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Colum McCann: Let the Great World Spin

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Colum McCann Let the Great World Spin

Let the Great World Spin: краткое содержание, описание и аннотация

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In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people. Let the Great World Spin Corrigan, a radical young Irish monk, struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth. Elegantly weaving together these and other seemingly disparate lives, McCann’s powerful allegory comes alive in the unforgettable voices of the city’s people, unexpectedly drawn together by hope, beauty, and the “artistic crime of the century.” A sweeping and radical social novel, captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a “fiercely original talent” ( ), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of what the novel can achieve, confront, and even heal.

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“When she didn’t cash the checks,” he said to me.

“Pardon me?”

“That’s when I knew she was sick,” he said. “When she didn’t cash the checks.”

A sliver of cold moved down my chest.

“I’m only telling you the truth,” he said. “If you can’t stand the truth, don’t ask for it.”

Our father came to sleep in our house that night. He carried a small suitcase with a black mourning suit and a pair of polished shoes. Corrigan stopped him as he made his way up the stairs. “Where d’you think you’re going?” Our father gripped the banister. His hands were liver-spotted and I could see him trembling in his pause. “That’s not your room,” said Corrigan. Our father tottered on the stairs. He took another step up. “Don’t,” said my brother. His voice was clear, full, confident. Our father stood stunned. He climbed one more step and then turned, descended, looked around, lost.

“My own sons,” he said.

We made a bed for him on a sofa in the living room, but even then Corrigan refused to stay under the same roof: he went walking in the direction of the city center, and I wondered what alley he might be found in later that night, what fist he might walk into, whose bottle he might climb down inside.

The morning of the funeral, I heard our father shouting Corrigan’s first name. “John, John Andrew.” A door slammed. Another. And then a long silence. I lay back against the pillow, allowed the quiet to surround me. Footsteps on the stairs. The creak at the top step. The noises were full of mystery. Corrigan rumbled through the downstairs cupboards and slammed the front door.

When I went to the window I saw a line of well-dressed men on the strand, right outside our house. They were wearing our father’s old suits and hats and scarves. One had tucked a red handkerchief in the breast pocket of the black suit. Another carried a pair of polished shoes in his hand. Corrigan went among them, a little lopsided, his hand jammed down into his trouser pocket, where he was holding a bottle. He was shirtless and wild-looking. A head of uncombed hair. His arms and neck were brown, but the rest of his body was pale. He grinned and waved at my father standing now at the front door, barefoot, stunned, watching a dozen copies of himself out walking the tidal sands.

A couple of women I recognized from the charity lines at the flophouses were sauntering along the mucky sand in my mother’s old summer dresses, celebrating their new clothes.

CORRIGAN TOLD ME once that Christ was quite easy to understand. He went where He was supposed to go. He stayed where He was needed. He took little or nothing along, a pair of sandals, a bit of a shirt, a few odds and ends to stave off the loneliness. He never rejected the world. If He had rejected it, He would have been rejecting mystery. And if He rejected mystery, He would have been rejecting faith.

What Corrigan wanted was a fully believable God, one you could find in the grime of the everyday. The comfort he got from the hard, cold truth — the filth, the war, the poverty — was that life could be capable of small beauties. He wasn’t interested in the glorious tales of the afterlife or the notions of a honey-soaked heaven. To him that was a dressing room for hell. Rather he consoled himself with the fact that, in the real world, when he looked closely into the darkness he might find the presence of a light, damaged and bruised, but a little light all the same. He wanted, quite simply, for the world to be a better place, and he was in the habit of hoping for it. Out of that came some sort of triumph that went beyond theological proof, a cause for optimism against all the evidence.

“Someday the meek might actually want it,” he said.

