Yousef Al-Mohaimeed - Where Pigeons Don't Fly

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A daring novel that explores the taboos surrounding male-female relationships in Saudi Arabia’s deeply conservative society, Where Pigeons Don’t Fly scrutinises the public tyranny of the so-called ‘Committee for Virtue’, which monitors young unmarried couples in Riyadh. Focusing on one young man, the novel follows him from early childhood to the point where he decides to flee from Saudi Arabia to Britain, as a result of the destructive policies that prohibit genuine love in the country. These policies force male-female love underground, often leading to jail or banishment from Saudi Arabia. The author, through the lens of this one character, reveals truths about his country’s male-dominated and divided society.

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When the uncle came in through the front door, life and joy leapt out of the windows. The satellite receiver vanished to leave Saudi TV channels One and Two, the news and sport. He regarded the Playstation as a time-wasting frivolity and they hid it from him so they could play when he spent the night with Umm Yasser or Umm Mu’adh; two nights of pleasure then a night of misery when he came back.

And suddenly there he was, poking his head and paunch round the door, eyebrows knotted like Nimrod: ‘There is no strength or power save with God. You don’t get it.’

He told them to throw the abomination in the bin.

‘This is just a game; it’s for fun,’ Fahd responded.

‘A game with gambling and wagers. This is what you call entertainment? I seek refuge with God.’

‘But uncle, there’s no money involved. It’s just a game.’

‘That’s beside the point: it’s a snare of Satan and a distraction from true worship. It serves no good purpose.’

The children packed away the game. Fahd knew he would revenge himself on their downtrodden mother who for the past three years had been afflicted with a mysterious illness. Following the death of her husband she had stopped visiting the hospital’s specialist clinic; she used to go with Suleiman once a week.

Fahd heard his uncle growling in a low voice to keep his words from reaching the children. He looked into Lulua’s eyes, unsure whether she had heard him, and if she had, whether she had understood what was said.

‘You don’t fear God.’ Then, shaking his hands in Soha’s lovely face: ‘How can you leave them together? The Prophet says, “Keep them apart from one another in the bedchambers!”’

‘My dear man, they weren’t sleeping together; they sleep in their own rooms.’

‘Even so: they’re adolescents and they mustn’t be left alone together. Is the ewe safe with the wolf?’

Damn you, Uncle , Fahd screamed in silence. What ewe? What wolf? You’ll suffocate my sister behind some imaginary wall. Even my orphaned sister’s childhood won’t be safe from your interference. You’ll have us living like wolves and farmyard animals. You lot fool everyone with your studies and qualifications, but the real destruction is burrowing through your innards.

His mother had closed the subject. There was the sound of coffee pouring from a pot while his uncle muttered, praying that God keep the country safe and secure. Then he began talking about the village that had been blessed with great bounty yet showed no gratitude for its blessings, and so God brought down famine, fear and poverty upon it.

Broken-hearted, Lulua closed her brother’s door and silently made her way back to her own room, while Fahd returned to his books, though he was unable to concentrate or understand a thing. He could think of nothing but the night his mother had woken him, worried because he had fallen asleep on the floor between his bed and the wardrobe. Before he dropped off he had been sitting facing the wardrobe door on which his clothes dangled like corpses and lying behind them a stupidly grinning Suleiman. He had been telling him what had happened and recalling the song he used to sing to his father on those evenings long ago when his mood was fine:

An evening of goodness, fine feeling and kindness,

An evening that none but my loved ones deserve!

Fahd would sing alone at night in his bedroom, worn out by tears and uncertain if his father could hear him concealed behind his clothes. But he did know that Suleiman couldn’t do as he used to long ago and take him, singing, into his arms to finish the song against his chest.

No, he didn’t hold me to his chest that night. I just slept, drowned in tears and misery and longing for a childhood lost and gone, until my terrified mother woke me.

— 15 —

A SUMMER’S NIGHT LONG AGO. In undershorts and a light cotton T-shirt, hair wild and beard unkempt, Suleiman squatted by the head on the bathroom’s broken shower hose, trying to switch off the mains lever so he could replace it. His voice sounded loudly, accompanied by the echoes from the tiled floor: ‘Fahd, bring the toolbag.’

Fahd came, six years old and struggling to drag the green bag in which he had kept his first books and paints for Zuhour Nursery School, before it had become home to the plumbing and electrical tools his father used. He passed him the bag and sat cross-legged at the bathroom door, propping his face in his little hands.

‘Dad?’ he burst out innocently. ‘Are you a criminal?’

The pliers clattered on to the tiled floor of the bathroom and father turned to son. ‘No, old man. Why?’

‘Just asking.’

‘Who said that to you?’

‘Aunt Hissa’s son, Faisal. He told me, “Your dad’s a crook because they put him in prison.” Why did they put you in prison?’

Suleiman smiled. ‘Because …’ He fell silent for a moment. ‘I’ll tell you when you’re older.’

‘I’m older now, look.’

Fahd leapt to his feet to show how tall he was. Suleiman left his work and went out of the bathroom carrying the boy on his right arm, kissing him, and shouting, ‘I love you so much, God curse the devil inside you!’

‘Wiser than your years, little Fahd,’ he chanted in a loud, joyful voice, then sat him down on the sofa and tried to explain that he had made a mistake and they had punished him to ensure he didn’t do it again.

‘Who are they?’

‘The government.’

‘And what is the government?’

‘Well, if you made a mistake, for example, and broke the vase your mother bought last month or took the iron and burned her new dress, then Mum would punish you, right?’

‘Mum’s the government?’

Suleiman shook with laughter, shouting out to Soha who was making coffee in the kitchen. ‘Come and see the little madman of the family!’

Fahd angrily broke in on his laughter and mockery. ‘Fine, so you broke something when you were a boy and they put you in prison?’

Suleiman’s hand froze on the child’s neck and his eyes reddened. He got up and went back to the bathroom, closing the door behind him. Fahd heard a confused sound, like water pouring into a basin or sobbing.

All of this came back to Fahd now. He felt that his father had wanted to tell him that the thing he had broken was his heart, and with it those of his own parents. For Ali, loyalty to the government was of a piece with devotion to God; obedience to God’s appointed was a duty and to turn against him was the most evil act a man could commit.

Suleiman had wept bitterly in front of the bathroom mirror. Had he cried because he was thinking of his time in prison and the sorrow in his father’s eyes when he came to visit him in the last three years of his sentence? Was it from a private grief at leaving prison only to enter the prison of this melancholy country, having twice failed to commit suicide and put an end to his existence? But his marriage, settling down and the pleasure of his two children had caused him to look at life through new eyes.

Fahd was no run-of-the-mill event in Suleiman’s life. He took great pleasure in the upheavals of early childhood. He worried about the boy’s precocious, grand ideas. He never forgot the time that Fahd surprised him by asking, ‘Dad? Who was it that occupied Saudi Arabia?’ as he turned at the end of Urouba Road on their way home from Al-Ahnaf Bin Qais Primary School. He laughed delightedly while his skinny son said in exasperation, ‘Don’t laugh, Dad.’

‘That’s a political question, Fahoudi.’

‘What do you mean?’

‘It means,’ answered his father as he pulled away from the junction of Urouba and Layla al-Akheliya, ‘that it’s a tricky question. Look,’ he explained. ‘In the beginning there were the tribes.’

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