Colum McCann - Let the Great World Spin

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Let the Great World Spin: краткое содержание, описание и аннотация

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In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people.
Let the Great World Spin
Corrigan, a radical young Irish monk, struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth.
Elegantly weaving together these and other seemingly disparate lives, McCann’s powerful allegory comes alive in the unforgettable voices of the city’s people, unexpectedly drawn together by hope, beauty, and the “artistic crime of the century.”
A sweeping and radical social novel,
captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a “fiercely original talent” (
), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of what the novel can achieve, confront, and even heal.

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It was moments like this that kept his training on track. Six years in so many different places. The meadow just one of them. The grass stretched for the better part of a half mile, though the line ran only 250 feet along the middle of the meadow, where there was the most wind. The cable was guy-lined by a number of well-tightened cavallettis. Sometimes he loosened them so the cable would sway. It improved his balance. He went to the middle of the wire, where it was most difficult. He would try hopping from one foot to the other. He carried a balancing pole that was too heavy, just to instruct his body in change. If a friend was visiting he would get him to thump the high wire with a two-by-four so that the cable swung and he learned to sway side to side. He even got the friend to jump on the wire to see if he could knock him off.

His favorite moment was running along the wire without a balancing pole — it was the purest bodyflow he could get. What he understood, even when training, was this: he could not be at the top and bottom all at once. There was no such thing as an attempt. He could catch himself with his hands, or by wrapping his feet around the wire, but that was a failure. He hunted endlessly for new exercises: the full turn, the tiptoe, the pretend fall, the cartwheel, bouncing a soccer ball on his head, the bound walk, with his ankles tied together. But they were exercises, not moves he would contemplate on a walk.

Once, during a thunderstorm, he rode the wire as if it were a surfboard. He loosened the guy cables so the wire was more reckless than ever. The waves the sway created were three feet high, brutal, erratic, side to side, up and down. Wind and rain all around him. The balancing pole touched against the tip of the grass, but never the ground. He laughed into the teeth of the wind.

He thought only later, as he went back to the cabin, that the pole in his hand had been a lightning rod: he could have been lit up with the storm — a steel cable, a balancing pole, a wide-open meadow.

The wood cabin had been deserted for several years. A single room, three windows, and a door. He had to unscrew the shutters to get light. The wind came in wet. A rusted water pipe hung from the roof and once he forgot and knocked himself out on it. He watched the acrobatics of flies bouncing on cobwebs. He felt at ease, even with the rats scratching at the floorboards. He decided to climb out the windows instead of through the door: an odd habit — he didn’t know where it came from. He put the pole on his shoulder and walked out into the long grass toward the wire.

Sometimes there were Rocky Mountain elk that came to graze at the meadow edge. They raised their heads and peered at him and disappeared back into the treeline. He had wondered what they saw, and how they saw it. The sway of his body. The bar held out in the air. He was ecstatic when the elk began to stay. Clumps of two or three of them, keeping close to the treeline, but venturing forward a little more each day. He wondered if they would come and rub against the giant wooden poles that he had inserted into the ground, or if they would chew them and gnaw them away, leave the line to sag.

He came back one winter, not to train, but to relax and to go over the plans. He stayed in the log cabin, on a ridge overlooking the meadow. He spread the plans and photographs of the towers out across the rough-hewn table at the small window that looked out and down at the emptiness.

One afternoon he was astounded by a coyote stepping through the snow and jumping playfully just under his wire. At its lowest point in summer the wire had been fifteen feet in the air, but the snow was so deep now that the coyote could have leaped over.

After a while he went to put some wood in the stove and then suddenly the coyote was gone, like an apparition. He was sure he had dreamed it, except when he looked through binoculars there were still some paw marks in the snow. He went out in the cold to the path he had dug in the snow, wearing only boots, jeans, a lumber shirt, a scarf. He climbed the pegs in the pole, walked the wire without a balancing pole, and traveled out to meet the tracks. The whiteness thrilled him. It seemed to him that it was like stepping along the spine of a horse toward a cool lake. The snow reinstructed the light, bent it, colored it, bounced it. He was exuberant, almost stoned. I should jump inside and swim. Dive into it. He put one foot out and then hopped, arms stretched, palms flat. But in midflight he realized what he’d done. He didn’t even have time to curse. The snow was crisp and dense, and he had jumped feet-first off the wire, like a man into a pool. I should just have fallen backward, given myself a different form. He was chest-deep in it and could not get out. Trapped, he tried swishing back and forth. His legs felt wrong, neither heavy nor light. He was encased, a cell of snow. He broke free with his elbows and tried to grab the wire above him but he was too far down. The snow leaked along his ankle, down into his boots. His shirt had ridden up on his body. It was like landing in a cold wet skin. He could feel the crystals on his ribcage, his navel, his chest. It was his business to live, to fight for it — it would be, he thought, his whole life’s work just to get himself out of there. He gritted his teeth and tried inching himself upward. A long, tugging pain in his body. He sank back into his original form. The threat of gray sunset coming down. The far line of trees like sentries, watching.

He was the sort of man who could do chin-ups on one finger, but there was nothing to reach for — the wire was out of his grasp. There was the momentary thought of remaining there, frozen, until a thaw came, and he’d descend with the thaw until he was fifteen feet under the wire again, rotting, the slowest sort of falling, until he reached the ground, perhaps even gnawed at by the same coyote he admired.

His hands were fully free and he warmed them by tightening and untightening. He removed the scarf from his neck, slowly, in measured motion — he knew his heart would be slowing in the cold — and he looped the wire with it and tugged. Little beads of snow shook from the scarf. He could feel the scarf threads stretch. He knew the wire, the soul of it: it would not betray him, but the scarf, he thought, was old and worn. It could stretch or rip. Kicking his feet out beneath him, through the snow, making room, looking for somewhere compact. Don’t fall backward. Each time he rose, the scarf stretched. He clawed upward and pulled himself higher. It was possible now. The sun had dipped all the way behind the trees. He made circles with his feet to loosen them, pushed his body sideways through the snow, exploded upward, tore his right foot from the snow and swung his leg, touched the wire, found grace.

He pulled his body onto the cable, kneeled, then lay a moment, looked at the sky, felt the cable become his spinal cord.

Never again did he walk in the snow: he allowed that sort of beauty to remind him of what could happen. He hung the scarf on a hook on the door and the next night he saw the coyote again, sniffing aimlessly around where his imprint still lay.

He sometimes went into the local town, along the main street, to the bar where the ranchers gathered. Hard men, they looked at him as if he were small, ineffectual, effete. The truth was that he was stronger than any of them. Sometimes a ranch hand would challenge him to an arm wrestle or a fight but he had to keep his body in tune. A torn ligament would be disaster. A separated shoulder would set him back six months. He placated them, showed them card tricks, juggled coasters. On leaving the bar he slapped their backs, pickpocketed their keys, moved their pickup trucks half a block, left the keys in the ignitions, walked home in the starlight, laughing.

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