Colum McCann - Let the Great World Spin

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Let the Great World Spin: краткое содержание, описание и аннотация

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In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people.
Let the Great World Spin
Corrigan, a radical young Irish monk, struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth.
Elegantly weaving together these and other seemingly disparate lives, McCann’s powerful allegory comes alive in the unforgettable voices of the city’s people, unexpectedly drawn together by hope, beauty, and the “artistic crime of the century.”
A sweeping and radical social novel,
captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a “fiercely original talent” (
), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of what the novel can achieve, confront, and even heal.

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Dennis is over in the corner, shaking his head and smiling. Comp-ton’s doing the finger-circling thing and Gareth is cracking up. All I want to do is push them out of my chair and stop them using my stuff — I got a right to my own stuff.

— Ask her why she’s there, I whisper.

— The Kid speaks again!

— You okay, Kid?

— Just ask her.

— Don’t be a drip, says Compton.

He leans backwards and laughs, covering my mike with both hands, starts bouncing back and forth in my chair. His legs are kicking up and down and the pizza boxes are scattering at his feet.

— Excuse me? says the lady. There’s noise on the line.

— Ask her how old she is. Go on.

— Shut up, Kid.

— Shut up you, your goddamn self, Compton.

Compton smacks my forehead with the heel of his hand.

— Listen to the Kid!

— C’mon, just ask her.

— The beloved American right to the pursuit of horniness.

Gareth starts laughing his ass off and Compton leans into the mike again and says: Are you still there, ma’am?

— I’m here, she says.

— Is he still saluting?

— Well, he’s standing now. The policemen are leaning out. Over the edge.

— The helicopter?

— Nowhere near.

— Any more bunny hops?

— Excuse me?

— Did he do any more bunny hops?

— I didn’t see that. He didn’t do any bunny hops. Who did bunny hops?

— From foot to foot, like?

— He’s a real showman.

Gareth giggles.

— Are you taping me?

— No, no, no, honestly.

— I hear voices in the background.

— We’re in California. We’re cool. Don’t worry. We’re computer guys.

— As long as you’re not taping me.

— Oh, no. You’re cool.

— There are legal issues about that.

— Of course.

— Anyway, I really should …

— Just a moment, I say, leaning all the way across Compton’s shoulder.

Compton pushes me back and asks if the tightrope walker’s looking nervous and the woman takes a long time to answer, like she’s chewing on the whole idea and wondering whether to swallow it.

— Well, he looks rather calm. His body, that is. He looks calm.

— You can’t see his face?

— Not exactly, no.

She’s beginning to fade, like she doesn’t want to talk to us much anymore, evaporating down the line, but I want her just to hang on, I don’t know why, it feels like she’s my aunt or something, like I’ve known her a long time, which is impossible of course, but I don’t care anymore, and I grab the microphone and bend it away from Compton and I say: You work there, ma’am?

Compton throws his head right back to laugh again and Gareth tries tickling my nuts and I mouth the word asshole at him.

— Well, yes, I’m a librarian.

— Really?

— Hawke Brown and Wood. In the research library.

— What’s your name?

— Fifty-ninth floor.

— Your name?

— I really don’t know if I should …

— I’m not trying to be rude.

— No, no.

— I’m Sam. I’m out here in a research lab. Sam Peters. We work on computers. I’m a programmer.

— I see.

— I’m eighteen.

— Congratulations, she laughs.

It’s almost like she can hear me blush on the other end of the phone. Gareth is bent over double with laughter.

— Sable Senatore, she says finally in a voice like soft water.

— Sable?

— That’s right.

— Can I ask …?

— Yes?

— How old’re you?

Silence again.

They’re all cracking up, but there’s a sweet point in her voice, and I don’t want to hang up. I keep trying to imagine her there, under those big towers, looking upwards, opera glasses around her neck, getting ready to go to work in some law firm with wood paneling and pots of coffee.

— It’s eight-thirty in the morning, she says.

— Excuse me?

— Hardly time for a date.

— I’m sorry.

— Well, I’m twenty-nine, Sam. A little old for you.

— Oh.

Sure enough, Gareth starts hobbling around like he’s using a walking stick, and Compton is doing little caveman howls, even Dennis slides up against me and says: Loverboy

Then Compton shoves me sideways from the table and says something about his bet, he’s got to get the bet resolved.

— Where is he? Sable? Where’s the guy now?

— Is this Colin again?

— Compton.

— Well, he’s at the edge of the south tower.

— How long’s the distance between the towers?

— Hard to judge. A couple of hundred … oh, there he goes!

A great big noise all around her and whooshing and cheering and it’s like everything has become undone and is lapsing into babble, and I think of all the thousands off the buses and the trains, seeing it for the first time, and I wish I was there, with her, and I get a wobbly feeling in my knees.

— He lay down? asks Compton.

— No, no, of course not. He’s done.

— He stopped?

— He just walked right in. He saluted again and waved and then walked right in. Very fast. Ran. Kind of.

— He’s done?

— Shit.

— I win! says Gareth.

— Aww, he’s done? You sure? That’s it?

— The police at the edge are taking him in. They have the pole. Oh, listen.

There are huge hoots and a tremendous round of applause from near the phone. Compton looks annoyed and Gareth snaps his fingers like he’s snapping money. I lean in and take the microphone.

— He’s finished? Hello? Can you hear me?

— Sable, I say.

— Well, she says, I really must…

— Before you go.

— Is this Samuel?

— Can I ask you a personal question?

— Well, I guess you already have.

— Can I get your number? I ask.

She laughs, says nothing.

— Are you married?

Another laugh, a regret in it.

— Sorry, I say.

— No.

— Excuse me?

And I don’t know whether she’s said no to giving me her number, or no to being married, or maybe both at once, but then she lets out a little laugh that flutters away.

Compton is digging in his pocket for money. He slides a five-dollar bill across to Gareth.

— I was just wondering …

— Really, Sam, I must go.

— I’m not a weirdo.

— Toodle-pips.

And the line goes dead. I look up, and Gareth and Compton are staring at me.

— Toodle-pips, roars Gareth. Get a load of that! He’s poised!

— Shut up, man.

— That’s fortuitous!

— Shut up, asswipe.

— Touchy, touchy.

— Someone fell, says Compton with a grin.

— I was just messing with her. I was just fooling.

— Toodle-pips!

— Can I get your number, please?!

— Shut your mouth.

— Hey. The Kid gets angry.

I step over to the phone and hit the enter key on the keyboard again, but it just rings and rings and rings. Compton’s got this strange look on his face, like he’s never seen me before, like I’m some sort of brand-new guy, but I don’t care. I dial again: it just keeps ringing. I can see Sable, in my mind’s eye, walking away, down the street, up into the World Trade Center towers, to the fifty-ninth floor, all woodwork and file cabinets, saying hello to the lawyers, settling down at her desk, putting a pencil behind her ear.

— What was the name of that law firm again?

— Toodle-pips, says Gareth.

— Forget about it, man, says Dennis.

He’s standing there in his T-shirt, hair all askew.

— She ain’t coming back, says Compton.

— What makes you so sure?

— Women’s intuition, he says with a giggle.

— We got to work on that patch, says Dennis. Up and at it.

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