Ann-Marie MacDonald - Way the Crow Flies

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“The sun came out after the war and our world went Technicolor. Everyone had the same idea. Let’s get married. Let’s have kids. Let’s be the ones who do it right.” The Way the Crow Flies As the novel opens, Madeleine’s family is driving to their new home; Centralia is her father’s latest posting. They have come back from the Old World of Germany to the New World of Canada, where the towns hold memories of the Europeans who settled there. For the McCarthys, it is “the best of both worlds.” And they are a happy family. Jack and Mimi are still in love, Madeleine and her older brother, Mike, get along as well as can be expected. They all dance together and barbecue in the snow. They are compassionate and caring. Yet they have secrets.
Centralia is the station where, years ago, Jack crashed his plane and therefore never went operational; instead of being killed in action in 1943, he became a manager. Although he is successful, enjoys “flying a desk” and is thickening around the waist from Mimi’s good Acadian cooking, deep down Jack feels restless. His imagination is caught by the space race and the fight against Communism; he believes landing a man on the moon will change the world, and anything is possible. When his old wartime flying instructor appears out of the blue and asks for help with the secret defection of a Soviet scientist, Jack is excited to answer the call of duty: now he has a real job.
Madeleine’s secret is “the exercise group”. She is kept behind after class by Mr. March, along with other little girls, and made to do “backbends” to improve her concentration. As the abusive situation worsens, she is convinced that she cannot tell her parents and risk disappointing them. No one suspects, even when Madeleine’s behaviour changes: in the early sixties people still believe that school is “one of the safest places.” Colleen and Ricky, the adopted Metis children of her neighbours, know differently; at the school they were sent to after their parents died, they had been labelled “retarded” because they spoke Michif.
Then a little girl is murdered. Ricky is arrested, although most people on the station are convinced of his innocence. At the same time, Ricky’s father, Henry Froelich, a German Jew who was in a concentration camp, identifies the Soviet scientist hiding in the nearby town as a possible Nazi war criminal. Jack alone could provide Ricky’s alibi, but the Cold War stakes are politically high and doing “the right thing” is not so simple. “Show me the right thing and I will do it,” says Jack. As this very local murder intersects with global forces,
reminds us that in time of war the lines between right and wrong are often blurred.
Ann-Marie MacDonald said in a discussion with Oprah Winfrey about her first book, “a happy ending is when someone can walk out of the rubble and tell the story.” Madeleine achieves her childhood dream of becoming a comedian, yet twenty years later she realises she cannot rest until she has renewed the quest for the truth, and confirmed how and why the child was murdered..
, in a starred review, called
“absorbing, psychologically rich…a chronicle of innocence betrayed”. With compassion and intelligence, and an unerring eye for the absurd as well as the confusions of childhood, MacDonald evokes the confusion of being human and the necessity of coming to terms with our imperfections.

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He left the ME section, sweating by now in his woollen uniform — too hot a day for April — and had just decided to scrub the journey into town altogether when a black staff car rolled up alongside him and a military policeman inquired if he needed a lift. The MP would not be returning until late that evening, and with a full car at that, “so I can only offer you a one-way ticket, sir.”

“I’ll take it,” said Jack, and hopped in the back. A stroke of luck. He had just remembered Fried’s Ford Galaxy. He could drive it back to Centralia. “What’s your name, corporal?”

“Novotny, sir.”

A bruiser of a fellow. Jack sat back and asked him who he liked for the Stanley Cup this year.

Now, Jack knocks at Fried’s door. And waits. Finally, the shuffling, the pause during which he feels Fried’s eye on him through the peephole. Slide of the safety chain, thunk of the deadbolt and the door opens. Fried turns without a word back toward his darkened living room and the blare of the television. The odour of stale tobacco greets Jack. He would love to go straight to the window and open it but light is verboten on account of Fried’s orchids — vampire orchids, as Jack thinks of them. There are five now, growing up their coat hangers, dark delicate flesh, thriving.

Jack dumps the bags on the kitchen counter. In order to shop today, he had to get another advance on his pay. He has to hope that Mimi doesn’t question the old “accounts-payroll mistake” excuse when she sees the double deposit on payday. At least he needn’t worry about lipstick on his collar.

Jack has never considered adultery. Now it crosses his mind unbidden, because of the absurd situation in which he finds himself — sneaking away from work in the middle of the day, purchasing luxury items in secret, keeping a furtive rendezvous in dim rented rooms. As he puts away groceries in the refrigerator glow of Fried’s tiny kitchen, he finds himself picturing sex with a woman not his wife — right here in this cramped kitchen. Up against the counter. He takes the cognac from the bag, sticks it in the cupboard next to an identical half-full bottle, annoyed and now inconveniently aroused. He is conducting a clandestine affair. With NATO.

