Kelly Link - Get in Trouble - Stories

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Get in Trouble: Stories: краткое содержание, описание и аннотация

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She has been hailed by Michael Chabon as “the most darkly playful voice in American fiction” and by Neil Gaiman as “a national treasure.” Now Kelly Link’s eagerly awaited new collection — her first for adult readers in a decade — proves indelibly that this bewitchingly original writer is among the finest we have.
Link has won an ardent following for her ability, with each new short story, to take readers deeply into an unforgettable, brilliantly constructed fictional universe. The nine exquisite examples in this collection show her in full command of her formidable powers. In “The Summer People,” a young girl in rural North Carolina serves as uneasy caretaker to the mysterious, never-quite-glimpsed visitors who inhabit the cottage behind her house. In “I Can See Right Through You,” a middle-aged movie star makes a disturbing trip to the Florida swamp where his former on- and off-screen love interest is shooting a ghost-hunting reality show. In “The New Boyfriend,” a suburban slumber party takes an unusual turn, and a teenage friendship is tested, when the spoiled birthday girl opens her big present: a life-size animated doll.
Hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas,
superheroes, the Pyramids. . These are just some of the talismans of an imagination as capacious and as full of wonder as that of any writer today. But as fantastical as these stories can be, they are always grounded by sly humor and an innate generosity of feeling for the frailty — and the hidden strengths — of human beings. In
this one-of-a-kind talent expands the boundaries of what short fiction can do.

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Her mother says, “Want some pancakes, Bunnatine?”

She waited as long as she could, and then she heaved his head up and put it down on the ground. She covered his shoulders with her jacket. Like setting a table with a handkerchief. Look at the big guy, lying there so peacefully. Maybe he’ll sleep for a hundred years. But more likely the mutants will wake him, eventually, with their barbaric yawps. They’re into kazoos right now and heavy-metal hooting. She can hear them warming up. Biscuit hung out with some of the mutants at school, years and years ago. They’ll get a kick out of his new outfit. There’s a ten-year high school reunion coming up, and Biscuit will come home for that. He gets all sentimental about things like that. Mutants, on the other hand, don’t do things like parades or reunions. They’re good at keeping secrets, though. They made great babysitters when her mom couldn’t take care of the kid.

She keeps her headlights off, all the way down the mountain. Turns the engine off, too. Just sails down the mountain like a black wing.

When she gets home, she’s mostly sober and of course the kid is still asleep. Her mom doesn’t say anything, although Bunnatine knows she doesn’t approve. She thinks Bunnatine ought to tell Biscuit about the kid. But it’s a little late for that, and who knows? Maybe she isn’t his kid anyway.

The kid has fudge smeared all over her face and her pillow. Leftover fudge from the parade, probably. Bunnatine’s mom has a real sweet tooth. Kid probably sat up eating it in the dark, after Bunnatine’s mom put her to bed. Bunnatine kisses the kid on the forehead. Goes and gets a washcloth, comes back and wipes off some of the fudge. Kid still doesn’t wake up. She’s going to be real disappointed about the autograph. Maybe Bunnatine will just forge Biscuit’s handwriting. Write something real nice. It’s not like Biscuit will care. Bunnatine would like to crawl into the kid’s bed, just curl up around the kid and get warm again, but she’s already missed two shifts this week. So she takes a hot shower and goes to sit with her mom in the kitchen until she has to leave for work. Neither of them has much to say to the other, which is normal, but her mom makes Bunnatine some eggs and toast. If Biscuit were here, she’d make him breakfast, too, and Bunnatine imagines that, eating breakfast with Biscuit and her mom, waiting for the sun to come up so that the day can start all over again. Then the kid comes in the kitchen, crying and holding out her arms for Bunnatine. “Mommy,” she says. “Mommy, I had a really bad dream.”

Bunnatine picks her up. Such a heavy little kid. Her nose is running and she still smells like fudge. No wonder she had a bad dream. Bunnatine says, “Shhh. It’s okay, baby. It was just a bad dream. Just a dream. Tell me about the dream.”

