Joshua Ferris - Then We Came to the End

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Then We Came to the End: краткое содержание, описание и аннотация

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For anyone who has ever worked in an office, hating everything and everyone in it, yet fell apart when it was time to leave — this book is for you. Heartbreaking, yet hysterically funny,
is the definitive novel about the contemporary American workplace.
With an irresistibly casual writing style, Ferris makes readers a part of his fictional advertising agency from the moment we open the book. Through numerous impromptu conversations, colleagues come alive. We learn that Larry and Amber have had an affair, and that Amber is pregnant. We know that Chris Yop is panicking because he exchanged his office chair without permission, and that Joe Pope is universally despised because he got promoted and now everyone has to listen to him. No one likes Karen Woo because she's always trying to seem smarter than everyone else. And the head boss, Lynn, has cancer, but she doesn't want anyone to know. We understand that the agency is in trouble, and that the unstable Tom Mota is being laid off. We realize that anyone could be next. And we're dying to know what's going to happen.
By the time readers finish the book, they'll swear that Ferris has spent time in their own offices. And they'll thank him for capturing so knowingly what makes it so horrible, and what makes it our own.

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“I go down there,” he replied simply, “to think about Brizz.”

So it was funny. While Benny was thinking about Brizz, we were thinking about Benny. What could Benny be doing down there in Brizz’s backyard, what is he thinking about standing in front of the totem pole — that’s what we were wondering. And Benny, he was wondering — well, what, exactly? What was there to think about with respect to Brizz? His cigarettes, his sweater vest, his conversation with the building guy, and all the unmemorable days he spent in our company. That takes about ten seconds. Where do you go after that? What more was there to think about?

“Look,” said Benny, reaching the limits of his patience. “I didn’t purchase the thing. I didn’t put it in my backyard. I’m just visiting it. What would you have done to Brizz if you’d found out he had a totem pole in his backyard, and when you asked him why, he refused to tell you?”

Hound him, threaten him, torture him, kill him. Whatever it took.

But the point wasn’t Brizz. We weren’t going to get any answers from Brizz. Brizz was gone. Benny, on the other hand, was still alive. Benny could tell us what we wanted to know.

“I’ll never tell you,” he said. “It’s a secret I share with Brizz and you scumbags can’t know about it.”

“Has Benny gone insane?” Karen asked Jim.

Inexplicably Benny gave us all ten dollars. He went from office to office, cube to cube, handing out ten-dollar bills. What’s this for? we asked him.

“A refund,” he said. “I don’t want your blood money.”

Turns out he was returning the ten bucks he’d won from each of us when he put Brizz on his Celebrity Death Watch.

“He’s gone insane,” said Jim.

Bizarro Brizz finally put Brizz’s house on the market, and now the situation, we thought, had to change. There would be no backyard for Benny to visit anymore. There was no — what would you call it? — memorial site, or whatever, to spend time at, and to reflect upon the recently departed, and all the mysteries Brizz left behind, or whatever else Benny was chewing on down there. Naturally we thought he would give it up. He would either leave it for the future owners, or give it away, or have it appraised, or hire a stump-grinding company to dispose of it. Instead, he hired a moving company to transfer it out of the backyard into the largest unit available at the U-Stor-It facility at North and Clybourn, where he kept it in bubble wrap horizontally upon the cement floor, because it was too big to fit inside his apartment.

When we heard Benny was not getting rid of the totem pole but had chosen to keep it, even going so far as to store it at great personal expense, we kept asking him why. Why, Benny? Why? Benny, why? When he continued to refuse to tell us — or perhaps he just found himself unable to explain his reasons even to himself — we let the full force of our dissatisfaction be known. We did not like not knowing something. We could not abide being left in the dark. And we thought it was the height of hypocrisy for Benny, who was always telling everyone about everyone else, to try and keep a secret from us. So we took up squawking at him. We did mockeries of ceremonial dances in his doorway. The worst thing we did was take scissors to this old toupee Chris Yop had in his basement, and put the mangled thing on Benny’s desk, which Karen Woo doused with a bottle of fake blood she kept in her office, so that what lay on the desk looked like a fresh scalping. Someone suggested we find a yarmulke to put on top, but we all sort of agreed that to marry those two atrocities together would be stepping over a line.

