Kathryn Davis - Duplex

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Duplex: краткое содержание, описание и аннотация

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Mary and Eddie are meant for each other — but love is no guarantee, not in these suburbs. Like all children, they exist in an eternal present; time is imminent, and the adults of the street live in their assorted houses like numbers on a clock. Meanwhile, ominous rumors circulate, and the increasing agitation of the neighbors points to a future in which all will be lost. Soon a sorcerer’s car will speed down Mary’s street, and as past and future fold into each other, the resonant parenthesis of her girlhood will close forever. Beyond is adulthood, a world of robots and sorcerers, slaves and masters, bodies without souls. In
Kathryn Davis, whom the
has called “one of the most inventive novelists at work today,” has created a coming-of-age story like no other. Once you enter the duplex — that magical hinge between past and future, human and robot, space and time — there’s no telling where you might come out.

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The lot was a place you weren’t supposed to linger in; in that way, also, nothing had changed. She tried to remember how long ago it had been that she’d felt the fluttering in her pocket that she’d thought was a common garden fairy but that turned out to be nothing more than her heart. It was so easy to get the two of them mixed up.

The sun began to get low and all the west was dyed red.

Uh oh, said her friend the lustrous black ant.

When the Space Drift finally took place it was like everything — everything that is and has been and always will be — became for a moment like a huge thick velvet curtain, and everything that ever considered itself to be separate from anything else no longer was but only just for that moment, the moment of the Drift, while space was carrying away time in its soft dark folds like a lover.

Suddenly the curly-haired girl perceived that the grass was growing up between her and where she’d been. It had long spearlike leaves, it pushed up long pipes of green stem, and they whistled. She began to have a curious feeling as if all of this had already happened, and then half her sorrow faded into wonder, and the feeling grew upon her that these things had happened a long time ago. She drew a little nearer. It was a long time ago, she repeated.

Acknowledgments

Thank you to the Bogliasco Foundation and the Lannan Foundation for their support.

“Descent of the Aquanauts” appeared in Conjunctions.

“The Four Horsewomen” appeared in Mischief and Mayhem.

“The Rain of Beads” appeared in Little Star.

“Through the Wormhole” appeared in New England Review.

A very different version of “Body-without-Soul” appeared in My Mother She Killed Me, My Father He Ate Me, edited by Kate Bernheimer (Penguin, 2010).

A part of “Yellow Bear” appeared in Significant Objects, edited by Joshua Glenn (Fantagraphics, 2012).

I also want to thank Louise Glück for her help with the manuscript.

The novel is haunted by the ghosts of Sappho, Mopsa the Fairy, and “The New Mother.”

About the Author

KATHRYN DAVIS is the author of six previous novels, the most recent of which is The Thin Place. Her other books are Labrador, The Girl Who Trod on a Loaf, Hell, The Walking Tour, and Versailles. She has received a Kafka Prize for fiction by an American woman, the Morton Dauwen Zabel Award from the American Academy of Arts and Letters, and a Guggenheim Fellowship. In 2006 she won the Lannan Foundation Literary Award. She is the senior fiction writer on the faculty of the writing program at Washington University.

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