Avram Davidson: The Avram Davidson Treasury : a tribute collection

“The Slovo Stove” first appeared in Universe 15 , ed. Terry Carr (Doubleday, 1985)

“The Sources of the Nile” first appeared in The Magazine of Fantasy and Science Fiction , January 1961

“The Spook-Box of Theodore Delafont De Brooks” first appeared in Tomorrow , July 1993

“Take Wooden Indians” first appeared in Galaxy , June 1959

“The Tail-Tied Kings” first appeared in Galaxy , April 1962

“Where Do You Live, Queen Esther?” first appeared in Ellery Queen’s Mystery Magazine , March 1961

“While You’re Up” first appeared in The Magazine of Fantasy and Science Fiction , November 1988

“The Woman Who Thought She Could Read” first appeared in The Magazine of Fantasy and Science Fiction , January 1959

“Yellow Rome; or, Vergil and the Vestal Virgin” first appeared in Weird Tales , no. 305, Winter 1992–1993

There are several risks connected with writing an Afterword to another writer’s works.

One, you may overpraise, in which case the reader turns off, saying: He can’t be that good. The reader then approaches all the stories with a chip on his shoulder, daring the writer to be as fine as he has been told.

Two, you may underpraise. In an effort to be fair and unassuming, you may hold back. In which case the reader says: How peculiar. This critic seems dreadfully quiet. The stories that follow, then, can’t really be worthwhile.

And so the book is shut.

I would like to balance myself somewhere between the two extremes.

Let me plunge right in, then, looking neither to right nor to left, ahead nor behind.

Avram Davidson, to me, combines many talents and attributes, including imagination, style, and, perhaps above all, wit.

Many of these stories are complete mysteries, puzzles. Avram Davidson starts us in a fog and lets us orient ourselves slowly. He tosses us bits of information. We do not know where we are, who the characters are, or what they are up to. Slowly we begin to find our way toward the light, with Mr. Davidson always a few quick steps ahead, calling us, as a good storyteller calls: This way, now this, over here, now up, now down, now to one side, come along!

And he knows exactly how much information to give us any one second. He knows how to pay out the rope, inch by inch. Too slow and we would fall asleep. Too fast and we would miss the point. His knack for a proper pace is that of a true teller of tales.

A teller of tales. The designation is almost an insult in our time. We have been sore put upon by your New Yorker slice-of-life writer and all of the other non-talents of our age appearing in magazine after magazine, so that when we come upon such as Avram Davidson we go into a mild shock of surprise. For this is what story writing once was, and can be again, if we leave it to more-capable hands.

Reading through his collection, a number of storytellers’ names leaped to mind. I hope that Mr. Davidson will approve this list that tossed itself up, now here, now there: Rudyard Kipling, Saki, John Collier, G. K. Chesterton.

I could make the list longer, but those must do for now.

I can imagine nothing better than taking a long train journey, oh, let us say, on the old Orient Express with good food and good wine waiting in the diner, and seated across from me, the personification of their books, such as Mr. Kipling, Saki, Collier, Chesterton, and, holding his own, amid them all, Avram Davidson in high good humor.

I realize that is a rare fine company I have put him in, but I have always been one to stick my neck out through affection and admiration. If I would not say he measures completely to their height, I do say this: On such a train, on such a sweet night journey, these men would gladly listen to Avram Davidson and read and enjoy him. You would find his stories in their book bags, even as you would find theirs in his. If their abilities differ, as do tastes, we know they are good companions, and similar people who would travel well because of their knack for the agreeably strange, the small truth that becomes a lie or the lie suddenly revealed as truth.

I would gladly ride with these and stay up half the night training across Europe in the dark, and even keep my mouth shut, to hear their tales.

The shadow of Kafka might fall across their night-traveling talk, here or there.

And outside of Budapest, through some whim of impossible geography, Dickens’ phantom signalman might flag the train to a ghost stop for some while.

Avram Davidson is not like any of these, and yet, as I have said, their night company was made for him. They would ask him in out of the corridor, even if he were simply passing, disguised as ticket agent, covered with strange punched-out confetti left over from most peculiar destinations.

There is a bit of the scalawag in Avram Davidson. He can be wrongheaded, but it is the sort of wrongheadedness we did not tolerate in Bernard Shaw so much as delight in. We enjoy an outrageous person, for so many puritan radicals among us wouldn’t know how to radicalize a mole, much less outrage a snail. Davidson, no less than John Collier, is a maker of gyroscopes that by their very logic of manufacture shouldn’t work but — lo! there above the abyss they do spin and hum.

A final warning, not repeated often enough: Collections of short stories, like vitamins, should be taken, one or two a night, just before sleep. It will be a temptation, but don’t gorge yourself on this book. Easy does it, and much affection for this teller of tales Avram Davidson will be the healthy result.

At the end of a week of such nights, you will have developed a proper appetite for further journeys to that strange, wild country of Avram in all the years ahead.

( Harlan Ellison has written or edited seventy-three books; in his bibliography, more than seventeen-hundred stories, essays, articles, newspaper columns, motion pictures, and teleplays. Among his many awards and honors, he has won the World Fantasy Lifetime Achievement Award, the Mystery Writers of America Edgar Allan Poe award twice (he came in second on his third nomination), the Horror Writers of America Bram Stoker Award five times (including a Lifetime Achievement honor), the Nebula three times, the Hugo 8½ times, the Writers Guild of America Most Outstanding Teleplay Award for solo work an unprecedented four times, the Silver Pen for Journalism from PEN, and the universal opinion that he is the most contentious person now walking the Earth. He is still delighted to recall the day in 1962 when he finally managed to sell a short story to Avram Davidson at The Magazine of Fantasy & Science Fiction: “Polly Charms the Sleeping Woman,” which appeared in August of that year. Slippage, Ellison’s latest story collection and seventieth book altogether, was published in Fall 1997. )

On the day I sit down to write this note, ruminations meant to add a grace note to an event, a publication, a fervent wish, a vain hope I’ve harbored for thirty-eight years (since I sold my first story at the end of 1955) — I have just hung up the phone, having been informed that my pal, the most excellent and virtually unremembered master talent, the great Avram Davidson, has died.