Ann-Marie MacDonald - Way the Crow Flies

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“The sun came out after the war and our world went Technicolor. Everyone had the same idea. Let’s get married. Let’s have kids. Let’s be the ones who do it right.” The Way the Crow Flies As the novel opens, Madeleine’s family is driving to their new home; Centralia is her father’s latest posting. They have come back from the Old World of Germany to the New World of Canada, where the towns hold memories of the Europeans who settled there. For the McCarthys, it is “the best of both worlds.” And they are a happy family. Jack and Mimi are still in love, Madeleine and her older brother, Mike, get along as well as can be expected. They all dance together and barbecue in the snow. They are compassionate and caring. Yet they have secrets.
Centralia is the station where, years ago, Jack crashed his plane and therefore never went operational; instead of being killed in action in 1943, he became a manager. Although he is successful, enjoys “flying a desk” and is thickening around the waist from Mimi’s good Acadian cooking, deep down Jack feels restless. His imagination is caught by the space race and the fight against Communism; he believes landing a man on the moon will change the world, and anything is possible. When his old wartime flying instructor appears out of the blue and asks for help with the secret defection of a Soviet scientist, Jack is excited to answer the call of duty: now he has a real job.
Madeleine’s secret is “the exercise group”. She is kept behind after class by Mr. March, along with other little girls, and made to do “backbends” to improve her concentration. As the abusive situation worsens, she is convinced that she cannot tell her parents and risk disappointing them. No one suspects, even when Madeleine’s behaviour changes: in the early sixties people still believe that school is “one of the safest places.” Colleen and Ricky, the adopted Metis children of her neighbours, know differently; at the school they were sent to after their parents died, they had been labelled “retarded” because they spoke Michif.
Then a little girl is murdered. Ricky is arrested, although most people on the station are convinced of his innocence. At the same time, Ricky’s father, Henry Froelich, a German Jew who was in a concentration camp, identifies the Soviet scientist hiding in the nearby town as a possible Nazi war criminal. Jack alone could provide Ricky’s alibi, but the Cold War stakes are politically high and doing “the right thing” is not so simple. “Show me the right thing and I will do it,” says Jack. As this very local murder intersects with global forces,
reminds us that in time of war the lines between right and wrong are often blurred.
Ann-Marie MacDonald said in a discussion with Oprah Winfrey about her first book, “a happy ending is when someone can walk out of the rubble and tell the story.” Madeleine achieves her childhood dream of becoming a comedian, yet twenty years later she realises she cannot rest until she has renewed the quest for the truth, and confirmed how and why the child was murdered..
, in a starred review, called
“absorbing, psychologically rich…a chronicle of innocence betrayed”. With compassion and intelligence, and an unerring eye for the absurd as well as the confusions of childhood, MacDonald evokes the confusion of being human and the necessity of coming to terms with our imperfections.

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“That day.”

“Wednesday?”

“Yeah.”

“What kind of egg?”

Grace doesn’t answer.

“A cooked egg?”

“No, a blue one.”

“What kind of egg is that?”

“A special egg,” she says.

Bradley looks up at the pictures lining the walls. The work of nine-year-old and ten-year-old artists. There are bunnies and chicks — even Batman and Robin — but eggs prevail, all gaily decorated with stripes, solids and polka dots in every colour of the rainbow and beyond — including baby blue. He looks back at the child. “An Easter egg?” he asks. She nods.

“Was it a chocolate egg?”

She nods again, then confides, “He said he knew where there was more.”

“Thank you, Grace,” says Inspector Bradley. He stares at his notes while the teacher escorts the child to the side door. The boy used chocolate to lure his victims. Every pedophile knows the power of candy.

Madeleine feels hot. She wants to get away from Colleen. I’m not your sister, he’s not my brother . Colleen lets go of her wrist and takes her hand instead, pressing against it, palm to palm, until Madeleine feels her scab shift and moisten. The door opens. Colleen releases Madeleine and disappears down the hall.

“I don’t remember. I think — I don’t know if I saw him.”

“Look at me, Madeleine.” She does. “Did you see him or not?”

“Are you going to hang him?”

The inspector raises his eyebrows. “Do you think he should be hanged?”

“No!”

He leans back, tilts his head and regards her. Madeleine folds her hands. This policeman with his raincoat and his hat on Mr. March’s desk, he is the boss of the nice one in the uniform standing writing in a notebook with a leather cover, like the kind the Brownies have. Inspector Bradley is like a teacher who already knows how you have done on your test and you haven’t even taken it yet so what’s the point? Madeleine knows she is going to fail.

“Does Ricky like to play with younger children?” he asks. It’s a hard question. Ricky doesn’t go around “playing,” he plays sports and he fixes his car and little kids hang around sometimes and he doesn’t care.

“He doesn’t care,” says Madeleine.

