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Rebecca Makkai: Music for Wartime

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Rebecca Makkai Music for Wartime

Music for Wartime: краткое содержание, описание и аннотация

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Named one of the must-read books of the summer by Magazine, BuzzFeed, The Huffington Post,   and  The L Magazine Rebecca Makkai’s first two novels, and , have established her as one of the freshest and most imaginative voices in fiction. Now, the award-winning writer, whose stories have appeared in four consecutive editions of returns with a highly anticipated collection bearing her signature mix of intelligence, wit, and heart. A reality show producer manipulates two contestants into falling in love, even as her own relationship falls apart. Just after the fall of the Berlin Wall, a young boy has a revelation about his father’s past when a renowned Romanian violinist plays a concert in their home. When the prized elephant of a traveling circus keels over dead, the small-town minister tasked with burying its remains comes to question his own faith. In an unnamed country, a composer records the folk songs of two women from a village on the brink of destruction. These transporting, deeply moving stories — some inspired by her own family history — amply demonstrate Makkai’s extraordinary range as a storyteller, and confirm her as a master of the short story form.

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In two seconds, my sister would hit the trampoline screaming. My father’s head would turn at the sound.

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In the grips of dementia, he would call again. 1993. Little left to his eroding mind but quotation. “The time is out of joint. Oh, hateful — The time is out of joint. And how goes the rest? The time is out of joint. What country, friends, is this?”

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In 1940, after his first visit to the nation that would one day be his home, my grandfather wrote that the anti-Semitic movement could never truly gain hold in America because of the percentage of citizens who held foreign birth certificates, and whose ethnicity could therefore not be confirmed. It was a land of anonymity.

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Ten years after the picture was taken, my grandfather died in a Honolulu hospital, following six years lost in a sea of Alzheimer’s that erased the recent past, obliterated the entire notion of future, but left intact the events of half a century ago. Toward the end, he refused food. His beard grew to his knees.

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Between 1941 and 1944, over half a million Hungarian Jews died at the hands of their countrymen and the Germans. Many, before the deportations even started, died from a thousand less infamous killers — those diseases particular to the hungry and cold and poor, to those with no way to earn a living.

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Sixty-five years before the photo, twenty-three years before the prison cell, twenty years before the penning of the law, János followed a beautiful girl up a tree and toward the little wooden platform there. They climbed forever, weightless, into the sunlight. She was his cousin, with a wit that put his to shame. She would be his first wife, the mother of his only child. I cling to her life like a raft.

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What will strike me most, twenty-seven years later, staring at this thing, is its profound and static silence. Rectangles of photographic paper are always silent, but this one particularly so. Eight children still and focused, mouths closed in tight lines. My father and grandfather looking up, reaching up, into the muting humidity. My sister stretched along the horizon, my mother presumably silent behind the lens.

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After the war, in the Buda Hills, a group of escaped Nazi prisoners put their one Russian speaker at the front of the line. When they were stopped at the pass, he explained in flawless Russian that he was a Soviet soldier transporting these German prisoners. The real Russians asked him to count back from one hundred. His foreign tongue, so capable counting forward, was tripped up in reverse. The men were executed.

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A week later, I would find the bomb in the tree house. It would live in the corner with the pine needles another two years, till the sun bleached it silver. When I was feeling brave, I’d nudge it with the toe of my sneaker. I was never entirely convinced that it wouldn’t, one day, explode.

THE MUSEUM OF THE DEARLY DEPARTED

T here had been a leak.

Deep in the basement and then through the walls and floors of the building, gas had poured, scentless, at two a.m. After the fire trucks and news trucks and gawkers had dispersed, after one body had been sirened away and eleven more secreted out under sheets, the building sat empty for a week. The only survivor died in the hospital, never having woken. All twelve of them, that meant, died in their sleep. There had been no calls to 911, no bodies sprawled halfway to the door — just the mailman’s cry for help the next morning after three poisonous minutes at the lobby mailboxes. Despite the earnest reporters’ enunciation of “deadliest” and “perfect storm,” the public was not as horrified as it pretended. “That’s really the way to go,” people murmured to their TVs.

On the eighth day, the hottest of July, the old Hungarian couple returned from Cleveland and stood staring at the yellow tape, suitcases by their sides, taxi waiting to be paid. They hadn’t heard.

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In seven law offices across Chicago, seven apartments passed to the survivors of the deceased. One of those beneficiaries, Melanie Honing, was a wiry little woman who had in fact never met the occupant of apartment D. Hers was a deeply awkward conversation with the lawyer. Early in their meeting she picked his stapler off his desk and held it in her lap, opening and closing the top. He didn’t stop her. Apartment D had been co-owned by Vanessa Dillard, who’d lived there the past twelve years, and Michael Salvatore, the man who’d been found in her bed beside her. He was the beneficiary of her will, as well as the disaster’s sole survivor, for all of an hour. Whether there’d truly been hope of resuscitation or if the paramedics had just fixated on their one chance to avoid total failure, they defibrillated him all the way to the hospital. Because of that later time of death, the apartment and its contents had passed to Michael. Michael Salvatore’s will in turn left everything to Melanie, the woman he was to have married nine weeks after the leak.

“I know this is sensitive,” the lawyer said. He was a sweet, serious man, but in that moment Melanie imagined ripping the white mustache off his face. “You aren’t required to claim anything of Ms. Dillard’s. Her family in Wisconsin has made notes of the personal effects they’d like, although you understand you aren’t legally obligated. Her will was quite basic.” He picked at the edge of a folder. “As Mr. Salvatore’s executor you can get in there pretty quickly. As soon as six weeks. I imagine you’ll want closure.” Her uncle, the one who’d done up their wills as an early wedding present when he’d passed through Chicago that spring, had volunteered to be here with her, to “speak lawyer” with this other attorney. But Melanie had wanted whatever privacy she could still manage.

“She was his ex-wife,” Melanie said. “You figured that much out.”

“And you were his fiancée. I can’t imagine how—”

“But he’d told me she was dead.”

The lawyer let out a descending whistle, blinked hard.

“I even looked her up online once, the dead wife, and all I found in the city was this living woman, this film producer. I figured it was a different person.” She refused the Kleenex he held out. “He told me she died in a car crash in 2003. And I didn’t know his friends, not the old ones. I mean, they sent Christmas cards. But now I realize I never met anyone who’d known him more than ten years. The thing is, why would I have counted? We only dated eleven months.”

The lawyer scratched his chin, pen in hand, leaving a streak of blue down his cheek. He said, “We take most everything at face value. Otherwise how could we get by?”

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Melanie had promised her sisters they could help. But she couldn’t stand the thought of their pity, their mercifully hiding things from her — and so one morning two months after the leak, a week before what had been her wedding date (Melanie had thrown out her calendar, with all its circled reminders for salon appointments, bridal luncheons), she drove down from Highland Park alone. Noble Square was a postage-stamp neighborhood just west of the Kennedy, one she’d never set foot in. One she’d never even heard of. As she entered the building, a young man with shoulder-length hair rushed out past her, nodding. On the ground floor someone was cooking bacon and blasting the TV. She found apartment D on the second story, and the key — miraculously, it seemed — fit the lock.

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