Ann-Marie MacDonald - Way the Crow Flies

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“The sun came out after the war and our world went Technicolor. Everyone had the same idea. Let’s get married. Let’s have kids. Let’s be the ones who do it right.” The Way the Crow Flies As the novel opens, Madeleine’s family is driving to their new home; Centralia is her father’s latest posting. They have come back from the Old World of Germany to the New World of Canada, where the towns hold memories of the Europeans who settled there. For the McCarthys, it is “the best of both worlds.” And they are a happy family. Jack and Mimi are still in love, Madeleine and her older brother, Mike, get along as well as can be expected. They all dance together and barbecue in the snow. They are compassionate and caring. Yet they have secrets.
Centralia is the station where, years ago, Jack crashed his plane and therefore never went operational; instead of being killed in action in 1943, he became a manager. Although he is successful, enjoys “flying a desk” and is thickening around the waist from Mimi’s good Acadian cooking, deep down Jack feels restless. His imagination is caught by the space race and the fight against Communism; he believes landing a man on the moon will change the world, and anything is possible. When his old wartime flying instructor appears out of the blue and asks for help with the secret defection of a Soviet scientist, Jack is excited to answer the call of duty: now he has a real job.
Madeleine’s secret is “the exercise group”. She is kept behind after class by Mr. March, along with other little girls, and made to do “backbends” to improve her concentration. As the abusive situation worsens, she is convinced that she cannot tell her parents and risk disappointing them. No one suspects, even when Madeleine’s behaviour changes: in the early sixties people still believe that school is “one of the safest places.” Colleen and Ricky, the adopted Metis children of her neighbours, know differently; at the school they were sent to after their parents died, they had been labelled “retarded” because they spoke Michif.
Then a little girl is murdered. Ricky is arrested, although most people on the station are convinced of his innocence. At the same time, Ricky’s father, Henry Froelich, a German Jew who was in a concentration camp, identifies the Soviet scientist hiding in the nearby town as a possible Nazi war criminal. Jack alone could provide Ricky’s alibi, but the Cold War stakes are politically high and doing “the right thing” is not so simple. “Show me the right thing and I will do it,” says Jack. As this very local murder intersects with global forces,
reminds us that in time of war the lines between right and wrong are often blurred.
Ann-Marie MacDonald said in a discussion with Oprah Winfrey about her first book, “a happy ending is when someone can walk out of the rubble and tell the story.” Madeleine achieves her childhood dream of becoming a comedian, yet twenty years later she realises she cannot rest until she has renewed the quest for the truth, and confirmed how and why the child was murdered..
, in a starred review, called
“absorbing, psychologically rich…a chronicle of innocence betrayed”. With compassion and intelligence, and an unerring eye for the absurd as well as the confusions of childhood, MacDonald evokes the confusion of being human and the necessity of coming to terms with our imperfections.

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Marsha comes up behind Madeleine and says, “Hi.”

“Hi. Aren’t you going to invite me in?”

Marsha rolls her eyes, and says with an interrogative inflection, “Of course not.”

Madeleine is tingling. Please, Marsha, please say yes.

“Ricky,” says Marsha, in a tone both teasing and warning, “I’m babysitting.”

He grins. “I can read bedtime stories.”

Mike arrives at the top of the kitchen steps. “Hi Rick,” he says in his deepest voice.

“Hi Mike, how’s she going?”

“Good. Wanna watch a movie?”

“Sure, but that’s verboten , eh?”

“How come?”

“Boss won’t let me.”

“Aw come on, Marsha,” says Mike.

“Yeah,” says Madeleine.

Marsha turns to them. “Okay you guys, skedaddle.”

They do. And watch from the window on the upstairs landing as Marsha steps out onto the porch with Ricky. They can’t make out all of what is being said, but they watch intently the subtle dance unfolding below. Marsha, arms crossed over her chest, looking down, hovering just within the arc of Ricky’s arm, raised and leaning against the door now. His head is bent close to her ear. She shakes her head, they hear her giggle. The next moment Ricky glances to either side, then kisses her. Her head tilts back and he leans into her. Then he leaves, jogging back across the street to his own house. Marsha rests her back against the door, hugging herself, biting her lower lip.

“Marsha, the movie’s starting,” calls Madeleine.

They watch Thomasina . Madeleine tries hard not to cry and feels better when Marsha does. Mike does not once make fun of the movie, and when it’s over he says, “Not too shabby.” Madeleine wants to scream at him.

Later, from the bathroom window, Madeleine sees Ricky Froelich sitting in the light of his front porch, strumming his guitar. She opens the window and strains to hear the soft chords and his easy voice singing a lonesome Hank Williams tune. She kneels on the toilet lid, folds her arms on the windowsill, rests her chin and stays for a long time, listening. He sings song after song, some in a strange-sounding French. Sad ones, so as not to wake the neighbours.