Jack walks back into the living room. Fried is watching Secret Storm . Jack shakes his head; after all, you have to laugh. He would love to tell Mimi about Fried, she’d get a kick out of it, and one day soon maybe he will be able to. A commercial comes on for Ban deodorant but Fried doesn’t take his eyes from the screen. Jack feels suddenly, oddly affectionate toward him. This is the last time he will see the man before he leaves to start working for USAF — and eventually, if Fried gets his way, NASA. He is a true eccentric, and what he lacks in charm, he clearly makes up for in courage and commitment. It’s been a slice , Jack wants to say. “How about a game of chess, sir?”

Fried appears at first not to have heard him. Then, as noxious strains of organ music signal the resumption of the soap opera, he says, “Shhh.”

Jack is stung. He feels himself flush and he takes a quiet breath. He would like to come away from this mission with more than a sour taste and a lot of unanswered questions. Fried’s profile looks imperturbable in the light and shadow of the television. A woman’s voice stutters, “Because I–I’m … the other woman,” and she breaks down weeping.

This is Jack’s last chance. The next time he sees Fried, it will be with Blair McCarroll, and after that he will likely never see the man again. So he says, “Too bad von Braun didn’t pick you to come to America with him in ’45, you’d be at NASA by now.”

Fried turns his head and glares. Bingo. He forms his words with unexpected precision and fluency. “You know where is Kazakhstan? You know what is Baikonur? You know who is Helmut Gröttrup?” He raises his voice above the tears and recriminations on the screen. “We are years ahead, we launch, we orbit, we beat you and do you know why?” He gestures with disgust toward the television. “Because you care more for this than you care for that,” and he points at the ceiling. Jack assumes he is referring to the moon, and the cosmos in general. “The Soviets come when the war ends. With guns we are ordered to them and we work—” Thin cords stand out in Fried’s neck.

Jack sits down, carefully, as though trying to avoid waking someone—

“They take me and many others.”

Jack has guessed right: Fried didn’t make the first cut. At the end of the war, Wernher von Braun had the good sense to flee the Russian advance and surrender to the Americans, who had the good sense to recruit him. Von Braun had hand-picked his team from among those he had worked with on the German rocket program — including his brother, along with his managerial right hand, Arthur Rudolph — the brightest and the best, who now form the core of NASA. But he didn’t pick Fried, and Fried fell into the hands of the Russians. Fried must have had a lot to prove in the Soviet Union.

Fried continues. “Gröttrup also is a scientist from Dora. He is of high rank. Not only von Braun knows how to make V-2, Gröttrup knows, I know. We work in the Soviet Union, many of us, and no luxury. Not like America.” He mutters at the man and woman on the screen, entangled in an illicit embrace. “I have been the only German left now in the Soviet Union program. They dispose — how do you say …?”

“Kill?”

“Nein,” says Fried impatiently, displaying more animation in one moment than Jack has witnessed in months, “throw away. Like garbage. They say, ‘We have Russians now to do your job.’”

“Ah,” says Jack, “Struck Off Strength.”

“Wie?”

“Like obsolete — worn out — aircraft. Tossed aside.”

“Just so. Tossed aside.”

“Except for you.”

“Ja.” Fried nods, his lower lip rising to displace the upper in a show of determination or self-satisfaction.

“Why, Oskar?”

Fried jabs his own narrow chest, where grey hairs stray from the open neck of his shirt. “I work. I watch the others. I see when there is sabotage, I know who is a traitor.” His face is taut.

“But you’re a traitor now.”

Fried takes a deep breath but makes no move. Finally he says, “I don’t care for money. If you have made something for your whole life, you wish only to continue. To work with the best. I do not care who wins this race to the moon. I care to participate. Russians will not allow me to go farther. By them I am always a foreigner.”

Jack nods, somewhat touched by Fried’s honesty. He says gently, “You must have made a major contribution to the Soviet space program.” Fried betrays no emotion, but Jack can tell that, like a child, he has heard and is savouring. “No wonder the Soviets leapt ahead,” Jack adds deliberately, “what with scientists of your calibre working for them.” Fried leans forward and switches off the TV. Reaches for his pipe. Jack hands him the fresh pouch of tobacco. “You fellas were launching Sputnik while we were still blowing up on the test stand.”

Fried shrugs — expressionless, delighted — and lights his pipe, passing the flame back and forth across the bowl, puffing.

“I guess you’re looking forward to seeing some of your old friends down there, eh? There’s bound to be some familiar faces at Wright-Patterson Air Base … over in the R and D facility?”

Fried says nothing. Maybe he doesn’t know where he’s going any more than Jack does.

Jack says, “Not to mention Houston.”

Fried smokes, calm once more.

“Did you know von Braun?”

“Natürlich.”

“At Peenemünde?”

“And after, at Dora. He would come to inspect.”

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