Ann-Marie MacDonald - Way the Crow Flies

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“The sun came out after the war and our world went Technicolor. Everyone had the same idea. Let’s get married. Let’s have kids. Let’s be the ones who do it right.” The Way the Crow Flies As the novel opens, Madeleine’s family is driving to their new home; Centralia is her father’s latest posting. They have come back from the Old World of Germany to the New World of Canada, where the towns hold memories of the Europeans who settled there. For the McCarthys, it is “the best of both worlds.” And they are a happy family. Jack and Mimi are still in love, Madeleine and her older brother, Mike, get along as well as can be expected. They all dance together and barbecue in the snow. They are compassionate and caring. Yet they have secrets.
Centralia is the station where, years ago, Jack crashed his plane and therefore never went operational; instead of being killed in action in 1943, he became a manager. Although he is successful, enjoys “flying a desk” and is thickening around the waist from Mimi’s good Acadian cooking, deep down Jack feels restless. His imagination is caught by the space race and the fight against Communism; he believes landing a man on the moon will change the world, and anything is possible. When his old wartime flying instructor appears out of the blue and asks for help with the secret defection of a Soviet scientist, Jack is excited to answer the call of duty: now he has a real job.
Madeleine’s secret is “the exercise group”. She is kept behind after class by Mr. March, along with other little girls, and made to do “backbends” to improve her concentration. As the abusive situation worsens, she is convinced that she cannot tell her parents and risk disappointing them. No one suspects, even when Madeleine’s behaviour changes: in the early sixties people still believe that school is “one of the safest places.” Colleen and Ricky, the adopted Metis children of her neighbours, know differently; at the school they were sent to after their parents died, they had been labelled “retarded” because they spoke Michif.
Then a little girl is murdered. Ricky is arrested, although most people on the station are convinced of his innocence. At the same time, Ricky’s father, Henry Froelich, a German Jew who was in a concentration camp, identifies the Soviet scientist hiding in the nearby town as a possible Nazi war criminal. Jack alone could provide Ricky’s alibi, but the Cold War stakes are politically high and doing “the right thing” is not so simple. “Show me the right thing and I will do it,” says Jack. As this very local murder intersects with global forces,
reminds us that in time of war the lines between right and wrong are often blurred.
Ann-Marie MacDonald said in a discussion with Oprah Winfrey about her first book, “a happy ending is when someone can walk out of the rubble and tell the story.” Madeleine achieves her childhood dream of becoming a comedian, yet twenty years later she realises she cannot rest until she has renewed the quest for the truth, and confirmed how and why the child was murdered..
, in a starred review, called
“absorbing, psychologically rich…a chronicle of innocence betrayed”. With compassion and intelligence, and an unerring eye for the absurd as well as the confusions of childhood, MacDonald evokes the confusion of being human and the necessity of coming to terms with our imperfections.

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They sway ever so slightly. That’s why, darling, it’s incredible that someone so unforgettable, thinks that I am unforgettable too .

They stood like that for a while. From outside the hospital room, through the big window that looked onto the corridor, it would have been difficult to say which one was weeping. Jack held his wife and experienced such a powerful sense of déjà vu, it felt like a blessing, and he had never been so grateful in his life.

Mimi wanted to tell Madeleine the truth. Jack said, “You’re the boss. Let me do it, though.”

When Madeleine arrived at the hospital later that day, Jack told her, “They’ve sprung me. No need for surgery.”

When Mimi returned to his room after fixing her makeup, she could see from her daughter’s face that her husband had told her nothing at all. She got out the Scrabble. She pressed on.

They discouraged their daughter from visiting again too soon. Jack didn’t want to alarm her with the sight of an oxygen tank — she was busy, she was young; better that he and Mimi should get used to his new “lifestyle” first. “Wait till I’m back on my feet,” said Jack over the phone in February, “and we’ll go for a big juicy steak. That is, if Maman lets me.”

In March they said they were driving down to see her in Toronto, but at the last minute Jack phoned to say Mimi had the flu. In April they said, “We’re thinking of going to New Brunswick next week, why don’t you plan on a weekend in May?”

SCENES FROM A MARRIAGE

“Who am I, then? Tell me that first, and then, if I like being that person, I’ll come up; if not, I’ll stay down here till I’m somebody else.”

Lewis Carroll, Alice’s Adventures in Wonderland

WHEN MADELEINE GOT HOME last Friday night after the taping — the night the “thing” happened in her car — Christine had cooked eggplant parmigiana. Madeleine wasn’t hungry but she said, “Boy, something sure smells good.”

She ate a slice and Christine ran her a scented bath. Madeleine was still fresh from her shower of a couple of hours ago, but Christine had put flower petals in the water.

