Philipp Meyer - The Son

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The Son: краткое содержание, описание и аннотация

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The acclaimed author of American Rust, returns with The Son: an epic, multigenerational saga of power, blood, and land that follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the border raids of the early 1900s to the oil booms of the 20th century.
Part epic of Texas, part classic coming-of-age story, part unflinching portrait of the bloody price of power, The Son is an utterly transporting novel that maps the legacy of violence in the American West through the lives of the McCulloughs, an ambitious family as resilient and dangerous as the land they claim.
Spring, 1849. The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny.
Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.
Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.
Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

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The tracks led to a big arroyo but they did not continue on the other side. The light was spreading across the horizon and the birdcalls were starting up as if nothing had happened. Jeannie and the older vaqueros continued the search, the horses and most of the men held back so as not to trample any sign, but even later, with the sun risen, there were no tracks.

Her father, upon reaching the arroyo, must have dismounted. Or more likely, he had come upon it at speed, blinded by the rain and dark, and been thrown. There was only a thin trickle of water now, but high along the banks, fresh grass dangled from the sycamores. A man might have been carried miles. Dozens of miles.

FOUR DAYS LATER, one of the Midkiff vaqueros found him at a water gap, the white sole of a foot showing under the brush and flotsam. No one told her; the telephone rang and then Sullivan got into his truck and went to town and when he returned, there was a box on the front seat with her father’s clothes. They were filthy and torn but she recognized his shirt. She picked it up, thinking to bring it to her face, then dropped it. It was crawling with blowflies.

Clint had died at Salerno, Paul at the Battle of the Bulge, even though she had prayed every night, even though she had not missed a Sunday of church. When Clint was killed she had continued to pray for Paul and Jonas, and at some point, months before his death, she had begun to pray for her father as well. Now she wondered if she had somehow killed them. One seemed as likely as the other. She decided she would stop praying for Jonas, and he had lived.

BECAUSE OF HER father’s condition, the funeral was planned for the next day, and as she lay in her bed that afternoon, exhausted but unable to fall asleep, it occurred to her that the ranch still needed to be run, that there was no one left but her.

She allowed herself a few more minutes, then drew a bath, scrubbing herself thoroughly, though without wasting any time, as she imagined a mother might wash a child. She put on her black dress, then decided against it; she could not afford to be worrying about her clothes. She changed into blue jeans and old boots and knew her grandmother would not have approved, though of course she was gone as well, dead the previous year. She put on a bit of makeup — almost as bad as the pants. But her eyelashes were blond, like the rest of her — they made her look too young. Where is Jonas? she thought.

No work had been done in four days; everyone had been looking for her father. Now all thirty of his employees — vaqueros, fence riders, the windmill monkeys — were gathered around the bunkhouse, sitting on the porch or under trees in the shade, speaking quietly and wondering what was going to happen.

She told them nothing would change, that if for some reason she were not around, their paychecks would be distributed by Mrs. Wright, the bookkeeper. Everyone will be paid for the past four days, she continued, and tomorrow will be a day off. But between now and then, the water gaps need tending, the Midkiffs have some of our stock, and anything else the storm broke, you just get to fixing it, you don’t have to ask.

She did not tell them that she did not have the authority to sign their checks. She spent the rest of that day and night alternately worrying that no one would attend the funeral and wondering where her father kept his will. Their lawyer tore his office apart but found nothing; around midnight Jeannie found the document in an old file cabinet. It had been updated several times: once for Clint and once for Paul, but the newest version, dated only a few months previous, which had doubtless caused her father much anxiety, named her sole inheritor of his share of the ranch. Jonas got a share of the minerals but that was all.

A feeling of happiness overtook her; she could not help smiling, then laughing, and then felt terrible. Still, Phineas would be overjoyed — the entire property was now split between them. Jonas would not care too much; he was trying to make his way back from Germany, though the flights were infrequent and always full and a ship would take weeks. She went back to worrying about the funeral.

Outside several fires had been built, calves and goats and hogs set to roasting. Trips had been made to Carrizo for beans, corn, coffee, and two dozen store-made cakes. A hundred cases of Pearl beer and four cases of whiskey. The house felt more alive than it had in years; the cooks were up all night, doing whatever it was they did, and the maids were as well, changing all the linens in the guest rooms, getting the folding cots out of storage, making the house ready for company.

PHINEAS ARRIVED WITH a sizable entourage; there was a trickle, then a flood, of people from Austin and San Antonio and Dallas, from Houston and El Paso and Brownsville, the other South Texas ranchers, newspapermen, nearly five hundred people in total, which at first caused her to weep — her father had been more appreciated than she had ever realized — but as the day went on she saw that most had come out of politeness, not for her father but for her, or for the family, for the idea of the McCulloughs. The local Mexicans, who had mostly hated her father, and not without cause, they all came as well, because that was what you did when your patrón died.

THE LAST TIME the house had been so full was at the Colonel’s funeral, but that had a different feel altogether, of genuine misery, the end of something, of grown men who could not stop crying. The faces now were somber but not troubled, the conversation easy. Her father had not mattered. It was not fair but the more she thought about it, the more condolences she accepted, the more she heard the circumstances of his death whispered around the room, the more furious she got. He had died stupidly. From stubbornness and poor judgment. The vaqueros had all lit for home as soon as the storm blew in — lightning killed more cowboys than guns ever had — but her father, with his notions, had wanted to finish his count. I don’t mind getting a little wet —those were his last words.

She circulated through the house, hundreds of people, thanking them for coming and insisting they eat, the smell of beef and cabrito and roast pig, unending dishes of beans and sauce and tortillas, gallons of beer and sweet tea. She was in and out of the kitchen; yes, another calf should be knocked in the head — on the coals immediately — yes, another run was needed to Carrizo — no telling how long people would stay. Sullivan periodically appeared and pressed a cold glass of tea into her hand. She had sweated through her dress. She went up to change but there was nothing else; of course she had only one black dress. She hung it in front of the fan in her bedroom, wiped herself down with a wash towel, then stood in front of the fan herself. She made a note to check Sullivan’s salary; his people had worked for the family three generations; her father had been stingy. She was tempted to rest but knew she would fall asleep.

Back downstairs she continued to move through the crowd, barely hearing what people said. There was Uncle Phineas in the corner, leaning on his cane, holding forth with a group of young men. He was so clearly enjoying himself that she turned away when he called to her.

The vaqueros and the Mexicans from town stood deferentially, speaking quietly, but the men from the cities — all in riding boots and stockman’s hats — clomped and talked noisily like they were family. It made her feel weak. The Colonel would not have stood for men like that. She wished that one of his old friends might show up — as a few still did, once in a while — and, for the sake of the Colonel, empty a six-gun into the ceiling to clear out the house.

But even that was a fantasy. From what she had known of cowboys, even the old ones, they tended not to do well in crowds, they tended to be polite and deferential, and most could not have even looked these new men, these city men, in the eye.

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