Shortly after midnight, Mimi slips into her daughter’s room. Madeleine is sound asleep hugging that filthy old Bugs Bunny. Mimi places a little cocktail umbrella, striped like a rainbow, into Bugsy’s plastic-gloved hand.

The next morning, Madeleine runs into the kitchen with her prize. “Maman, look what Dad brought me!”

Mimi picks up the whistling kettle, about to say, “Maman brought you that.” But she catches herself. “You have the nicest papa in the world.” She pours the tea.

Madeleine twirls the tiny umbrella, “‘Singin’ in the rain—’”

“Help me set the table for after church, ma p’tite.”

Madeleine groans. “How come Mike never has to help?”

Mimi says sharply, “Don’t ‘how come’ me, Madeleine, just get the move on.”

Aunt Jemima smiles jovially from the box of pancake mix. Why can’t she be my real mother?

After Mass, Jack relaxes with the paper until Mimi calls him for brunch. “Boy, something sure smells good,” he says, turning to call, “Mike, come and get it!” Mike comes in with the sports section, and he and his father sit behind headlines while Madeleine and Mimi put plates of bacon and eggs and pancakes in front of them. Soviet Forward Base in Cuba. Hockey Record: Sunday — Toronto at Boston, Montreal at New York .

Madeleine slouches in her chair. Why is her mother suddenly turning her into a slave? A scullery maid, as in fairy tales of wicked stepmothers. She picks up her fork, noticing that Maman has taken the broken egg as usual.

Mimi says brightly, “All right, that’s enough news at the table.” Both Mike and Jack blink and look up innocently, then obediently fold their papers, put them aside and start eating. Mimi winks at Madeleine, who stretches the ends of her mouth sideways in a technical smile meant to fool no one.

Mimi sips her coffee and resists the urge to light a cigarette. She takes a forkful of egg, a bite of toast, reminding herself that it’s important to eat with her family even though her appetite is often suppressed by cooking, leaving her hungry and prone to snack between meals. That’s how women gain weight. Although she wonders if her slimness has something to do with her inability to get pregnant. Maybe if she were more like her own mother, or her sister Yvonne…. But there is nothing to say that she won’t get pregnant. She simply hasn’t yet. She smiles at her daughter. There are times when Mimi too would love to sit back on the couch with a magazine and have someone cook her a meal. Iron her blouse. Occasionally it does feel like drudgery. That’s normal. It’s important, however, not to communicate those feelings to your daughter — that’s a recipe for future unhappiness. It’s important to foster pride in what is, after all, the most important job in the world. There is just one problem: she’s too much like me.

DUCK AND COVER

Can we really reduce nuclear war to a nuisance level and believe that a few feet of concrete and an assortment of tinned goods will be sufficient to preserve our own special little world while fifty-megaton bombs with a destruction radius of twenty miles are being dropped about the country?

Chatelaine, February 1962

“‘THERE WAS A TURTLE and his name was Bert

and Bert the turtle was very alert

When danger threatened him he didn’t get hurt

he knew just what to do!

He’d duck! And cover….’”

Duck! And cover.

The chorus of voices sounds like the Walt Disney Singers on a story record. Bert is a cartoon turtle, and after he retracts into his shell several times, the cartoon part ends and real kids appear in freshly ironed clothes, running from a playground to a doorway where they duck and take cover. Then a serious man’s voice says, “Don’t look at the flash.” The kids cover their eyes.

Mr. March is showing this film because the free world is in grave peril.

At seven o’clock last night, Madeleine watched her father’s profile when President Kennedy came on the television. “Good evening, my fellow citizens….”

He’s handsome, thought Madeleine. Our prime minister, Diefenbaker, is not — his hair looks like a plastic bathing cap.

“… This government, as promised, has maintained the closest surveillance of the Soviet military buildup on the island of Cuba….”

It was Monday night and she was disappointed, because Lucille Ball was supposed to be on but the announcer had said, “Tonight’s program has been pre-empted in order that we may bring you a message of extreme urgency from the President of the United States.” Her father’s mouth had become a line, his whole profile had become a line. The family was on the couch, watching.

Cuba is where Ricky Ricardo is from. Lucille Ball is actually “a great beauty,” Dad has said, but you can’t tell because she is so funny. Would you rather be beautiful or funny?

“… Within the past week unmistakable evidence has established the fact that a series of offensive missile sites is now in preparation on that imprisoned island….”

“What’s the matter?” asked Madeleine. Had they built another Wall?

“Shhh,” said Mike.

President Kennedy continued in his clear Boston accent. “The purposes of these bases can be none other than to provide a nuclear strike capability against the western hemisphere, ranging as far north as Hudson Bay, Canada—”

“Time for bed,” said Maman.

“It’s only seven o’clock!”

“Allons!” She took Madeleine by the hand. Mike got to stay up.

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