Joshua Ferris - Then We Came to the End

It was three in the afternoon by the time they left and she knew now, getting out of the car, walking with him, that her luck had finally run out. “Don’t take it off,” he said. “Martin,” she said, and her voice trembled. They were walking across a parking lot that was unmistakably the parking lot of a hospital. “Lynn,” he said, “do not take it off.” Her hands began to shake as they had in the car earlier in the day. “Just keep walking,” he said. And she managed to because she could trick herself: maybe not, maybe not just yet. . . But there were no stairs, and when he opened the door and the slightly warmer air from inside hit her and the light coming in above the blindfold got lighter, more fluorescent, she knew for an absolute fact where they were and she was terrified. “Just keep walking,” he said. He brought her to a stop and made her sit, and the chair beneath her was hard and plastic like a chair in a hospital waiting room, and she was terrified. “I’m not leaving your side,” he said. “I’m just going about ten feet away for a couple of seconds to talk to someone, then I’ll be back.” He returned. “I’m right here,” he said. They sat there a long time. After a while, he said, “Why don’t you take the blindfold off now.” “No way,” she said. “Trust me,” he said. “Take it off.” “I’d really rather not,” she said. “Come on,” he said, “you can do it.” She did as she was told, squinting a little as she looked around. Clerks stood behind glass. There were digitized numbers on the walls. “The DMV?” she said. “You bastard!” She swung at him with the blindfold. “You see!” he cried. “You can do the hard part!” She sighed with relief. “But now you might as well resign yourself,” he said. “You’ll never know when we’re actually there.”

THIS IS PROBABLY not the right place to be, probably the wrong place, actually. Matter of fact, if the wrong place could be identified on a map — “You Are Here” — this would probably be it. And this thing she might do, enter the building and have the night guard call up and inform him who he had waiting for him in the lobby? Not the right thing to be doing. But she’s been driving around for half a gas tank now and lo and behold she ends up here. The street where his firm’s office is located is one block east of Michigan Avenue. The Mag Mile is deserted like always this time of night. She’s parked illegally, but the only vehicle to drive past in twenty minutes is a cabbie with his light off. Going home, probably. That’s the wise choice, cabbie — big day tomorrow, take yourself home and rest your weary bones. Why can’t she have a cabbie’s good sense? Lynn Mason in her Saab outside Martin Grant’s office building doesn’t feel forty-three so much as fourteen, unhinged by strong affections. “Wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait! ” she says out loud, pounding the steering wheel and grabbing onto it, shaking it. She can’t actually be where she is! How did the night, starting at the top of the mountain with Chinese and TV, run like a landslide of shit down to this low ravine here? Does she really want to go up there and just be in an office? There is no mystery, no attraction, no reward, no surprise in the empty corridors of an office at ten at night — she knows from firsthand experience. Spending her last night in an office, that’s insane. But the thing is, in that office up there? There is Martin. There is Martin. And the universal truth is, it matters not where he is, if he is drowning in the ocean or burning in a fire — that’s where his lover wants to be. So it doesn’t matter if he’s an unshowered, crabby, gaseous, overworked, eye-twitching, mind-dulled man under the purgatorial light, walking the barren halls with their unringing phones and bad art. She wants to be up there. How could she help but find herself parked here, regardless of what she told herself earlier in the evening — that there would be no calling Martin tonight, no talking to Martin? A foolish consistency is the hobgoblin of little minds, and at this hour, she has thrown all consistency to the wind.

And yet, something stops her from going in. She sits in the car for twenty minutes and doesn’t move. If you’re the night guardsman, and you’re listening carefully, after a while through the glass you can even hear the car start up again. She drew your attention because she just sat out there for twenty minutes. Then you saw her bang really hard on the steering wheel, she looked like a crazy! You had to ask yourself, What’s she up to? And then to just leave! Almost a peel-out. Sit in your car twenty minutes, just to leave again? Wonder what that was all about.

It was about coming to your goddamn senses, she thinks, driving off. And here’s why: Martin has made it clear to her what the terms are, and she can’t accept the terms. It’s as simple as that. He did all those wonderful things — he took her to the top of the Hancock building, to Gino’s, to the Art Institute, and then when the time came he took her back to the hospital, and she thought she knew they had arrived but because of his canards she was able to think but maybe it’s another DMV, which was all she needed, that and the blindfold, to follow him in and sit next to him and deal with being in the hell she was in. And he didn’t leave her. And when the doctor said, in essence, things are bad, by using words like “advanced,” “aggressive,” “better for chances of recovery,” Martin was the one, because she was too stunned, to ask the questions. He was good to her, she had reason to be parked outside his building. But he had also done something terribly, terribly unexpected, something truly surprising, revealing of his true character — something terribly honest.

The doctor’s visit was on a Friday, and after the trauma of it, the night followed in a deep funk, and it was a godsend to have Martin next to her in her bed. Saturday she woke up and found the funk replaced by a burning need to know a thousand things. All the questions she would have asked the doctor, had she had the power to the day before, came to her all at once. Martin had to remind her of many of the things the doctor had said. He practically took her through the entire prognosis again, the options that were available and the consequences that followed from them. But his expertise was limited, so midmorning, he went out for breakfast and stopped at a local bookstore, where he picked up a book that took a breast cancer patient step by step from discovery and diagnosis all the way through remission. He returned with it and together they ate and they read and they debated, and they came to conclusions: the goal was to do whatever gave her the best chance of a complete recovery. It would not be without its consequences.

“You think I should have the mastectomy,” she said.

“No, I think you have to wait until the doctors get in there,” he said, “and let them decide that, but yeah, I think you should give them permission beforehand, that if they think they should do it, they do it.”

“And what do I do without my breasts,” she said, “such as they are?”

“You. . I don’t know,” he said. “You don’t do any nursing for a while.”

He must have seen it on her face. Don’t do any nursing? Was he not aware that the prospect of having children was becoming dimmer and dimmer, and was he so insensitive that he didn’t think in advance that she might be bothered by that? Not that she was bothered — she was fine with it — but to be reminded like that? What was wrong with him?

“No, that was a bad joke,” he said quickly. “That was a terrible joke. I’m sorry I said that. I was trying for a little humor.”