Ann-Marie MacDonald - Way the Crow Flies

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“The sun came out after the war and our world went Technicolor. Everyone had the same idea. Let’s get married. Let’s have kids. Let’s be the ones who do it right.” The Way the Crow Flies As the novel opens, Madeleine’s family is driving to their new home; Centralia is her father’s latest posting. They have come back from the Old World of Germany to the New World of Canada, where the towns hold memories of the Europeans who settled there. For the McCarthys, it is “the best of both worlds.” And they are a happy family. Jack and Mimi are still in love, Madeleine and her older brother, Mike, get along as well as can be expected. They all dance together and barbecue in the snow. They are compassionate and caring. Yet they have secrets.
Centralia is the station where, years ago, Jack crashed his plane and therefore never went operational; instead of being killed in action in 1943, he became a manager. Although he is successful, enjoys “flying a desk” and is thickening around the waist from Mimi’s good Acadian cooking, deep down Jack feels restless. His imagination is caught by the space race and the fight against Communism; he believes landing a man on the moon will change the world, and anything is possible. When his old wartime flying instructor appears out of the blue and asks for help with the secret defection of a Soviet scientist, Jack is excited to answer the call of duty: now he has a real job.
Madeleine’s secret is “the exercise group”. She is kept behind after class by Mr. March, along with other little girls, and made to do “backbends” to improve her concentration. As the abusive situation worsens, she is convinced that she cannot tell her parents and risk disappointing them. No one suspects, even when Madeleine’s behaviour changes: in the early sixties people still believe that school is “one of the safest places.” Colleen and Ricky, the adopted Metis children of her neighbours, know differently; at the school they were sent to after their parents died, they had been labelled “retarded” because they spoke Michif.
Then a little girl is murdered. Ricky is arrested, although most people on the station are convinced of his innocence. At the same time, Ricky’s father, Henry Froelich, a German Jew who was in a concentration camp, identifies the Soviet scientist hiding in the nearby town as a possible Nazi war criminal. Jack alone could provide Ricky’s alibi, but the Cold War stakes are politically high and doing “the right thing” is not so simple. “Show me the right thing and I will do it,” says Jack. As this very local murder intersects with global forces,
reminds us that in time of war the lines between right and wrong are often blurred.
Ann-Marie MacDonald said in a discussion with Oprah Winfrey about her first book, “a happy ending is when someone can walk out of the rubble and tell the story.” Madeleine achieves her childhood dream of becoming a comedian, yet twenty years later she realises she cannot rest until she has renewed the quest for the truth, and confirmed how and why the child was murdered..
, in a starred review, called
“absorbing, psychologically rich…a chronicle of innocence betrayed”. With compassion and intelligence, and an unerring eye for the absurd as well as the confusions of childhood, MacDonald evokes the confusion of being human and the necessity of coming to terms with our imperfections.

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A burst of gunfire from the living room.

Simon says, “That’s not why I do my job.”

Jack waits.

“That’s not what we fought for, Jack.” We .

Jack hears a sigh on the other end of the line, and feels ashamed. He takes a breath finally. Simon is not the enemy. The enemy is out there. He looks at the black shine of the kitchen window and sees a man, head bowed, on the phone. He steps forward and draws the curtains — the ones Mimi sewed in Germany.

“Your police are putting on a pretty poor show,” says Simon. “They clearly haven’t a fucking clue who’s responsible.”

“I’m sick about it, Simon. I’ve sent the police on a goddamn wild goose chase.”

“Do you really think you’ve done that single-handedly?” Simon in the seat beside him. Asking the right questions. “We’re taking some flak that’s all. We’ll ride it out. Don’t shake hands with the Devil before you meet him.”

Jack takes another deep breath, as quietly as possible, so as not to rouse his headache. Simon is right. They picked up Ricky Froelich because there are no other suspects. He wonders if there is any Aspirin in the house.

“What’s the situation on the ground there, Jack? Has your neighbour….”

“Froelich.”

“Has he spoken to anyone else, any mention of Dora in the press?”

“No. The arrest will be all over the papers, but…. If I were his lawyer, I’d tell him to keep his war criminal story to himself. Just makes the boy look guilty.”

“Good point.”

“Simon, if this goes any farther, I’ll have to come forward.”

“I don’t imagine it’ll come to that.”

An air-raid siren wails from the living room. Simon adds, almost as an afterthought, “Have you mentioned this to anyone at all? Fried? The fact you were in the car?”

“No—”

“To your wife—?”

“I’ve told no one.”

“Good. You did the right thing, mate.”

Jack’s headache blooms. His left eye pulses, he sees a diagonal silver flash and loses a patch of vision. “I’ll keep you posted.” He hangs up and pauses, his hand still on the receiver. In the next room his daughter sings along with a commercial, “‘You’ll wonder where the yellow went, when you brush your teeth with Pepsodent!’” Where does Mimi keep the Aspirin? He begins opening drawers. In the cupboard under the sink he finds a ragged old housedress, not anything Mimi wears, surely, what’s it doing here? Is it really possible that no one in the Canadian government is aware of Fried’s presence? Or is Canada in the habit of granting carte blanche to the Americans and Brits? A grenade explodes behind him; he turns and is in the living room in two steps. “Turn that godforsaken box down!”