“Thanks, babe.”

Christine handed her a glass of wine and began gently, sensuously, to wash her back. It felt like someone stomping around, rattling the things on Madeleine’s dresser. Something was going to fall and break.

“Um. I think I’m getting a cold.”

“Oh yeah?” said Christine sympathetically, brushing back a lock of her long wavy hair where the tips were trailing in the water.

“Yeah, my skin hurts.”

Christine dropped the washcloth into the tub with a plop and exited the bathroom.

Madeleine called after her. “It felt … great, babe, really — thanks…,” her voice sounding robotic in her own ears.

The death of desire is a bottomlessly sad thing. Books are written, documentaries are made and counsellors are paid to help people want each other again. Perhaps it’s just a momentary ebb in the tide of our relationship, let’s take this opportunity to see what treasures have washed up on the beach in the meantime. Get to know one another again. Take a holiday.

And perhaps it comes back, or perhaps it does enough for one party but not the other. Desire can be detected at such low levels that it’s difficult to say when it’s dead. The patient is on life-support “but she can still hear you.” When do you pull the plug?

Madeleine waited until the apartment was silent before getting out of the bath. If Christine was already asleep when she came to bed, Madeleine would be relieved. But it would be all she could do to resist waking her to find out if she was mad at her. If Christine wasn’t angry about the small “empathic break” in the bath just now, she was sure to be angry at having been awakened. Madeleine would exert a good deal of energy getting Christine over her anger; this might involve Ovaltine and cognac. Then, once Christine had reassured Madeleine that she was no longer angry, Madeleine might use the opportunity to punish Christine for having had the gall to be angry over nothing. This punishment would consist of a silent, innocent distraction — an absent glance toward the curtained window as she set down the steaming mug.

“What is it, Madeleine?”

“Wha—? Oh, nothing. It’s just … never mind.”

And Madeleine’s actual grievances would rear, not their heads, but a few hairs, apropos of nothing. Christine would never see what didn’t hit her, but she would intuit it all. At three A.M.

“You hate me, why don’t you just say it, Madeleine?”

“Christine, why are you so mad at me all of a sudden?”

And the cycle would begin again.

In fact, Madeleine loves Christine dearly, would feel gouged and left for dead were she to lose her — feels everything but the abiding sexual interest that allows two people to grapple happily and hotly, then take each other for granted, in the nicest possible way, over breakfast. And to allow one another what is now called personal space, but is really just a new spin on an old virtue — privacy. Privacy is sexy.

They got together in their twenties; privacy was hypocritical then, a form of patriarchal frost. Madeleine is learning the difference between secrecy and privacy. With Christine she has no privacy, but plenty of secrets. Christine can smell them, like bones buried all over the house, and it drives her crazy. Madeleine has hidden them so well that she has no idea they are secrets. Mice dying behind the walls, dreadful smells wafting up the drain.

Christine will walk away and slam the bedroom door. Madeleine, in a rage at being shut out, will punch the wall, then her own head. She may, depending on the ferocity of leashed but ungrounded anger, open the cutlery drawer, find the sharpest knife and carefully wrap her hand around its blade, slowly squeezing up to, but not past, the point of laceration — because how did her life take her, step by step, into the domestic clutches of such a bitch? Then she will open the fridge to get a glass of water, and the sight of the leftover eggplant parmigiana will cause her to weep, because poor Christine cooked it innocently and with love.

As they played out a version of this that Friday night, it never occurred to Madeleine to tell Christine what had happened to her in her car on the way home.

“I’m not into ‘healing,’ okay?” says Madeleine at her next appointment, and places a cheque for six sessions in advance on Nina’s desk, next to a conch shell. “I don’t want you turning me into a vegetarian or — and I don’t want to be straight when I walk out of here, I want be exactly like I am now except able to drive again. And, you know, work.” She sits in the swivel chair, leans back and folds her hands.

Nina says, “You don’t want to be a vegetarian and you don’t want to be heterosexual—”

“I wouldn’t actually mind being vegetarian, I’m kind of interested in that, just not the hairy-leg kind.”

Nina narrows her eyes.

Madeleine says, “You suppressed a smile just now. Either that or you’re offended ’cause beneath your hemp-and-linen leisure suit you’re sporting a pelt like a Sasquatch.”

Nina smiles, says, “Madeleine, I’m going to take a chance and guess that you’re not here about your diet or your sexual orientation, or your profession. Or even your driving habits.”

“So why am I here?”

“That’s what I’m hoping we’ll work toward.”

“No, can you please just take a wild therapeutic guess?”

Nina says, “You want to go forward. But something is stopping you. You feel as though you should know what it is, but you can’t make it out. It’s like trying to identify an elephant when all you can see is one square inch of it.”

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