After our mother died, we sold the house. Our father took half the money. Corrigan gave his portion away. He lived off the charity of others and began studying the work of Francis of Assisi. For hours on end he would walk the city, reading. He made himself sandals out of some scrap leather and wore wild-colored socks underneath. He became a staple on the streets of Dublin in the mid-sixties, with stringy hair and carpenter pants, books tucked under his arm. He had a long, shambling stride. He went around penniless, coatless, shirtless. Every August, on the anniversary of Hiroshima, he locked himself to the gates of the Parliament on Kildare Street, a quiet vigil for one night, no photos, no journalists, just him and his cardboard box spread out on the ground.

When he was nineteen he began studying with the Jesuits at Emo College. Mass in the early dawn. Hours of theological study. Afternoon walks through the fields. Night walks along the Barrow River, beseeching his God out under the stars. The morning prayers, the noontime prayers, the evening prayers, the complines. The glorias, the psalms, the gospel readings. They gave a rigor to his faith, it staked him to a purpose. Still, the hills of Laois couldn’t hold him. He couldn’t be an ordinary priest — it wasn’t the life for him; he was ill defined for it, he needed more space for his doubt. He left the novitiate and went to Brussels, where he joined a group of young monks who took their vows of chastity, poverty, obedience. He lived in a small flat in the center of the city. Grew his hair out. Kept his head in books: Augustine, Eckhart, Massignon, Charles de Foucauld. It was a life of ordinary labor, friendship, solidarity. He drove a fruit truck for a local cooperative and organized a labor union for a small group of workers. In his work he wore no religious garments, or collars, carried no Bible, and preferred to stay quiet, even around the brothers of his own Order.

Few of the people who came across him ever knew of his religious ties and, even in those places where he spent the longest, he was seldom known for his beliefs — instead, people looked at him with a fondness for another era, when time seemed slower, less complicated. Even the worst of what men did to one another didn’t dampen Corrigan’s beliefs. He might have been naïve, but he didn’t care; he said he’d rather die with his heart on his sleeve than end up another cynic.

The only furniture he owned was his oak-wood prayer kneeler and his bookshelves. The shelves were lined with a number of religious poets, radicals mostly, and some liberation theologians. He had long angled for a posting somewhere in the Third World but couldn’t get one. Brussels was too ordinary for him. He wanted somewhere with a rougher plot. He spent a while in the slums of Naples, working with the poor in the Spanish Quarter, but then was shipped off to New York in the early seventies. He disliked the idea, bucked against it, thought New York too mannered, too antiseptic, but had no sway with those higher up in his Order — he had to go where he was sent.

He boarded a plane with a suitcase full of books, his kneeler, and a Bible.

I HAD DROPPED OUT of university and spent the best part of my late twenties in a basement flat on Raglan Road, catching the tail end of the hippie years. Like most things Irish, I was a couple of years too late. I drifted into my thirties, found a desk job, but still wanted the old reckless life.

I had never really followed what happened up north. Sometimes it seemed like an entirely foreign land, but in the spring of ′74 the violence came south.

I went to the Dandelion Market one Friday evening to buy some marijuana, an occasional habit. It was one of the few places where Dublin hummed: African beads, lava lamps, incense. I bought half an ounce of Moroccan hash at a stall for secondhand records. I was walking along South Leinster Street into Kildare Street when the air shook. Everything went yellow for an instant, a perfect flash, then white. I was knocked through the air, against a fence. I woke, panic all around. Shards of glass. An exhaust pipe. A steering wheel rolling in the street. The wheel flopped, exhausted, and all was strangely still until the sirens rang out, as if already mourning. A woman went by with her dress torn neck to hem, as if designed to show off her chest wound. A man stooped to help me up. We ran together a few yards, then parted. I was stumbling around the corner towards Molesworth Street when a Garda stopped me and pointed to a few spots of blood on my shirt. I fainted. When I woke in hospital they told me I’d lost a little flesh at the lobe of my right ear when I’d been slammed back against the spear of a railing. A fleur-de-lis. Such fine irony. The tip of my ear left behind on the street. The rest of me was intact, even my hearing.

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