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Graham Swift: Learning to Swim: And Other Stories

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Graham Swift Learning to Swim: And Other Stories

Learning to Swim: And Other Stories: краткое содержание, описание и аннотация

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The men and women in these spare, Kafkaesque stories are engaged in struggles that are no less brutal because they are fought by proxy. In Graham Swift's taut prose, these quiet combative relationships-between a mismatched couple; an aging doctor and his hypochondriacal patient; a teenage refugee swept up in the conflict between an oppressively sentimental father and his rebellious son-become a microcosm for all human cruelty and need. "Swift proves throughout this ambitious collection that he is a master of his language and the construction of provocative situations."-

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She watched Mr. Singleton drop his arm back to his side. “If you wouldn’t splash it wouldn’t go in your eyes,” she just caught him say.

The night before, in their hotel room, they had argued. They always argued about halfway through their holidays. It was symbolic, perhaps, of that first trip to Greece, when he had somehow refused to enjoy himself. They had to incur injuries so that they could then appreciate their leisure, like convalescents. For the first four days or so of their holiday Mr. Singleton would tend to be moody, on edge. He would excuse this as “winding down,” the not-to-be-hurried process of dispelling the pressures of work. Mrs. Singleton would be patient. On about the fifth day Mrs. Singleton would begin to suspect that the winding down would never end and indeed (which she had known all along) that it was not winding down at all — he was clinging, as to a defence, to his bridges and tunnels; and she would show her resentment. At this point Mr. Singleton would retaliate by an attack upon her indolence.

Last night he had called her “flabby.” He could not mean, of course, “flabby-bodied” (she could glance down, now, at her still flat belly), though such a sensual attack, would have been simpler, almost heartening, from him. He meant “flabby of attitude.” And what he meant by this, or what he wanted to mean, was that he was not flabby; that he worked, facing the real world, erecting great solid things on the face of the land, and that, whilst he worked, he disdained work’s rewards — money, pleasure, rich food, holidays abroad — that he hadn’t “gone soft,” as she had done since they graduated eleven years ago, with their credentials for the future and their plane tickets to Greece. She knew this toughness of her husband was only a cover for his own failure to relax and his need to keep his distance. She knew that he found no particular virtue in his bridges and tunnels (it was the last thing he wanted to do really — build); it didn’t matter if they were right or wrong, they were there, he could point to them as if it vindicated him — just as when he made his infrequent, if seismic, love to her it was not a case of enjoyment or satisfaction; he just did it.

It was hot in their hotel room. Mr. Singleton stood in his blue pyjama bottoms, feet apart, like a PT instructor.

“Flabby? What do you mean—‘flabby’!?” she had said, looking daunted.

But Mrs. Singleton had the advantage whenever Mr. Singleton accused her in this way of complacency, of weakness. She knew he only did it to hurt her, and so to feel guilty, and so to feel the remorse which would release his own affection for her, his vulnerability, his own need to be loved. Mrs. Singleton was used to this process, to the tenderness that was the tenderness of successively opened and reopened wounds. And she was used to being the nurse who took care of the healing scars. For though Mr. Singleton inflicted the first blow he would always make himself more guilty than he made her suffer, and Mrs. Singleton, though in pain herself, could not resist wanting to clasp and cherish her husband, wanting to wrap him up safe when his own weakness and submissiveness showed and his body became liquid and soft against her; could not resist the old spur that her husband was unhappy and it was for her to make him happy. Mr. Singleton was extraordinarily lovable when he was guilty. She would even have yielded indefinitely, foregoing her own grievance, to this extreme of comforting him for the pain he caused her, had she not discovered, in time, that this only pushed the process a stage further. Her forgiveness of him became only another level of comfort, of softness he must reject. His flesh shrank from her restoring touch.

She thought: Men go round in circles, women don’t move.

She kept to her side of the hotel bed, he, with his face turned, to his. He lay like a person washed up on a beach. She reached out her hand and stroked the nape of his neck. She felt him tense. All this was a pattern.

“I’m sorry,” he said, “I didn’t mean—”

“It’s all right, it doesn’t matter.”

“Doesn’t it matter?” he said.

When they reached this point they were like miners racing each other for deeper and deeper seams of guilt and recrimination.

