Santiago Roncagliolo - Red April

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Red April: краткое содержание, описание и аннотация

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A chilling, internationally acclaimed political thriller
is a grand achievement in contemporary Latin American fiction, written by the youngest winner ever of the Alfaguara Prize — one of the most prestigious in the Spanish-speaking world — and translated from the Spanish by one of our most celebrated literary translators, Edith Grossman. It evokes Holy Week during a cruel, bloody, and terrifying time in Peru's history, shocking for its corrosive mix of assassination, bribery, intrigue, torture, and enforced disappearance — a war between grim, ideologically-driven terrorism and morally bankrupt government counterinsurgency.
Mother-haunted, wife-abandoned, literature-loving, quietly eccentric Felix Chacaltana Saldivar is a hapless, by-the-book, unambitious prosecutor living in Lima. Until now he has lived a life in which nothing exceptionally good or bad has ever happened to him. But, inexplicably, he has been put in charge of a bizarre and horrible murder investigation. As it unfolds by propulsive twists and turns — full of paradoxes and surprises — Saldivar is compelled to confront what happens to a man and a society when death becomes the only certainty in life.
Stunning for its self-assured and nimble clarity of style — reminiscent of classic noir fiction — the inexorable momentum of its plot, and the moral complexity of its concerns,
is at once riveting and profound, informed as it is by deft artistry in the shaping of conflict between competing venalities. As the
declares, "Lima is once again one of Latin America’s brightest literary scenes."

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He woke with a start, sweating. He went to the bathroom to wash his face. He looked at himself in the mirror. He felt old. He thought about what he had said that morning in the confessional. Everybody I talk to dies. He felt a palpitation. He tried to go back to sleep but could not. He got up, dressed, and moved the furniture away from the door, scratching the floor. He went out. One hundred meters later, he turned and went back to his house. Silently, so his mother would not hear him, he went to his night table. He took out the pistol, hung it under his jacket, and went out again to the Church of the Heart of Christ.

Friday, April 21

you been talking abowt me, fadder?

you been talking abowt me to god?

talk to him about me. tell him to make me a plase. ill make him lissen to you. yes, hell lissen to you. youll be able to put your bald hed on his lap and lick his legs. hell let you touch him, run your hand down his back. youll like it. open your mowth, fadder, like that. let me see your holey tung. let me see your wite teeth. i like wite things, pure things. i have a treet fore you. taste the body of christ.

thats it, much better. now your nice and calm, you know? its better to stay calm. now everythings coming to an end. now its over, now. payshuns. all things have to have an end so they can begin again. you, me, well all have an end. yes. mines close too. but yours is allreddy here. ha. son of the devil.

your dirty, you know? dirty like the beggers in the sity. todays the day to wash you. ill leeve you spotless. oh, youll like it. dont say nothing, fadder, dont talk with your mowth full. its dirty. thats better. do you see how your getting cleen, fadder? your all full of sin. we all remember you here because of that. the bodys you berned remember you for that. did you forget abowt that? did you forget abowt there bodys disapeering into your oven? abowt there ashes?

they didnt forget abowt you. there they are, with god, like youll be, and they think abowt you every day. they cant live again, there bodys arent there anymore. its better. now they have life forever, dont they? true life. now youll meet with them, because your cleen, now you can see them. you and they will talk, yes. world withowt end.

move a little. the holey water has too touch you everywhere. its like a baptisim, unnerstand? a sacramint. a baptisim of fire for you. we lerned that with you. fire cleens. if not, whats the point?

do you heer something? seems like you have a visiter. did you invite another begger to wash him? your charitabel. your good. hoo is it? ah, now i know hoo it is. yes. we seen each other before. he came soon. have you been talking too him about me, fadder? thats good, im not mad at you. well make him one of ours, yes? well love him a lot with our tungs of fire. well wash away his impuritys too, fadder. we have a lot to share.

It was 2:30 in the morning when the prosecutor reached the parish house. There were still some tourists on the street with their Ayacuchan girlfriends, all high but not as noisy now. Some were fighting among themselves or perhaps shouting at the hometown boyfriends, abandoned for the celebration. The faithful had gone to sleep in preparation for the next few nights, the most important ones of the festivities. Prosecutor Chacaltana did not even notice them. He walked resolutely, becoming accustomed with each step to the weight of the pistol at his side, and more and more certain as he approached the door. Before he rang the bell, he wondered how he would justify a visit at this hour. Then he told himself that the priest would understand his concern perfectly, that perhaps he was waiting for him. Without hesitating he rang the bell.

