Joshua Ferris - Then We Came to the End

REALLY THE SONG WAS just stuck in Carl’s head, and the motivation to sing purely mechanical. The work he had before him, this new business, it was just more of the same, really. Not something that would cause him to break out into song. And the recent developments with Marilynn, they were positive, but the two of them had a long way to go — she was still picking up her phone when they were saying good-bye, and he was still living alone in the suburban town house they had been unable to rent for months. The medication was working, no doubt about it, but his life still seemed empty, at least when he compared it to his wife’s, and he still puzzled over how one could be thirty-six and still not know what to do with one’s life. Which is not to say he wasn’t, strictly speaking, in a song-singing mood. Because he did have a little something to fantasize about, as he sat working methodically and joylessly at the tedious, somewhat anxiety-producing task of winning new business.

“Why not quit?” Tom Mota had asked him in an e-mail sent earlier that day. “I’m sure you’ve had this thought a million times, and probably answered yourself with a million good reasons why not. Can I guess at a few? You have no other training. You’ve let too many years go by to start a new profession or return to school. And how could you let your wife be the main breadwinner? Etc etc etc. But have I got the answer for you! (Two weeks after being jerked off by Lynn Mason and I still can’t stop sounding like a goddamn ad.) Anyway, I was thinking the other day, what am I going to do with myself? What do I got? I got no wife. I got no kids. I do have a dead-end, routinized, enervating, obsequious, numbingly dull — oops! Nope, don’t even got a job anymore, do I? A small amount of money left over from the sale of my house — that’s it. When that’s gone, what will I do? Get another job in advertising? First of all, not given the current job climate. Second of all, NO FUCKING WAY, NOT IN THIS LIFETIME! So what am I suggesting? I’ll tell you what I’m suggesting. I’m suggesting starting my own landscaping business. And I want you, Carl, to join me. I think that some communion with nature, even if it is just the goddamn lawns of suburban yokels, and the pathetic green postage stamps in the industrial parks of Hoffman Estates or Elk Grove Village, I think it might be exactly what’s missing in your life, Carl — what you lack without knowing you lack it. Think of it. The sun on the back of your neck. The taste of cold water after you’ve worked up a genuine thirst. The pleasures of a well-groomed lawn. And the sleep you will enjoy when every bone and muscle in your body has been thoroughly exhausted. I plan on being in the office later today to talk to Joe Pope. I’ll stop by your office. THINK ABOUT IT. Peace, Tom.”

ONCE SHE HAD DETERMINED that Carl Garbedian was actually singing, Genevieve snuck away from his door and walked in the direction of the kitchen. In the cupboards we had an endless supply of individually packaged, calorie-free powders that we kept next to the cup-o-soups and the silver bags of coffee grounds, and all you had to do for a fruit punch was add cold water from the cooler. On her way down the hall, she passed a man dressed as a clown. She tried not to look. It was obviously someone hired for a singing telegram or some other professional service and he was probably sick of being stared at in office buildings. “Genevieve,” said the clown as he went by, as if he were tipping his hat to her on a dusty street of the Old West. It startled her, halted her abruptly, turned her around in her tracks. The clown continued on without an explanation or even a backward glance. “Who is that?” she asked. But whoever it was didn’t answer, and entered Carl Garbedian’s office without so much as a knock.

WHEN BENNY AND MARCIA WALKED into Joe’s office and discovered he wasn’t there, Marcia, who had not left Benny’s side since he reached out and took her arm, looked at him and asked, “What do we do now?”

He had no immediate answer. “We don’t even know that Tom’s in the building,” he said. “We could be totally overreacting. Roland’s not the sharpest knife in the drawer.”

“But what if he is here?”

“What if?” said Benny. “Maybe he’s just come to say hello.”

“What if not?” said Marcia.

