Avram Davidson - The Avram Davidson Treasury - a tribute collection

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Avram Davidson was one of the great original American writers of this century. He was literate, erudite, cranky, Jewish, wildly creative, and sold most of his short stories to genre pulp magazines.Here are thirty-eight of the best: all the award-winners and nominees and best-of honored stories, with introductions by such notable authors as Ursula K. Le Guin, William Gibson, Peter S. Beagle, Thomas M. Disch, Gene Wolfe, Poul Anderson, Guy Davenport, Gregory Benford, Alan Dean Foster, and dozens of others, plus introductions and afterwords by Grania Davis, Robert Silverberg, Harlan Ellison, and Ray Bradbury.

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He straightened up slowly. “Regeneration …”

“Huh? What say?” Oscar asked. Then, “Hey, kiddo, you’re all white. Whad you do, stay up all night and didn’t get no sleep? Come on in and siddown. But I still don’t see how you done it.”

Inside, Ferd sat down. He wet his lips. He said, “Oscar — listen—”

“Yeah?”

“Oscar. You know what regeneration is? No? Listen. Some kinds of lizards, you grab them by the tail, the tail breaks off and they grow a new one. If a lobster loses a claw, it regenerates another one. Some kinds of worms — and hydras and starnsh — you cut them into pieces, each piece will grow back the missing parts. Salamanders can regenerate lost hands, and frogs can grow legs back.”

“No kidding, Ferd. But, uh, I mean: Nature. Very interesting. But to get back to the bike now — how’d you manage to fix it so good?”

“I never touched it. It regenerated. Like a newt. Or a lobster.”

Oscar considered this. He lowered his head, looked up at Ferd from under his eyebrows. “Well, now, Ferd… Look… How come all broke bikes don’t do that?”

“This isn’t an ordinary bike. I mean it isn’t a real bike.” Catching Oscar’s look, he shouted, “Well, it’s true!

The shout changed Oscar’s attitude from bafflement to incredulity. He got up. “So for the sake of argument, let’s say all that stuff about the bugs and the eels or whatever the hell you were talking about is true. But they’re alive. A bike ain’t.” He looked down triumphantly.

Ferd shook his leg from side to side, looked at it. “A crystal isn’t, either, but a broken crystal can regenerate itself if the conditions are right. Oscar, go see if the safety pins are still in the desk. Please, Oscar?”

He listened as Oscar, muttering, pulled the desk drawers out, rummaged in them, slammed them shut, tramped back.

“Naa,” he said. “All gone. Like that lady said that time, and you said, there never are any safety pins when you want ‘em. They disap — Ferd? What’re—”

Ferd jerked open the closet door, jumped back as a shoal of clothes hangers clattered out.

“And like you say,” Ferd said with a twist of his mouth, “on the other hand, there are always plenty of clothes hangers. There weren’t any here before.”

Oscar shrugged. “I don’t see what you’re getting at. But anybody could of got in here and took the pins and left the hangers. I could of — but I didn’t. Or you could of. Maybe—” He narrowed his eyes. “Maybe you walked in your sleep and done it. You better see a doctor. Jeez, you look rotten.”

Ferd went back and sat down, put his head in his hands. “I feel rotten. I’m scared, Oscar. Scared of what?” He breathed noisily. “I’ll tell you. Like I explained before, about how things that live in the wild places, they mimic other things there. Twigs, leaves…toads that look like rocks. Well, suppose there are…things…that live in people places. Cities. Houses. These things could imitate — well, other kinds of things you find in people places—”

People places, for crise sake!”

“Maybe they’re a different kind of life-form. Maybe they get their nourishment out of the elements in the air. You know what safety pins are —these other kinds of them? Oscar, the safety pins are the pupa-forms and then they, like, hatch . Into the larval-forms. Which look just like coat hangers. They feel like them, even, but they’re not. Oscar, they’re not, not really, not really, not …”

He began to cry into his hands. Oscar looked at him. He shook his head.

After a minute, Ferd controlled himself somewhat. He snuffled. “All these bicycles the cops find, and they hold them waiting for owners to show up, and then we buy them at the sale because no owners show up because there aren’t any, and the same with the ones the kids are always trying to sell us, and they say they just found them, and they really did because they were never made in a factory. They grew. They grow. You smash them and throw them away, they regenerate.”

Oscar turned to someone who wasn’t there and waggled his head. “Hoo, boy,” he said. Then, to Ferd: “You mean one day there’s a safety pin and the next day instead there’s a coat hanger?”

Ferd said, “One day there’s a cocoon; the next day there’s a moth. One day there’s an egg; the next day there’s a chicken. But with…these it doesn’t happen in the open daytime where you can see it. But at night, Oscar — at night you can hear it happening. All the little noises in the night-time, Oscar—”

Oscar said, “Then how come we ain’t up to our belly-button in bikes? If I had a bike for every coat hanger—”

But Ferd had considered that, too. If every codfish egg, he explained, or every oyster spawn grew to maturity, a man could walk across the ocean on the backs of all the codfish or oysters there’d be. So many died, so many were eaten by predatory creatures, that Nature had to produce a maximum in order to allow a minimum to arrive at maturity. And Oscar’s question was: then who, uh, eats the, uh, coat hangers?

Ferd’s eyes focused through wall, buildings, park, more buildings, to the horizon. “You got to get the picture. I’m not talking about real pins or hangers. I got a name for the others—‘false friends,’ I call them. In high school French, we had to watch out for French words that looked like English words, but really were different. ‘Faux amis,’ they call them. False friends. Pseudo-pins. Pseudo-hangers… Who eats them? I don’t know for sure. Pseudo-vacuum cleaners, maybe?”

His partner, with a loud groan, slapped his hands against his thighs. He said, “Ferd, Ferd, for crise sake. You know what’s the trouble with you? You talk about oysters, but you forgot what they’re good for. You forgot there’s two kinds of people in the world. Close up them books, them bug books and French books. Get out, mingle, meet people. Soak up some brew. You know what? The next time Norma — that’s this broad’s name with the racing bike — the next time she comes here, you take the red racer and you go out in the woods with her. I won’t mind. And I don’t think she will, either. Not too much.”

But Ferd said no. “I never want to touch the red racer again. I’m afraid of it.”

At this, Oscar pulled him to his feet, dragged him protestingly out to the back and forced him to get on the French machine. “Only way to conquer your fear of it!”

Ferd started off, white-faced, wobbling. And in a moment was on the ground, rolling and thrashing, screaming.

Oscar pulled him away from the machine.

“It threw me!” Ferd yelled. “It tried to kill me! Look — blood!”

His partner said it was a bump that threw him — it was his own fear. The blood? A broken spoke. Grazed his cheek. And he insisted Ferd get on the bicycle again, to conquer his fear.

But Ferd had grown hysterical. He shouted that no man was safe — that mankind had to be warned. It took Oscar a long time to pacify him and to get him to go home and into bed.

He didn’t tell all this to Mr. Whatney, of course. He merely said that his partner had gotten fed up with the bicycle business.

“It don’t pay to worry and try to change the world,” he pointed out. “I always say take things the way they are. If you can’t lick ‘em, join ’em.”

Mr. Whatney said that was his philosophy, exactly. He asked how things were, since.

“Well…not too bad. I’m engaged, you know. Name’s Norma. Crazy about bicycles. Everything considered, things aren’t bad at all. More work, yes, but I can do things all my own way, so…”

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