He waited for a moment. He thought he heard something inside, perhaps a voice. He replied by saying who it was.

“I only came to see if everything is all right,” he added.

No one answered, and he heard no other sound. The noise of a dull thud attracted his attention. It had come not from inside the house but from beside it. He wondered if he should stay in the doorway or look for its cause. He remembered that just above the basement a narrow window opened onto the alleyway. He wondered if a person could get out of the house that way. He rang the bell again, with the same result as before. The noise died away, and a few seconds later it began again. The prosecutor walked toward the alleyway that separated the house from the church. He saw no one from the corner, but now a faint groaning came from behind an angle of the church. He caressed the pistol and walked closer. He stopped before he went to the other side of the angle, hugging the wall. Now the echo of a constant scraping and the bang of trash cans joined the groaning, as if someone were pushing the cans against the wall. He realized that his hand was clutching the butt of the pistol though he had not opened the sheath. He did so with his fingers, not moving from where he stood. It seemed to him that what he heard was the agitated respiration of two people, probably agitated because they were dragging a body. He asked himself if they were armed. Considering that these were terrorist assassins, he told himself they were. He was confused. In a gunfight, he was bound to lose. Perhaps the best thing would be only to see who they were without letting himself be seen, and then to pursue them in the light of day. Or perhaps he should drop the case and visit Judge Briceño to take part in his working group and buy a Datsun someday. He thought it was too late for that. After all, the killer was following him and almost seemed to be playing hide-and-seek with him. He thought, this is a case I cannot drop. Perhaps I will not be able to drop it even if I solve it. Solve it. Until a month ago, his function was simply to submit reports, not to solve things. He inhaled deeply, trying not to make noise. Holding his breath, he looked on the other side of the angle. In a corner, behind the trash cans, two shadows were moving in an agitated way. Their backs were to him. The prosecutor thought he could take advantage of the opportunity to apprehend them officially in the name of the law. He was aware that he did not have the legal authority to arrest anyone. As he was making his decision, he took a step forward and kicked a beer can, which noisily hit the stone wall. The two shadows stopped panting and moving. They whispered a few words. The prosecutor discovered that in fact only one figure had his back to him, a tall blonde who murmured in a foreign accent and held the other one, a woman, against the wall as she wrapped her legs around him. The prosecutor moved his hand away from the weapon. He could not suppress a choked sigh of relief as he leaned against the wall. His eyes met those of the other two. The man had remained motionless, not knowing what to do. It was the girl who said:

“Are you a cop?”

The prosecutor replied:

“What? Oh, no. Of course not.”

“Then get the hell out of here, damn it!”

She certainly had a Peruvian accent. Chacaltana thought about making them leave. They showed a lack of respect for Father Quiroz and for the church. But he felt ridiculous. He went back to the door of the parish house. He wondered if someone might have opened it while he had been distracted. There were still no lights on inside, but that did not mean anything. He rang the bell again. Perhaps the priest was not even inside. His encounter with the couple made him think that perhaps his nerves were getting the better of him. Perhaps the priest had left Ayacucho and stayed in some village to sleep. Impossible. Not during Holy Week. He thought about going in through the window, but it had wrought iron bars. He rejected the idea of going in through the little basement window. The couple would not allow him to. Besides, he would have to break it. It occurred to him to look for a telephone, but he did not even know if there was one in the parish house. The priest had used the phone in his office. Then too, if he did not answer the door, he would not pick up the phone either. Guided by an irritated, frustrated impulse, he put his hand on the doorknob. To his surprise, the door responded to his push. Inside everything was dark. He stood for a few minutes in the doorway. Now he would have to go in. He supposed he wanted to but did not know if he really wanted to. He wanted only to sleep quietly. He called to Father Quiroz. There was no answer. He looked around. The street was empty. He took two steps inside without closing the door, to take advantage of the streetlamps. The shadows produced in the house by the lights on the street seemed to move, shaken by the night breeze. As he looked for the light switch, he called again:

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