But Mrs. Singleton had given up delving to rock bottom. Perhaps it was five years ago when she had thought for the third time of leaving her husband, perhaps long before that. When they were students she’d made allowances for his constraints, his reluctances. An unhappy childhood perhaps, a strict upbringing. She thought his inhibition might be lifted by the sanction of marriage. She’d thought, after all, it would be a good thing if he married her. She had not thought what would be good for her. They stood outside Gatwick Airport, back from Greece, in the grey, wet August light. Their tanned skin had seemed to glow. Yet she’d known this mood of promise would pass. She watched him kick against contentment, against ease, against the long, glittering life-line she threw to him; and, after a while, she ceased to try to haul him in. She began to imagine again her phantom artists. She thought: People slip off the shores of the real world, back into dreams. She hadn’t “gone soft,” only gone back to herself. Hidden inside her like treasure there were lines of Leopardi, of Verlaine her husband would never appreciate. She thought, he doesn’t need me, things run off him, like water. She even thought that her husband’s neglect in making love to her was not a problem he had but a deliberate scheme to deny her. When Mrs. Singleton desired her husband she could not help herself. She would stretch back on the bed with the sheets pulled off like a blissful nude in a Modigliani. She thought this ought to gladden a man. Mr. Singleton would stand at the foot of the bed and gaze down at her. He looked like some strong, chaste knight in the legend of the Grail. He would respond to her invitation, but before he did so there would be this expression, half stern, half innocent, in his eyes. It was the sort of expression that good men in books and films are supposed to make to prostitutes. It would ensure that their love-making was marred and that afterward it would seem as if he had performed something out of duty that only she wanted. Her body would feel like stone. It was at such times, when she felt the cold, dead-weight feel of abused happiness, that Mrs. Singleton most thought she was through with Mr. Singleton. She would watch his strong, compact torso already lifting itself off the bed. She would think: He thinks he is tough, contained in himself, but he won’t see what I offer him, he doesn’t see how it is I who can help him.

Mrs. Singleton lay back on her striped towel on the sand. Once again she became part of the beach. The careless sounds of the seaside, of excited children’s voices, of languid grownups’, of wooden bats on balls, fluttered over her as she shut her eyes. She thought: It is the sort of day on which someone suddenly shouts, “Someone is drowning.”

When Mrs. Singleton became pregnant she felt she had out-manoeuvred her husband. He did not really want a child (it was the last thing he wanted, Mrs. Singleton thought, a child), but he was jealous of her condition, as of some achievement he himself could attain. He was excluded from the little circle of herself and her womb, and, as though to puncture it, he began for the first time to make love to her of a kind where he took the insistent initiative. Mrs. Singleton was not greatly pleased. She seemed buoyed up by her own bigness. She noticed that her husband began to do exercises in the morning, in his underpants, press-ups, squat-jumps, as if he were getting in training for something. He was like a boy. He even became, as the term of her pregnancy drew near its end, resilient and detached again, the virile father waiting to receive the son (Mr. Singleton knew it would be a son, so did Mrs. Singleton) that she, at the appointed time, would deliver him. When the moment arrived he insisted on being present so as to prove he wasn’t squeamish and to make sure he wouldn’t be tricked in the transaction. Mrs. Singleton was not daunted. When the pains became frequent she wasn’t at all afraid. There were big, watery lights clawing down from the ceiling of the delivery room like the lights in dentists’ surgeries. She could just see her husband looking down at her. His face was white and clammy. It was his fault for wanting to be there. She had to push, as though away from him. Then she knew it was happening. She stretched back. She was a great surface of warm, splitting rock and Paul was struggling bravely up into the sunlight. She had to coax him with her cries. She felt him emerge like a trapped survivor. The doctor groped with rubber gloves. “There we are,” he said. She managed to look at Mr. Singleton. She wanted suddenly to put him back inside for good where Paul had come from. With a fleeting pity she saw that this was what Mr. Singleton wanted too. His eyes were half closed. She kept hers on him. He seemed to wilt under her gaze. All his toughness and control were draining from him and she was glad. She lay back triumphant and glad. The doctor was holding Paul; but she looked, beyond, at Mr. Singleton. He was far away like an insect. She knew he couldn’t hold out. He was going to faint. He was looking where her legs were spread. His eyes went out of focus. He was going to faint, keel over, right there on the spot.

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