Inspector Bradley’s face has tiny, faint red lines like on a map; it’s square with two vertical wrinkles that run, one from each cheekbone, down to his jaw. Thin ginger hair. Hazel eyes, bloodshot; they say, This is not a joke. Nothing is ever a joke . He seems not to have heard Madeleine’s answer. He asks, “Does he seek out younger children?”

Madeleine knows the inspector isn’t talking about hide ’n’ seek, but she is tempted to be a retard for him. “You mean like hide ’n’ seek?”

“No.” He just looks at her. She pulls her chin in so her face looks fat, raises her eyebrows and bugs out her eyes at the floor.

Mr. March says, “Madeleine,” and she unmakes the face.

The inspector asks, “Has Ricky ever behaved toward you as though he were your boyfriend?” Madeleine chortles, but he isn’t kidding. “Answer the question please, Madeleine.”

“No,” says Madeleine.

“I’m afraid you have to answer—”

“I mean no, he never….”

Inspector Bradley proceeds methodically. He knows she has the thing he is looking for, she has hidden it in one of her pockets or her shoe, he will just keep frisking her until he finds it. “Did he ever ask you on a picnic?”

Madeleine shakes her head.

“Did he offer you a ride on his bike?”

“You mean his motor scooter?”

“Any bike.”

“Once we were all down at the schoolyard and—”

“Did you ever go for a ride with him alone?”

“No.”

“Has he ever touched you?”

“Pardon?”

“Has he ever touched you?”

“Um. He put his hand on the top of my head once and said try and punch him, but I couldn’t reach.”

“Has he touched you where he shouldn’t, or has he made you touch him?”

Madeleine gets the glue feeling. Behind her is the glue man, Mr. March. What has he told the inspector?

Inspector Bradley resumes his search. “Has he done anything dirty?”

She sits very still. Shakes her head. Heat prickles up from her stomach to her face. She can smell the smell, can anyone else?

“Did he undo his pants?” The undertow tugs at her stomach—“Madeleine?”

Gravity is working at different rates on different parts of her, it will suck her insides out and her head will come off and float away.

“That day when you and Colleen Froelich saw Ricky and Claire on the county road—”

“And Elizabeth and Rex—” Her mouth feels very small, the words look very small in her mind.

“You say you saw him turn down the road to Rock Bass with Claire—”

“No,” says Madeleine, and swallows. “I didn’t see him go with Claire.”

“Are you telling me you saw him turn left toward the highway? I’ll know if you’re lying, Madeleine.”

“He didn’t do it,” she says.

“Did you see him or not?” He looks at her the way he has looked at her from the start: at a thing — at a broom in the corner.

“He turned left, toward the highway.” She doesn’t break her gaze or blink. “I saw him.”

It’s quiet except for the scratching of the policeman’s pen in the corner of the room.

“Run along then.”

She rises, and as she walks to the side door she resists the temptation to look behind her, to see if she has left a puddle of sweat or anything on the chair.

Bradley has asked all male staff to wait to be re-interviewed this afternoon, and he plans to follow through. He doesn’t want any loose ends. He doesn’t believe the McCarthy child’s story, but a jury might.

THE MORALITY OF ALTITUDE

Missile building is much like interior decorating. Once you decide to refurnish the living room you go shopping. But when you put it all together you may see in a flash it’s a mistake — the draperies don’t go with the slip covers. The same is true of missiles…. That’s why I go to the fabricating shop. I want to see what my baby will look like.

Wernher von Braun, Life, 1957

MIKE IS LETTING HER run for grounders and pop-flies out in the grassy circle behind the house. Warming up for his game tonight in Exeter. This is his first year playing bantam. Madeleine wears his old glove, but avoids catching the tempting fastballs for fear her cut will open up again.

She keeps an eye on the house, wanting to waylay Dad before supper. She needs to ask him a question. Two questions: Will they hang Ricky Froelich? And is it all right to lie in order to make someone know the truth? Also, she wants to tell him about the policemen who asked her the questions today after school. Maman didn’t notice she was late because she was babysitting at the Froelichs’. Madeleine spots her father between the houses, coming up the street, and calls out, “Dad!”

Jack turns and sees his kids, carefree, happy as clams, out in the field behind the house. He waves, then turns up the Froelichs’ driveway. The patchwork hotrod is near completion, missing only a set of tires, but the old station wagon is gone — one of them must have driven to Goderich to pick up their boy. He taps on the door on the chance of finding Henry at home.

Betty Boucher opens it. Jack smiles and says, “For a second I thought I had the wrong house.”

“I’m part of the bucket brigade. Mimi took the morning shift, they’ve neither of them been home all day.” The women have snapped into action. Betty’s own youngest clings to her skirt while one of the Froelich babies bounces on her hip. The other screams from inside. “It’s beyond me how they do it, Jack. I thought I was a veteran.”

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