Philipp Meyer - The Son

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The acclaimed author of American Rust, returns with The Son: an epic, multigenerational saga of power, blood, and land that follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the border raids of the early 1900s to the oil booms of the 20th century.
Part epic of Texas, part classic coming-of-age story, part unflinching portrait of the bloody price of power, The Son is an utterly transporting novel that maps the legacy of violence in the American West through the lives of the McCulloughs, an ambitious family as resilient and dangerous as the land they claim.
Spring, 1849. The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny.
Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.
Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.
Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

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During the ten years Texas stood alone as a nation, the government was desperate for settlers, especially those with money. And through some invisible telegraph the message went back to the Old States — this area is safe now. In 1844 the first stranger arrived at our gate: a barbershop shingle, store-bought clothes, a lady-broke sorrel. He asked for grain as his horse would founder on grass. A horse that could not eat grass — I had never heard of such a thing.

Two months later, the Smithwicks’ title was challenged and then the Hornsbys and MacLeods were bought out at a pittance. By then there were more lawyers in Texas, per capita, than any other place on the continent and within a few years all the original settlers had lost their land and been driven west again, back into Indian country. The gentler classes who had stolen the land were already plotting a war to protect their blacks; the South would be cursed but Texas, a child of the West, would emerge unscathed.

In the meantime a campaign was launched against my mother, a Castilian of the old line, dark skinned but finely featured, it was claimed by the new settlers that she was octoroon. The plantation gentleman took pride in his eye for such things.

By 1846 we had moved past the line of settlement, to my father’s headright on the Pedernales. It was Comanche hunting grounds. The trees had never heard an ax, and the land and all the animals who lived upon it were fat and slick. Grass up to the chest, the soil deep and black in the bottoms, and even the steepest hillsides overrun with wildflowers. It was not the dry rocky place it is today.

Wild Spanish cattle were easily acquired with a rope — within a year we had a hundred head. Hogs and mustang horses were also for the taking. There were deer, turkey, bear, squirrel, the occasional buffalo, turtles and fish from the river, ducks, plums and mustang grapes, bee trees and persimmons — the country was rich with life the way it is rotten with people today. The only problem was keeping your scalp attached.

Chapter Two. Jeanne Anne McCullough, March 3, 2012

There were murmurs and quiet voices, not enough light. She was in a large room that she first mistook for a church or courthouse and though she was awake, she couldn’t feel anything. It was like floating in a warm bath. There were dim chandeliers, logs smoking in a fireplace, Jacobean chairs and tables and busts of old Greeks. There was a rug that had been a gift from the Shah. She wondered who would find her.

It was a big white house in the Spanish style; nineteen bedrooms, a library, a great room and ballroom. She and her brothers had all been born here but now it was nothing more than a weekend house, a place for family reunions. The maids wouldn’t be back until morning. Her mind was perfectly awake but the rest of her seemed to have been left unplugged and she was fairly certain that someone else was responsible for her condition. She was eighty-six years old, but even if she liked telling others that she couldn’t wait to cross over to the Land of Mañana, it was not exactly true.

The most important thing is a man who does what I tell him. She had said that to a reporter from Time magazine and they’d put her on the cover, forty-one and still sultry, standing on her Cadillac in front of a field of pumpjacks. She was a small, slender woman, though people forgot this soon after meeting her. Her voice carried and her eyes were gray like an old pistol or blue norther; she was striking, though not exactly beautiful. Which the Yankee photographer must have noticed. He had her open her blouse another notch and did her hair like she’d stepped out of an open car. It was not the height of her power — that had come decades later — but it was an important moment. They had begun to take her seriously. Now the man who’d taken the photograph was dead. No one is going to find you, she thought.

Of course it was going to happen this way; even as a child she’d been mostly alone. Her family had owned the town. People made no sense to her. Men, with whom she had everything in common, did not want her around. Women, with whom she had nothing in common, smiled too much, laughed too loud, and mostly reminded her of small dogs, their lives lost in interior decorating and other peoples’ outfits. There had never been a place for a person like her.

SHE WAS YOUNG, eight or ten, sitting on the porch. It was a cool day in spring and the green hills went on as far as she could see, McCullough land, as far as she could see. But something was wrong: there was her Cadillac, parked in the grass, and the old stables, which her brother had not yet burned, were already gone. I am going to wake up now, she thought. But then the Colonel — her great-grandfather — was speaking. Her father was there as well. She’d once had a grandfather, Peter McCullough, but he had disappeared and no one had anything good to say about him and she knew she would not have liked him either.

“I was thinking you might make a showing at the church this Sunday,” her father said.

The Colonel thought those things were best left to the Negroes and Mexicans. He was a hundred years old and did not mind telling people they were wrong. His arms were like gunsticks and his face was splotchy as an old rawhide and they said the next time he fell, it would be right into his own grave.

“The thing about preachers,” he was saying, “is if they ain’t sparkin’ your daughters, or eatin’ all the fried chicken and pie in your icebox, they’re cheatin’ your sons on horses.”

Her father was twice the size of the Colonel, but, as the Colonel was always pointing out, he had a strong back and a weak mind. Her brother Clint had bought a horse and saddle off that pastor and there had been a setfast under the blanket nearly the size of a griddle cake.

HER FATHER MADE her go to church anyway, waking up early to make the trip to Carrizo, where they had a Sunday school. She was hungry and could barely keep her eyes open. When she asked the teacher what would happen to the Colonel, who was sitting home that very minute, likely drinking a julep, the teacher said he was going to hell, where he would be tortured by Satan himself. In that case, I am going with him, Jeannie said. She was a disgraceful little scamp. She would have been whipped if she were Mexican.

On the ride home, she could not understand why her father sided with the teacher, who had a beak like an eagle and smelled like something inside her had died. The woman was ugly as a tar bucket. During the war, her father was saying, I promised God that if I survived, I would go to church every Sunday. But just before you were born, I stopped going because I was busy. And do you know what happened? She did — she had always known. But he reminded her anyway: Your mother died .

Jonas, her oldest brother, said something about not scaring her. Her father told Jonas to be quiet and Clint pinched her arm and whispered, When you go to hell, the first thing they do is shove a pitchfork up your ass.

She opened her eyes. Clint had been dead sixty years. Nothing in the dim room had moved. The papers, she thought. She had saved them from the fire once and had not gotten around to destroying them. Now they would be found.

Chapter Three. Diaries of Peter McCullough,AUGUST 10, 1915

My birthday. Today, without the help of any whiskey, I have reached the conclusion: I am no one. Looking back on my forty-five years I see nothing worthwhile — what I had mistaken for a soul appears more like a black abyss — I have allowed others to shape me as they pleased. To ask the Colonel I am the worst son he has ever had — he has always preferred Phineas and even poor Everett.

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