Joshua Cohen - Book of Numbers

It was the heat on me, it had me clicking through the Burj surveillance feeds: out_beachport, and toggling to where Kor and I had sat, where the sand had no traces of our sitting. Saw the waves. Heard the waves. Streamed the data. The number of miles (km) of beach outside, the number of miles (km) of beach inside. I clicked the in_beachport, to remember an experience I never — membered: the sand set firm under the tanning lights, a gunite wadingpool of water piped in and then waved into froth by machine.

Another toggle, to the four chlorinated lap pools beyond its negative edge, each the size of four Olympics, veritably.

Next, soothing myself, I connected to a tour of the golfcourses both outdoor and indoor, linked around the links. I splitscreened between them and the volley with a robot tennis pavilion. Cricketcam. Wicketcam. The sports snowglobe. Keyed in my room number to find out if I was eligible for discounts on any XXXtreme bungee/skydiving/kitesurfing/jetski/abseiling/assorted parasports “adventures” (I was).

I, who’d actually been in the lobby, could understand the lobby only now, immersing, submerging, and so discovering its décor with a diligence that in fleshlife would’ve required a dubious protracted loiter by the guest services station consulting reference texts on textile history and rubbing lasciviously against the drapery. I could explore the provenance of the provincial antiquities displayed in the perimeter encasements (one I thought was real was a repro, and another I thought was a repro was — guess).

The restaurants I’d never dine at, serving which cuisines at what hours, locations, with directions — with directions from within the resort.

Stats on all the rooms not mine, inclusive of their rates I’d never pay, stats also on their interior design with links to the sites of their interior designers, the furnishings’ brands listed with multicurrency pricing and even the option to “add to my cart” (delivery options, next page).

My experience was beyond the vicarious — I myself was autocompleted (I don’t recall getting dressed and out of the room).

The elevators were each the size of an Emirate, each with its own culture, weather, official tree (ebony paneling), official animal (ebony operator). I took a car from the same bank I’d been taking to Principal’s suite — but passed Principal’s, into the open.

The doors withdrew, as if in the presence of majesty, with every guest a royal, and I found myself in what can only be described as a purple passage: literally a passage of purple mirror etched into damask, tossing petals at my steps across a roofdeck — behind me shafty minarets cupolating with moon for the delectation of the sheikh on the jumbotrons — ahead of me the Gulf and its isles, dredged drifting replicas of all the earth’s landmasses, the Antarctic a sandbar of bulldozers and dumptrucks, Greenland a flurry of speedboat launches.

I took a stairwell of chrome and glass up to a helipad, beyond the roundel of which a tent was pitched and inside the tent was a room. A suite double the size of Principal’s, the standard layout zoomed to enlarge, deep into the fabric of night. Hircine, rough, and nothing to knock. The furnishment was all divans draped in antimacassary, pillow pyres obscuring the brocades beneath. A mixed bag showcase, then, as cluttered as Orientalism, as patchwork pastiched as the choice of whether to relish or critique it. Shelves held alcohol distilled by types, within types, by vsop, xo, cigs American and British.

The mess was hubbed by a vast mannered table, marquetried in fractals of pearl but inlaid with an unmohammadian felt swath for games with cards and dice. It was staffed, but also patronized, by cleancut young achievers.

They were natives, though, and so only nepotistically ambitious, twit sycophants attitudinized by privilege: twentyeightsomething, twentyeightandahalfsomething at the far end where the tentflaps were staked to expose the starlessness.

Kor motioned me to a propinquous tassled tuft. A Slav built like a pole flying a blackstriped bandeau swimsuit like a flag laid out the snifters and cohibas.

The natives were Arabizing and I didn’t understand — anything beyond, they were freaked by the Slav.

“This is Josh,” Kor said. “He’s a biographer, a writer — can any of you name any writers?”

Each member of the fraternity auditioned his own laugh.

“He didn’t mean just American,” I said. “Any Emiratis or Emiris or whatever? Anyone in Arabic?”

Nothing, so I named a few — a few poets, ghazal guys. That gal Scheherazade.

“And these,” Kor intervening, “these are the programmers we were hoping for.”

“Programmers?”

“Apparently we’re negotiating a server facility, and this is the local talent.”

“Is that why we’re here?”

“You tell me.”

“That’s why we’re here.”

“Just us and the fauxgrammers — their English gets a D, and I’d bet even that’s better than their C++.”

“And now I’m apparently a biographer?”

Kor patted their cheeks like valets pet the sleek sides of cars, soothing assurance for a smooth ride: “You tell me.”

“Do they at least know how to update a résumé?”

Menus, rivetbound, were passed around, listing not the fare but the etiquette: everything would be sampled. Shareware soup, cybersalad of packetsniffed florettes dusted with a terabyte of truffles. Herbes de POP Palmiers. Tarte à l’Terminal et aux apps.

The fauxgrammers studied, breaking off their fastidiousness only with Kor’s foray: “Any of you familiar with orthogony? Orthonormality?”

They weren’t — they were brainless. They grinned.

“What about mengineering?” Kor pressed on. “Are any of you mengineers? Smellecom experience? B.O.-tech?”

I raised a glass and toasted Kor and the fauxgrammers gladhanded at their glasses to toast him too, or else to keep him from pouring them Krug Brut — only the best for them to abstain from. With his blubbering jollity and tonsure Kor now seemed like a wily friar brewer, like the mascot off a label for cider or ale.

“Did you know our programmers back in the States do all their consumption from a vendingmachine?” he said.

I said, “Did you know they’re also forcibly neutered?”

“Guess who else is staying at the Burj?”

The fauxgrammers kept murmuring, “Burj?”

Kor said that current guests included a girlgroup called Broadband, a catalogue raisonné of Biennial curators. The fauxgrammers were blanking.

“Jerry?” I said. “George? Elaine? Kramer? Omar Sharif? Batman?”

Half the fauxgrammers chinned excitably, “Spidey?”

Kor said, “Stupes.”

A whole roasted lamb — stuffed with lamb sausages, organ and glandbreads, dried fruits and currants, tomato/garlic/onion mush, the entirety cardamomated, corianderized, cumined, cloved — was brought out on a spit, danced around. The carcassbearers were women, further gorgeous bursting Slavs, just as anorexstretched tall as Rach but otherwise her bulimically inverted opposite — modified, with satellite dish breasts of an antennary perkiness. Globoid, global. When a woman’s loveliness was through and the Burj would cast her out to sea to drown into bait or chum anew, only her tits would survive her, nonbiodegradable pouches of saline floating loose to bob in saline, silicone buoys choking dolphins and sharks.

Some Ukes, some Poles, Czechs and Slovaks, Yugos, but the lingua prostituta was Russian. There were only a handful, at first — one for each of the fauxgrammers? leaving two for me given that Kor would go for the drove of slaveboy fauxgrammers themselves? — eventually over a dozen, as women I’d never been around offscreen and without masturbating unfolded their limbs in scopic sections like the stands that steadied amateur A/V equipment.