Madeleine looks up. Her father is standing in the doorway, staring at her brother.

“But Dad, I can hardly hear it,” says Mike.

Her father looks strange. “What did you say, mister?”

“Nothing.”

Madeleine sits hugging a couch cushion, while Mike drags himself to the TV and lowers the volume. Dad doesn’t take his eyes from him. “What in the name of God are you watching, anyway?” Madeleine knew it was too good to be true — the half-naked Nazi, the chesty mademoiselle—

“Combat,” says Mike.

“Why are you letting your sister watch that garbage?”

“It’s not garbage, it’s good.”

“American garbage.”

“Well, we don’t have our own garbage.”

Dad clips him on the side of the head.

“Ow,” cries Mike, and turns red.

Jack plants himself in front of the television. “I’ll tell you something: the Americans entered both wars late and they like to take the credit, but you know who was in the front lines both times from the very beginning?” It’s a question that requires no reply. “Canadians.” His lips are thin and shiny. Bluish. “Do you know how many Canadian aircrew died in the last war?”

Machine-gun fire from the television—“I’m hit!” cries Sarge. Mike reflexively tilts his head to see past his father, who turns and switches off the TV. Mike punches his couch cushion.

Madeleine says, “Two out of three aircrew never came back.”

Jack says, “That’s right.” He grabs Mike by the ear and yanks him from the couch.

Mike yelps.

“To bed!” he says through gritted teeth.

“Ow, Papa!”

Mike, following Dad’s grip on his ear, looks suddenly very small and pink in his hockey pajamas and bare feet. Dad’s neck has turned red. Mike is trying not to cry. Madeleine looks down.

“It’s not my bedtime, Daddy!”—the last syllables get away from him in a sob that he fights to snatch back.

Dad pushes him to the stairs, releasing his ear, and Mike stumbles up the first step. Dad follows and grabs a close handful of Mike’s brush cut, hauling him up. Mike is crying, “Daddy, please stop.”

Maman says from the kitchen doorway, “Qu’est-ce qui se passe ici?” and drops her purse to the floor. Dad lets go and Mike runs upstairs — Madeleine hears his door slam shut.

Dad lifts his hand to his forehead and says, “Mimi, I couldn’t find the uh”—he takes a deep breath and Madeleine hears a tremble in it. “Where’s the Aspirin?” She sits perfectly still, clutching her pillow. Have they forgotten that she is here?

Mimi looks up at him and says, “Jack, what’s wrong?”

“Headache,” he says mildly, trying to smile. It’s blinding him.

“Sit down a minute.”

Jack returns to the kitchen, finds a chair and sits while Mimi goes upstairs to the medicine cabinet. Madeleine can see that her father is not moving. His forehead rests lightly on his fingers.

Mimi comes back down the stairs. “Tiens,” she says, handing him the pills and water.

He puts them between his teeth and attempts a grin for her. “Merci ,” he says, and swallows.

The pain is there to smack him across the forehead when he stands, but he doesn’t sit back down. The kitchen light trembles briefly above his head and he says, “I’m gonna go stretch my legs.”

He walks past her, down the three steps, which have begun to narrow and grow dim, is the light still on? He will feel more relaxed in the night air, where he knows it’s dark. He walks out the door, and the missing patch of vision is restored, replaced by a wavering arc, as though his eye were partially under water. It will pass. He wants only to walk out of the PMQs a ways, to where there are no street lights. Street lights burn, hard haloes expunging all other shapes, branding the insides of his closed lids, boring through to the back of his skull. The sun today on the drive, no sunglasses. No hat brim. No supper. It’s just a headache.

He experiences a sense of “coming to” in the black freshness of night as he looks back upon the lights of the houses and the station buildings scattered at a gentle distance now, a spangled square mile. At the far end, a red light flashes unhurriedly from the airport control tower. Jack has walked north perhaps a mile. He smells the new fields. Earth and sky. Now that he is better, he realizes that he was close to keeling over as he left his house ten, twenty minutes ago. A slice of steel is wedged at an angle across the left side of his head, bisecting his eye. Soon it will begin to loosen, throb. He’s fine. Couple more Aspirins and a Scotch.

He turns for home. His eyes are watering. His throat is sore. Perhaps he is coming down with something. He stops, puts his hand out and rests it on a wooden fencepost soft with weather, he is weeping. It will help his headache. He is weeping and his nose is running.

It’s amazing how a headache can undo a man, it’s just as well he came out for a walk rather than inflict this on Mimi. She would ask him what’s wrong, and although things are getting more complicated with the job he is trying to do, there is nothing so wrong that it can’t be fixed.

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