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Graham Swift: Learning to Swim: And Other Stories

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Graham Swift Learning to Swim: And Other Stories

Learning to Swim: And Other Stories: краткое содержание, описание и аннотация

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The men and women in these spare, Kafkaesque stories are engaged in struggles that are no less brutal because they are fought by proxy. In Graham Swift's taut prose, these quiet combative relationships-between a mismatched couple; an aging doctor and his hypochondriacal patient; a teenage refugee swept up in the conflict between an oppressively sentimental father and his rebellious son-become a microcosm for all human cruelty and need. "Swift proves throughout this ambitious collection that he is a master of his language and the construction of provocative situations."-

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Mrs. Singleton grew restless, though she lay unmoving on the beach. Wasps were buzzing close to her head, round their picnic bag. She thought that Mr. Singleton and Paul had been too long at their swimming lesson. They should come out. It never struck her, hot as she was, to get up and join her husband and son in the sea. Whenever Mrs. Singleton wanted a swim she would wait until there was an opportunity to go in by herself; then she would wade out, dip her shoulders under suddenly and paddle about contentedly, keeping her hair dry, as though she were soaking herself in a large bath. They did not bathe as a family; nor did Mrs. Singleton swim with Mr. Singleton — who now and then, too, would get up by himself and enter the sea, swim at once about fifty yards out, then cruise for long stretches, with a powerful crawl or butterfly, back and forth across the bay. When this happened Mrs. Singleton would engage her son in talk so he would not watch his father. Mrs. Singleton did not swim with Paul either. He was too old now to cradle between her knees in the very shallow water, and she was somehow afraid that while Paul splashed and kicked around her he would suddenly learn how to swim. She had this feeling that Paul would only swim while she was in the sea, too. She did not want this to happen, but it reassured her and gave her sufficient confidence to let Mr. Singleton continue his swimming lessons with Paul. These lessons were obsessive, indefatigable. Every Sunday morning at seven, when they were at home, Mr. Singleton would take Paul to the baths for yet another attempt. Part of this, of course, was that Mr. Singleton was determined that his son should swim; but it enabled him also to avoid the Sunday morning languor: extra hours in bed, leisurely love-making.

Once, in a room at college, Mr. Singleton had told Mrs. Singleton about his swimming, about his training sessions, races; about what it felt like when you could swim really well. She had run her fingers over his long, naked back.

Mrs. Singleton sat up and rubbed sun-tan lotion on to her thighs. Down near the water’s edge, Mr. Singleton was standing about waist deep, supporting Paul who, gripped by his father’s hands, water wings still on, was flailing, face down, at the surface. Mr. Singleton kept saying, “No, keep still.” He was trying to get Paul to hold his body straight and relaxed so he would float. But each time as Paul nearly succeeded he would panic, fearing his father would let go, and thrash wildly. When he calmed down and Mr. Singleton held him, Mrs. Singleton could see the water running off his face like tears.

Mrs. Singleton did not alarm herself at this distress of her son. It was a guarantee against Mr. Singleton’s influence, an assurance that Paul was not going to swim; nor was he to be imbued with any of his father’s sullen hardiness. When Mrs. Singleton saw her son suffer, it pleased her and she felt loving towards him. She felt that an invisible thread ran between her and the boy which commanded him not to swim, and she felt that Mr. Singleton knew that it was because of her that his efforts with Paul were in vain. Even now, as Mr. Singleton prepared for another attempt, the boy was looking at her smoothing the sun-tan oil on to her legs.

“Come on, Paul,” said Mr. Singleton. His wet shoulders shone like metal.

When Paul was born it seemed to Mrs. Singleton that her life with her husband was dissolved, as a mirage dissolves, and that she could return again to what she was before she knew him. She let her staved-off hunger for happiness and her old suppressed dreams revive. But then they were not dreams, because they had a physical object and she knew she needed them in order to live. She did not disguise from herself what she needed. She knew that she wanted the kind of close, even erotic relationship with her son that women who have rejected their husbands have been known to have. The kind of relationship in which the son must hurt the mother, the mother the son. But she willed it, as if there would be no pain. Mrs. Singleton waited for her son to grow. She trembled when she thought of him at eighteen or twenty. When he was grown he would be slim and light and slender, like a boy even though he was a man. He would not need a strong body because all his power would be inside. He would be all fire and life in essence. He would become an artist, a sculptor. She would pose for him naked (she would keep her body trim for this), and he would sculpt her. He would hold the chisel. His hands would guide the cold metal over the stone and its blows would strike sunlight.

Mrs. Singleton thought: All the best statues they had seen in Greece seemed to have been dredged up from the sea.

She finished rubbing the lotion on to her insteps and put the cap back on the tube. As she did so she heard something that made her truly alarmed. It was Mr. Singleton saying, “That’s it, that’s the way! At last! Now keep it going!” She looked up. Paul was in the same position as before but he had learnt to make slower, regular motions with his limbs and his body no longer sagged in the middle. Though he still wore the water-wings he was moving, somewhat laboriously, forwards so that Mr. Singleton had to walk along with him; and at one point Mr. Singleton removed one of his hands from under the boy’s ribs and simultaneously looked at his wife and smiled. His shoulders flashed. It was not a smile meant for her. She could see that. And it was not one of her husband’s usual, infrequent, rather mechanical smiles. It was the smile a person makes about some joy inside, hidden and incommunicable.

“That’s enough,” thought Mrs. Singleton, getting to her feet, pretending not to have noticed, behind her sun-glasses, what had happened in the water. It was enough: They had been in the water for what seemed like an hour. He was only doing it because of their row last night, to make her feel he was not outmatched by using the reserve weapon of Paul. And, she added with relief to herself, Paul still had the water-wings and one hand to support him.

“That’s enough now!” she shouted aloud, as if she were slightly, but not ill-humouredly, peeved at being neglected. “Come on in now!” She had picked up her purse as a quickly conceived ruse as she got up, and as she walked towards the water’s edge she waved it above her head. “Who wants an ice-cream?”

Mr. Singleton ignored his wife. “Well done, Paul,” he said. “Let’s try that again.”

Mrs. Singleton knew he would do this. She stood on the little ridge of sand just above where the beach, becoming fine shingle, shelved into the sea. She replaced a loose strap of her bikini over her shoulder and with a finger of each hand pulled the bottom half down over her buttocks. She stood feet apart, slightly on her toes, like a gymnast. She knew other eyes on the beach would be on her. It flattered her that she — and her husband, too — received admiring glances from those around. She thought, with relish for the irony: Perhaps they think we are happy, beautiful people. For all her girlhood diffidence, Mrs. Singleton enjoyed displaying her attractions and she liked to see other people’s pleasure. When she lay sunbathing she imagined making love to all the moody, pubescent boys on holiday with their parents, with their slim waists and their quick heels.

“See if you can do it without me holding you,” said Mr. Singleton. “I’ll help you at first.” He stooped over Paul. He looked like a mechanic making final adjustments to some prototype machine.

“Don’t you want an ice-cream then, Paul?” said Mrs. Singleton. “They’ve got those chocolate ones.”

Paul looked up. His short wet hair stood up in spikes. He looked like a prisoner offered a chance of escape, but the plastic water-wings, like some absurd pillory, kept him fixed.

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