Joshua Cohen - Book of Numbers

We labored (I did) on something that would air aloud, something oral, but had to finish — prematurely — and told her I’d email her the rest.

She never paid me — not cash. It wasn’t that type of relationship.

There was hardly any work left to do on it — but still I let it drag, the lecture (there were other conclusions I’d always put off).

Until after she’d dialed, and redialed, if-I-get-your-voicemail-I’m-going-to-act-like-my-phone’s-in-my-purse dialed, I-just-happen-to-be-driving-a-Prius-on-the-way-to-a-coworker’s-parent’s-shiva-in-Nassau-County dialed, and I had to pick up to avoid another surprise. I was laying on the curses like I was protecting my tomb: I couldn’t meet, not here, neither in her corkwalled cenacle between two cenacles each shared by a dozen prying prudish anthropology and sociology department adjuncts, I wasn’t feeling well, I had other deadlines — I couldn’t stop by her loft to primp her in the mirrored center of the bed amid all that white Egyptian cotton, reaching over only now and then to the bedstands to languidly spin her globes and point — stop.

It would’ve been disastrous — getting into that again.

Instead, gut spilling over my laptop’s lip, I screened more of Adam, but more of his earlier vehicles, from when he was my age, when he was younger, a child, becoming dissatisfied with clips and even sequentials and so going to torrent the entireties, torrenting illegally, getting dropped, returning and resuming, ph, id, malware centrals, poisoning my computer, giving it fullblown whatever’s worse than AIDS, now that AIDS is treatable.

Anything to divert me. Anything to distract.

\

All books have to be researched, but readable books have their research buried. The facts have to be wrapped like mummies, in the purest and softest verbiage, which both preserves them and makes them presentable. Instead of straight explanations, analogies must be pursued — like mummies. Examples, instances — next chapter.

I thought the other JC had forgotten me, or that the job itself had just been a thought — a whim of his, or mine — my “imagination,” which is how a writer phrases a mania or pathology. I’d get to his book in the afterlife, if then.

June. I sat laptopped amid the doldrums, the slowdown, the season when traditional publishing takes fourday weekends at Montauk, when even the sites are updated only sporadically, remotely. I finally returned on Finnity, but in the plasmic midst of night, leaving 2:37, 4:19 msgs on voicemail, and when he’d call back in the morning I wouldn’t pick up. The msgs I left were just, “No news, I’m assuming it’s off,” and he’d voicemail in response, “No news on this end either but still we have to talk,” and my next call would be, “Let’s try to get an extension — also ever catch Daaaabbb! ? or Daaaaaaaabbbbbb! ? They’re about this lizard and lizards are reptiles, which live on land laying eggs as opposed to amphibians, their ancestors, which are born in the water with gills only to grow up into lungs and die on land, but I’m not sure with them about the egg thing,” and his reply was, “The terms were no contact until contact’s made, but once it is I’ll try for an extension, which means we have to meet — me, you, Aar,” and I’d just capacitate his box, “I can’t, I’m deep into drafting this thing starring this NY Jewish kid who while on a class trip to the White House wanders off by accident and finds in a bathroom a telex using the Soviet GOST block cipher, and he deciphers it, just like that, just like nothing, and tells the president what the telex says, and whatever it says, I haven’t gotten to that yet, it’s enough to convince the president to end Cold War ICBM brinkmanship, and the West is saved and the kid’s father who’s from the USSR and is now in the numbers rackets down on Orchard Street is proud — I’ve been getting into this one specific actor, but also into 1980s and 90s representations of mathematicians and scientists onscreen” (I was cut off, I’m figuring, around the recap of the president).

I sat spotlit by the homepage, Tetration.com, boring my head into its underdesign, the whole shallowbacked templatitude of it, trying to find out what was going on, and even once tetrating, “where is joshua cohen?” and “when will he get in touch with me?”

I went to the Midtown library, and read — but bury the algorithms, the histories of tubes, transistors, circuits, of processor architecture and the invention of memory — maxed out my understanding and turned to Egyptology, borrowed the techbooks for later along with a Theatrepedia in which “Adam Shale” was mentioned.

I came out of the main branch and past the tarred trunks to Broadway, which anytime I’m on it I’m amused is also “Broadway”—at least to the prairie herds of fannypackers that roam between shows. This is the only sort of mental masturbation that gets me through Times Square.

Because someone was behind me, and someone was, millions. But in among them, the stands of balloontwisters and calligraphers who are paid to write “Peace” and “Love” in Hanzi but instead write “Scum” and “Twat,” the chula churro carts and that truck that does nachos and roofies, the same person, again, on another block, an Asian — in an intemperate sweatsuit and cap, Red Sox and red crocs.

An Asian of indeterminate everything: intention, gender, age, even Asianness. Indeterminate even if he or she were the same entity each time. Rach, at this point, would’ve condemned me for racism, though not only don’t I care and write this for myself, but as a reader I’d surely enjoy a book by an Asian in which he or she suspects they’re being followed by a white person, but can’t be sure of that white person’s intent or gender or age, or whether that white person is the same person every time or even white. I’m perseverating, I know, but thoughts have to be followed to their ends, the end of next block, and then keep going, to avoid being overtaken.

By the highway, the Hudson — the library books straining at their delibags, corners poking. Straining my arms, throttling my hands, the numb rewards of literacy. The Paronomasian, let’s say, turned to close the gap to the curb. A whiff of brine, a swank trestle adumbrant, Loading Only No Standing, 14th & 10th — this was Tetration’s NY HQ.

I went through the doors and stood facing anything but the street, until a Tetbot treaded over to make inquiries. I stood behind a rubberplant. The Tetbot reversed and treaded after me. It was a clownwigged trashcan that barely reached my lowest hanging ball yet without compunction it was demanding my credentials: Tetrateer? or Tetguest?

Since last I was here all or nothing had changed: there was just a new type of new in evidence — all novelty has this feeling, this rush. A provisionality. Something to marvel at, not something to trust. The bot was trying to palaver with me in a crepitant creole, increasing its volume and titling itself and then treading away.

A monitorbank mounted on the crosstown wall showed activity at every subtetplex, where there was day, like here, and where there was night, like Amsterdam, Copenhagen, Moscow, Tel Aviv, which were nonetheless still busying. Everyone was being scrutinized, but denied ultimate access, the access to themselves. Everyone was being made reciprocally vulnerable. All lobbies were onscreen but this one, which existed strictly in my poses. It was my duty, then, to be conspicuous. I flung my limbs bagladen just so that someone in some other life might choose me. But I was chosen from just behind by a guard. (A human.)

“May I help you, sir?”

“I sure hope so,” I said, realizing that to him I was a transient. “I have a reservation for the Circle Line Cruise?”