Avram Davidson: The Avram Davidson Treasury : a tribute collection

The stranger bared all his teeth again, exposing the too-pink gums.

“In his library, to which I had a more complete access after his sudden and as yet undiscovered death from entirely natural causes, I found a complete collection of stories about androids, from Shelley’s Frankenstein through Capek’s R.U.R . to Asimov’s—”

“Frankenstein?” said the old man, with interest. “There used to be Frankenstein who had the soda- wasser place on Halstead Street: a Litvack, nebbich .”

“What are you talking?” Mrs. Gumbeiner demanded. “His name was Franken thal , and it wasn’t on Halstead, it was on Roosevelt.”

“—clearly shown that all mankind has an instinctive antipathy towards androids and there will be an inevitable struggle between them—”

“Of course, of course!” Old Mr. Gumbeiner clicked his teeth against his pipe. “I am always wrong, you are always right. How could you stand to be married to such a stupid person all this time?”

“I don’t know,” the old woman said. “Sometimes I wonder, myself. I think it must be his good looks.” She began to laugh. Old Mr. Gumbeiner blinked, then began to smile, then took his wife’s hand.

“Foolish old woman,” the stranger said; “why do you laugh? Do you not know I have come to destroy you?”

“What!” old Mr. Gumbeiner shouted. “Close your mouth, you!” He darted from his chair and struck the stranger with the flat of his hand. The stranger’s head struck against the porch pillar and bounced back.

“When you talk to my wife, talk respectable, you hear?”

Old Mrs. Gumbeiner, cheeks very pink, pushed her husband back in his chair. Then she leaned forward and examined the stranger’s head. She clicked her tongue as she pulled aside a flap of gray, skin-like material.

“Gumbeiner, look! He’s all springs and wires inside!”

“I told you he was a golem , but no, you wouldn’t listen,” the old man said.

“You said he walked like a golem .”

“How could he walk like a golem unless he was one?”

“All right, all right… You broke him, so now fix him.”

“My grandfather, his light shines from Paradise, told me that when MoHaRaL — Moreynu Ha-Rav Löw — his memory for a blessing, made the golem in Prague, three hundred? four hundred years ago? he wrote on his forehead the Holy Name.”

Smiling reminiscently, the old woman continued, “And the golem cut the rabbi’s wood and brought his water and guarded the ghetto.”

“And one time only he disobeyed the Rabbi Low, and Rabbi Low erased the Shem Ha-Mephorash from the golem ’s forehead and the golem fell down like a dead one. And they put him up in the attic of the shule and he’s still there today if the Communisten haven’t sent him to Moscow… This is not just a story,” he said.

“ Avadda not!” said the old woman.

“I myself have seen both the shule and the rabbi’s grave,” her husband said, conclusively.

“But I think this must be a different kind golem , Gumbeiner. See, on his forehead: nothing written.”

“What’s the matter, there’s a law I can’t write something there? Where is that lump clay Bud brought us from his class?”

The old man washed his hands, adjusted his little black skullcap, and slowly and carefully wrote four Hebrew letters on the gray forehead.

“Ezra the Scribe himself couldn’t do better,” the old woman said, admiringly. “Nothing happens,” she observed, looking at the lifeless figure sprawled in the chair.

“Well, after all, am I Rabbi Löw?” her husband asked, deprecatingly. “No,” he answered. He leaned over and examined the exposed mechanism. “This spring goes here…this wire comes with this one …” The figure moved. “But this one goes where? And this one?”

“Let be,” said his wife. The figure sat up slowly and rolled its eyes loosely.

“Listen, Reb Golem ,” the old man said, wagging his finger. “Pay attention to what I say — you understand?”

“Understand …”

“If you want to stay here, you got to do like Mr. Gumbeiner says.”

“Do-like-Mr.-Gumbeiner-says …”

“ That’s the way I like to hear a golem talk. Malka, give here the mirror from the pocketbook. Look, you see your face? You see on the forehead, what’s written? If you don’t do like Mr. Gumbeiner says, he’ll wipe out what’s written and you’ll be no more alive.”

“No-more-alive …”

“ That’s right. Now, listen. Under the porch you’ll find a lawnmower. Take it. And cut the lawn. Then come back. Go.”

“Go …” The figure shambled down the stairs. Presently the sound of the lawnmower whirred through the quiet air in the street just like the street where Jackie Cooper shed huge tears on Wallace Beery’s shirt and Chester Conklin rolled his eyes at Marie Dressler.

“So what will you write to Tillie?” old Mr. Gumbeiner asked.

“What should I write?” old Mrs. Gumbeiner shrugged. “I’ll write that the weather is lovely out here and that we are both, Blessed be the Name, in good health.”

The old man nodded his head slowly, and they sat together on the front porch in the warm afternoon sun.

We have remembered this story since we first read it, nearly forty years ago. Published in Ellery Queen’s Mystery Magazine, it won first prize in that periodical’s 1957 contest, against strong competition.

Like other early works of Avram Davidson’s, already it showed what rich diversity was to come. Two of his fantasies had been set in the here-and-now, although their quirky originality made each of them sui generis . But elsewhere had appeared elements less familiar — a larcenous antique dealer in Cyprus, a Casbah-smart youth with Agitprop training, a mesmerizer in eighteenth-century England. Always the thought and speech of the characters was authentic, fully within their given cultures, and yet those characters were always fully individual human beings. Later tales kept this far too rare quality. They explored more of today’s world, other planets, the future, real and legendary epochs of the past. Invariably their landscapes, mental as well as physical, were vivid and utterly convincing. Much of this came through in the dialogue, for which Avram had an incredibly keen ear.

“The Necessity of His Condition” is set in an antebellum border state. With a few strokes he gives a town, in it a history, economy, and population as various, in both good and evil, as any real community’s. Every true tragedy is profoundly moral. Avram bore a deep sympathy for the weak and oppressed. Here, in an almost biblical fashion, the unrighteous has digged a pit for another, and fallen therein.

SHOLTO HILL WAS MOSTLY residential property, but it had its commercial district in the shape of Persimmon Street and Rampart Street, the latter named after some long-forgotten barricade stormed and destroyed by Benedict Arnold (wearing a British uniform and eaten with bitterness and perverted pride). Persimmon Street, running up-slope, entered the middle of Rampart at right angles, and went no farther. This section, with its red brick houses and shops, its warehouses and offices, was called The T, and it smelled of tobacco and potatoes and molasses and goober peas and dried fish and beer and cheap cookshop food and (the spit-and-whittle humorists claimed) old man Bailiss’ office, where the windows were never opened — never had been opened, they said, never were made to be opened. Any smell off the street or farms or stables that found its way up to Bailiss’ office was imprisoned there for life, they said. Old man Bailiss knew what they said, knew pretty much everything that went on anywhere; but he purely didn’t care. He didn’t have to, they said.