In our defense, it was Chris Yop and Karen Woo’s idea, the fake scalping, and they were really the ones who went in and executed it. Hank Neary said it best when he said, “Yeah, that was really just a Yop and Woo production.” We picked up on that, and afterward, it became the name of the tribe Benny belonged to, the Yopanwoo tribe. We said, Hey, Benny, how do you and the Yopanwoo stay warm in the winter? Have you and the Yopanwoo received restitution from the U.S. government, Benny? Your fellow tribesmen, Benny, do they consume firewater to excess? Benny just smiled at these jibes and nodded his head amiably and returned to his desk, and without a word of explanation, continued to store Brizz’s totem pole for three hundred and nineteen dollars a month.

On the afternoon Lynn Mason should have been recovering from surgery, Benny discovered they were raising the price of his storage unit by thirty bucks. That in and of itself was not outrageous, but compounded with the rest, he was shelling out a preposterous monthly sum.

“It’s time I get rid of it,” he said to Jim. “It’s not doing anything except sitting in there.”

Jim was chomping at the bit to tell Benny his news of riding the elevator with Lynn Mason when she should have been at the hospital. But he was surprised to hear that Benny was thinking of giving up the totem pole.

“You’ve always said that Brizz gave that totem pole to you for a reason,” he said. “Now you’re talking about giving it up?”

“What choice do I have?” Benny replied. “I can’t spend three hundred and fifty bucks a month on a totem pole. That’s insane.”

“It wasn’t insane at three-nineteen?”

“No, it was insane then, too,” said Benny. “By the way, you want to know how much it’s worth? I had an appraiser look at it. On the antiques market, this guy tells me, it could sell for as much as sixty thousand dollars.”

Jim’s jaw dropped. He let out a few choked grunts of disbelief.

“Oh, and here’s another thing,” said Benny. “Lynn Mason’s in the office today.”

Jim’s expression turned from incredulity over the worth of the totem pole to disappointment at hearing from Benny the very news he had been waiting patiently to reveal himself.

“Aw, man!” he cried. “I wanted to tell you that!”

Joe Pope suddenly appeared in Benny’s doorway carrying his leather day planner.

“Guys,” he said, “we’re meeting down at the couches in ten minutes.”

A TRIPLE MEETING was bad news. Especially if it came so quickly on the heels of a double meeting. The announcement of a triple meeting could only mean the project had been canceled or postponed, or changed. We had ten minutes to ruminate on which was the worst fate. If canceled or postponed, our only project went away, and with it, all hope of looking busy. Looking busy was essential to our feeling vital to the agency, to mention nothing of being perceived as such by the partners, who would conclude by our labors that it was impossible to lay us off. (No need to look too closely here at the underlying fact that our sole project was pro bono, and so something we weren’t getting paid for.) If the project was changed, the work we had put in so far on our concepts would all be for naught. That was always a pain in the ass. As much as we loved a double meeting, we always approached a triple meeting with trepidation and discomfort.

And for good reason this time. After detours to the restroom, to the coffee bar for a pick-me-up, to the cafeteria for a can of pop, we shuffled down to the couches to hear the bad news. We were no longer developing ads for a fund-raiser.

Joe sat on a sofa and tried to explain. “Okay, here’s the thing,” he said. “It’s not really an ad for anything anymore.” He immediately retracted that and said of course it was an ad for something. Or rather it was an ad for someone. But no, in the traditional sense of an ad, it wasn’t really an ad. Of course it was an ad, but more in the spirit of a public service announcement.

“I’m not doing a very good job of explaining this,” he said. “Let me start over. What the client wants from us now is an ad specifically targeted to the person diagnosed with breast cancer. We’re no longer reaching out to the potential donor with a request for money. We’re talking directly to the sick person. And our objective,” he said, “is to make them laugh.”

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