Albert Thelen - The Island of Second Sight

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The Island of Second Sight: краткое содержание, описание и аннотация

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Available for the first time in English,
is a masterpiece of world literature, first published in Germany in 1953 and hailed by Thomas Mann as “one of the greatest books of the twentieth century.” Set on Mallorca in the 1930s in the years leading up to World War II, it is the fictionalized account of the time spent there by author-writing as Vigoleis, his alter-ego — and his wife, Beatrice, lured to the island by Beatrice’s dying brother, who, as it turns out not dying at all but broke and ensnared by the local prostitute.
Pursued by both the Nazis and Spanish Francoists, Vigoleis and Beatrice embark on a series of the most unpredictable and surreal adventures in order to survive. Low on money, the couple seeks shelter in a brothel for the military, serves as tour guides to groups of German tourists, and befriends such literary figures Robert Graves and Harry Kessler, as well as the local community of smugglers, aristocrats, and exiled German Jews. Vigoleis with his inventor hat on even creates a self-inflating brassiere. Then the Spanish Civil War erupts, presenting new challenges to their escape plan. Throughout, Vigoleis is an irresistibly engaging narrator; by turns amusing, erudite, naughty, and always utterly entertaining.
Drawing comparisons to
and
,
is a novel of astonishing and singular richness of language and purpose; the story is picaresque, the voice ironic, the detail often hilarious, yet it is a work of profound seriousness, with an anti-war, anti-fascist, humanistic attitude at its core. With a style ranging from the philosophical to the grotesque, the colloquial to the arcane,
is a literary tour de force. From Booklist
Starred Review Bryce Christensen “A genuine work of art.”
— Paul Celan “A masterpiece.”
— Times Literary Supplement “Worthy of a place alongside
and other modernist German masterworks; a superb, sometimes troubling work of postwar fiction, deserving the widest possible audience.”
— Kirkus Reviews “A charming if exhausting blend of cultural self-examination and picaresque adventure… Even when the author-narrator’s observations prove overwhelming, his cultural insights, historical laments, literary references, and abundant wit make this first English translation (by Amherst professor White) and the book itself a literary achievement.”
— Publishers Weekly “[A] brilliant novel…Readers will thank a gifted translator for finally making this masterpiece-acclaimed by Thomas Mann-available to English-speakers.”
— Booklist, starred review
Review

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End of Journey

Even at his death, the great narrator Thelen offered us one final story. In keeping with his own wishes, his body was cremated and the urn was deposited in the waves of the North Sea. The nautical undertaker formulated an official, detailed record of the procedure, indicating the exact time of day and the precise geographical coordinates of the burial at sea, and ended with the boat’s return to home port. The final sentence of the report: “End of Journey.”

What a grandiose end to a life that was a single journey — a journey that often took the form of escapes from threatening conditions in Europe, or from the couple’s own living situations. But it was also a journey to places, people, and events that Thelen transformed into literature like no other writer, and that, so many years later, he viewed through a pair of custom-prescribed glasses. Sometimes while writing, he put these glasses aside and, figuratively, picked up a magnifying glass. In this way, the events of the past became larger and clearer. Suddenly he could see more than what he experienced years before. What came forth was what he called his “applied recollections,” and what the world now calls a literary work of the century.

Jürgen Pütz Cologne, July 2003
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