Colum McCann - Let the Great World Spin

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Let the Great World Spin: краткое содержание, описание и аннотация

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In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people.
Let the Great World Spin
Corrigan, a radical young Irish monk, struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth.
Elegantly weaving together these and other seemingly disparate lives, McCann’s powerful allegory comes alive in the unforgettable voices of the city’s people, unexpectedly drawn together by hope, beauty, and the “artistic crime of the century.”
A sweeping and radical social novel,
captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a “fiercely original talent” (
), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of what the novel can achieve, confront, and even heal.

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The van spun farther. It was almost front-on. On the passenger side, all I could see was a pair of bare feet propped up on the dashboard. Untangling in slow motion. The bottoms of her feet were so white at the edges and so dark in their hollows that they could only have belonged to a black woman. She untucked at the ankles. The spin was slow enough. I could just see the top of her frame. She was calm. As if ready to accept. Her hair was pulled back tight off her face and bright baubles of jewelry bounced at her neck. If I hadn’t seen her again, moments later, after she was thrown through the windshield, I might have thought she was naked, given the angle I was looking from. Younger than me, a beauty. Her eyes traveled across mine as if asking, What are you doing, you tan blond bitch in your billowy blouse and your fancy Cotton Club car?

She was gone just as quickly. The van went into a wider spin and our car kept on going straight. We passed them. The road opened like a split peach. I recall hearing the first crunch behind us, another car hitting the van, then the clatter of a grille that fell to the ground, and later on, when we went back over it all in our minds, Blaine and I, we reheard the impact of the newspaper truck as it sent them into the guardrail, a big boxy truck with the driver’s door open and the radio blaring. It hit with brute force. There never would have been a way out for them.

Blaine looked over his shoulder and then floored it for an instant until I shouted at him to stop, please stop, please. Nothing more uncluttered than these moments. Our lives in perfect clarity. You must get out. Take responsibility. Walk back to the crash. Give the girl mouth-to-mouth. Hold her bleeding head. Whisper in her ear. Warm the whites of her feet. Run to a phone. Save the crushed man.

Blaine pulled over to the side of the FDR and we stepped out. The caw of gulls from the river, breasting the wind. The dapple of light on the water. The surging currents, their spinning motions. Blaine shaded his eyes in the sunlight. He looked like an ancient explorer. A few cars had stopped in the middle of the road and the newspaper truck had come to a sideways halt, but it wasn’t one of those enormous wrecks that you sometimes hear about in rock songs, all blood and fracture and American highway; rather, it was calm with only small sprinklings of jeweled glass across the lanes, a few bundles of newspapers in a havoc on the ground, distant from the body of the young girl, who was expressing herself in a patch of blooming blood. The engine roared and steam poured out of the van. The driver’s foot must still have been on the pedal. It whined incessantly, at its highest pitch. Some doors were opening in the stalled cars behind and already some other drivers were leaning on their horns, the chorus of New York, impatient to get going again, the fuck-you shrill. We were alone, two hundred yards ahead of the clamor. The road was perfectly dry but with patches of puddled heat. Sunlight through the girdings. Gulls out over the water.

I looked across at Blaine. He wore his worsted jacket and his bow tie. He looked ridiculous and sad, his hair flopping down over his eyes, all of him frozen to the past.

— Tell me that didn’t happen, he said.

The moment he turned to check the front of the car I recall thinking that we’d never survive it, not so much the crash, or even the death of the young girl — she was so obviously dead, in a bloodied heap on the road — or the man who was slapped against the steering wheel, almost certainly ruined, his chest jammed up against the dashboard, but the fact that Blaine went around to check on the damage that was done to our car, the smashed headlight, the crumpled fender, like our years together, something broken, while behind us we could hear the sirens already on their way, and he let out a little groan of despair, and I knew it was for the car, and our unsold canvases, and what would happen to us shortly, and I said to him: Come on, let’s go, quick, get in, Blaine, quick, get a move on.

IN ′73 BLAINE AND I had swapped our lives in the Village for another life altogether, and we went to live in a cabin in upstate New York. We had been almost a year off the drugs, even a few months off the booze, until the night before the accident. Just a one-night blowout. We’d slept in that morning, in the Chelsea Hotel, and we were returning to the old Grandma notion of sitting on the porch swing and watching the poison disappear from our bodies.

On the way home, silence was all we had. We ducked off the FDR, drove north, over the Willis Avenue Bridge, into the Bronx, off the highway, along the two-lane road, by the lake, down the dirt track toward home. The cabin was an hour and a half from New York City. It was set back in a grove of trees on the edge of a second, smaller lake. A pond, really. Lily pads and river plants. The cabin had been built fifty years before, in the 1920s, out of red cedar. No electricity. Water from a spring well. A woodstove, a rickety outhouse, a gravity-fed shower, a hut we used for a garage. Raspberry bushes grew up and around the back windows. You could lift the sashes to birdsong. The wind made the reeds gossip.

It was the type of place where you could easily learn to forget that we had just seen a girl killed in a highway smash, perhaps a man too — we didn’t know.

Evening was falling when we pulled up. The sun touched the top of the trees. We saw a belted kingfisher bashing a fish upon the dock. It ate its prey and then we sat watching its wheeling flight away — something so beautiful about it. I stepped out and along the dock. Blaine took out the paintings from the backseat, propped them against the side of the hut, pulled open the huge wooden doors where we kept the Pontiac. He parked the car and locked the hut with a padlock and then swept the car tracks with a broom. Halfway through the sweeping, he looked up and gave me a wave that was also a half-shrug, and he set to sweeping again. After a while, there was no sign that we had even left the cabin.

The night was cool. A chill had silenced the insects.

Blaine sat beside me on the dock, kicked off his shoes, dangled his feet out over the water, fished in the pockets of his pleated trousers. The burned-out shadows of his eyes. He still had a three-quarter-full bag of cocaine from the night before. Forty or fifty dollars’ worth. He opened it and shoved the long thin padlock key into the coke, scooped up some powder. He cupped his hands around the key and held it to my nostril. I shook my head no.

— Just a hit, he said. Take the edge off.

It was the first snort since the night before — what we used to call the cure, the healer, the turpentine, the thing that cleaned our brushes. It kicked hard and burned straight through to the back of my throat. Like wading into snow-shocked water. He dipped into the bag and took three long snorts for himself, reared his head back, shook himself side to side, let out a long sigh, put his arm around my shoulder. I could almost smell the crash on my clothes, like I’d just crumpled my fender, sent myself spinning, about to smash into the guardrail.

— Wasn’t our fault, babe, he said.

— She was so young.

— Not our fault, sweetie, you hear me?

— Did you see her on the ground?

— I’m telling you, said Blaine, the idiot hit his brakes. Did you see him? I mean, his brake lights weren’t even working. Nothing I could do. I mean, shit, what was I supposed to do? He was driving like an idiot.

— Her feet were so white. The bottoms of them.

— Bad luck’s a trip I don’t go on, babe.

— Jesus, Blaine, there was blood everywhere.

— You’ve gotta forget it.

— She was just lying there.

— You didn’t see a goddamn thing. You listening to me? We saw nothing.

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