Gone, suddenly, was her spunk, her sass, her strutting and calling out how she saw things without softening or accounting for feeling. Replacing all that now in Joe’s office was someone much smaller — a hundred and ten pounds with a very thin, pale neck and bright Irish eyes, spooked by Amber’s hysterical reaction. And now she was asking him, Benny Shassburger, the boy-faced and slightly overweight Jew from Skokie who, despite the Jews’ well-documented historical peril, had grown up in the northwest suburbs of Chicago knowing no greater danger than a wild curveball thrown at his head during a pony league game. Marcia Dwyer, who had laughed at him yesterday for not knowing the difference between an Allen wrench and a socket wrench. Marcia, who he was madly in love with. She was asking him to take charge. Do something! Save lives, if lives need saving! See me to safety! He nearly collapsed under the weight of it. But then he rose to the occasion. Recalling suddenly that they were standing in Joe’s office, and the ongoing antagonism between Joe and Tom in their day, he said, “We leave this office, that’s the first thing we do.”

As they departed, for a brief second, in the midst of confusion and fear, he felt flattered. My love Marcia, looking to me for guidance!

In the next instant, pure, blood-chilling fear snapped him out of it. The doors to the elevator opposite them suddenly flew open.

It was only that clueless goober Roland, finally making his way up from the ground floor.

“Have you seen him yet?”

“You’re not even sure it is him!” cried Benny.

“I know,” said Roland, “I know.” He shook his head, deeply disappointed with himself. “But Mike wants everybody to evacuate anyway,” he said, “just to be on the safe side. He told me to tell everyone to take the emergency stairs.”

“Why not the elevators?” asked Benny.

“Because Mike said,” said Roland.

So Benny and Marcia hurried to the emergency stairs. As they started their descent in the cold echoing stairwell, Benny could not stop himself from thinking — much as he couldn’t help feeling flattered in Joe’s office when she had turned to him for help — that in its way, this was romantic. Taking the stairs with Marcia, their hearts racing, fleeing death together. He had to consciously stop himself from turning to her on one of the landings and grabbing both of her doe-like arms and finally declaring his love for her. It would have been a poorly timed moment, and much more likely that she would have replied not by saying, “You like me, Benny?” but “Are you out of your fucking mind, telling me this right now?” Better to tell her after all this was over, which he promised himself he would do. Finally he would get up the courage. That whole business about Marcia not being Jewish, that was only to protect himself from the humility of rejection if it turned out Marcia didn’t feel the same way. As long as Marcia would agree to raise the children as Jews, he really didn’t give a damn what his aunt Rachel on her West Bank settlement thought of his apostasy.

They took the stairs quickly. They said nothing, but it was still good to be the one accompanying her from the building. He was glad it was him and not somebody else, and the only thing that could have improved matters was if he had had the nerve to take her by the hand. But that was the same nerve he needed to admit his crush, a nerve he didn’t seem to possess. Nerve, he thought — and the next thing he knew, he was seized with a thought as inappropriate as confessing his love: when all was said and done, would she think he was a coward for having fled with her down the stairs, when what he should have done was stay with Roland and tell the others to evacuate? He wanted nothing more right then than to share the experience of fleeing the building with Marcia. What couple could say they had done that together? But was it more important than letting her know that he wasn’t a coward? He regretted his next thought even more: wasn’t it in fact more important not to be a coward than to flee the building? Without considering his duty or the question of his courage, he had followed Roland’s instructions from Mike Boroshansky and hurried out the heavy gray door. Was it the right thing to have done? To leave everyone’s fate in the hands of Roland — that was dicey business. Suddenly the final, most inappropriate thought of all came to him, and he forgot Marcia entirely. Grabbing hold of the rail to halt his momentum, he stopped abruptly in the middle of a flight of stairs. Marcia made it to the bottom before turning back, and on the landing between the forty-eighth and forty-seventh floors, she looked up at him and saw that he had stopped, and the expression on his face was full of reticence and uncertainty. “What did you forget?” she asked. He just stood there, not looking at her, but not not looking at her, either, staring indeterminately with eyes glassy and faraway. He focused finally just as the fleeing footsteps of others began to descend upon them.