days, Lysander thought, his face slowly collapsing, big bags under his rheumy eyes and sagging cheeks. His thick white moustache needed clipping.

The three men were sitting in the dining room in their dinner jackets, smoking and drinking port, the women having retired to the drawing room. Lysander topped up his glass, feeling a little drunk. Telling his mother about Hettie and Lothar had encouraged him to drink more than he meant. Brandy and soda before dinner, too much claret with the roast lamb and now port. Better stop if he was going to walk to Winchelsea tomorrow.

“Shall we join the ladies?” Crickmay said, heaving himself to his feet with difficulty and limping out of the room.

“Bring the port, Lysander,” Hugh said. “Are you thinking about going to church tomorrow? If you won’t, I won’t.”

Lysander picked up the port decanter.

“No. I’m walking to Winchelsea tomorrow, check up on the Major.”

“Amazing fellow. Where’s he been to now?”

They walked down the wide corridor towards the Green Drawing Room.

“Somewhere in West Africa, I think. Exploring the upper reaches of the Benue River, the last I heard. He’s been away for two years.”

They turned into the drawing room, where May was playing the piano and his mother was searching through sheet music looking for a song. It was her party piece, a nod to her past that everyone indulged and enjoyed. Lysander went and stood by the fireplace, looking at her with admiration as she stood in the ogival curve of the piano, one hand resting on the music stand, and raised her chin firmly, ready to sing. It was still light outside — the deepening blue of the short summer night just beginning to overcome the last of the sun’s iridescence in the sky. Lysander felt a pressure at the base of his spine and a feeling of peace flow through him. He had a son — it was as if the news had only just registered. He had a son called Lothar. He wondered if one day he would ever bring him to Claverleigh Hall to meet his grandmother. It seemed an impossible dream. His mother began to sing and her warm vibrant voice filled the air.

Arm und Nacken, weiss und lieblich ,

Schimmern in dem Mondenscheine…

Brahms, he recognized, one of his favourites. ‘Summer Evening’. ‘White and lovely, her arms and neck glimmer in the moonshine’. He felt the emotion well and brim in him — such a simple poem. Hettie, he thought at once — it wasn’t over, clearly. He stood and crossed to the window as his mother continued singing. He looked out through his reflection in the panes to the darkening park beyond, the sun below the horizon now, though its light still charged and brightened the blue-grey air. The ancient limes, oaks and elms in the fenced enclosure seemed to solidify, losing their individual character as trees, and became great opaque shaggy monoliths that, as the remaining sunglow removed itself from them, somehow better revealed the true artful geography of the landscape gardener who, a century before, had placed the feathery saplings here and there — on the sides of hillocks, on the edge of the small lake, and grouped them in gentle valleys — to make a near-perfect man-made landscape that he would never see.

3:The Walk to Winchelsea

Lysander was up at six o’clock and went down to the kitchen, where he gulped a quick cup of tea and had two rounds of cheese-and-pickle sandwiches made up for him. He had found a pair of corduroy trousers and some mountain boots in his wardrobe and with a linen jacket and a Panama hat he was ready for the day. He reckoned it was a twenty-three-mile walk to Winchelsea, more or less straight across country, following lanes and tracks via the villages of Herstmonceux and Battle before he briefly joined the main trunk road that would lead him down to the coast at Winchelsea.

The day was warm but there was a threat of showers, according to Marlowe, so he stuffed a rubberized cycling cape in his rucksack, along with his sandwiches and his playscript of Miss Julie , and set off across the park looking for the first of the cart-tracks that would lead him east to Herstmonceux.

He made good going in the early morning freshness over the downland, catching glimpses of the silvered sea to his right whenever he hit higher ground and the unfolding valleys opened up to afford him a view southwards. He felt good in himself, as he always did when he was walking with purpose, his mind emptying of everything except what he could see and hear around him, as he skirted the oak and beech copses, following sunken lanes hedged with hornbeam and blackthorn, hearing a late cuckoo piping its two-note song, looking down on small farms from ridge-paths, crossing trunk roads as quickly as he could, eager to remove himself from traffic and the noisy reminders of the twentieth century.

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