The Lesson

The fight starts two days before Thanh and Harper are due to fly out to the - фото 133

The fight starts two days before Thanh and Harper are due to fly out to the wedding. The wedding is on a small private island somewhere off the coast of South Carolina. Or Alabama. The bride is an old friend. The fight is about all sorts of things. Thanh’s long-standing resentment of Harper’s atrocious work schedule, the discovery by Harper that Thanh, in a fit of industriousness, has thrown away all of Harper’s bits and ends of cheese while cleaning out the refrigerator.

The fight is about money. Harper works too much. Thanh is an assistant principal in the Brookline school system. He hasn’t had a raise in three years. The fight is about Thanh’s relationship with the woman who is, precariously, six months pregnant with Harper and Thanh’s longed-for child. Thanh tries once again to explain to Harper. He doesn’t even really like Naomi that much. Although he is of course grateful to her. Why be grateful to her? Harper says. We’re paying her. She’s doing this because we’re paying her money. Not because she wants to be friends with us. With you. The thing Thanh doesn’t say is that he might actually like Naomi under other circumstances. Let’s say, if they were stuck next to each other on a long flight. If they never had to see each other again. If she weren’t carrying Harper and Thanh’s baby. If she were doing a better job of carrying the baby. They have chosen not to know the gender of the baby.

The point is that liking Naomi isn’t the point. The point is rather that she grow to like — love, even — Thanh and, by association, of course (of course!) Harper. That she sees that they are deserving of love. Surely they are deserving of love. Naomi’s goodwill, her friendship, her affection , is an insurance policy. They are both afraid, Thanh and Harper, that Naomi will change her mind when the baby is born. Then they will have no baby and no legal recourse and no money to try again.

Anyway the cheese was old. Harper is getting fat. The beard, which Thanh loathes, isn’t fooling anyone. Thanh has spent too much money on the wedding present. The plane tickets weren’t cheap, either.

Naomi, the surrogate, is on bed rest. Two weeks ago a surgeon put a stitch in her cervix. A cerclage, which almost sounds pretty. How did we end up with a surrogate with an incompetent cervix? says Harper. She’s only twenty-seven!

Naomi gets out of bed to use the toilet and every other day she can take a shower. Her fellow graduate students come over and what do you think they talk about when they’re not talking about linguistics? Thanh and Harper, probably, and how much Naomi is suffering. Does she confide in her friends? Tell them she thinks about keeping the baby? It was her egg, after all. That was probably a dumb idea.

Thanh keeps a toothbrush at Naomi’s apartment. Easier than running upstairs. Their building is full of old Russians with rent-stabilized leases. The women exercise on the treadmills in high heels. They gossip in Russian. Never smile at Thanh when he comes into the exercise room to lift weights or run. They see him go in and out of Naomi’s apartment. Must wonder. Sometimes Thanh works at Naomi’s kitchen table. One night he falls asleep on the bed beside her, Naomi telling him something about her childhood, the TV on. Naomi watches episode after episode of CSI . All that blood. It can’t be good for the baby. When Thanh wakes up, she is watching him. You farted in your sleep, she says. And laughs. What time is it? He checks his phone and sees he has no missed calls. Harper is probably still at work. He doesn’t like me very much, Naomi says. He likes you! Thanh says. (He knows who she means.) I mean he doesn’t really like people. But he likes you. Mm , Naomi says. He’ll like the baby, Thanh says. You should hear him talk about preschools, art lessons, he’s already thinking about pets. Maybe a gerbil to start with? Or a chameleon. He’s already started a college fund. Mm , Naomi says again. He’s good-looking, she says. I’ll give him that. You should have seen him when he was twenty-five, Thanh says. It’s all been downhill since then. Hungry? He heats up the phoga he made upstairs. His mother’s recipe. He does the dishes afterward.

He accidentally saw a text on Naomi’s phone the other day. To one of her friends. The short one. I AM HORNY ALL THE TIME. They should have used a donor egg. But that would have cost more money, and how much more money is there in the world? Wherever it is, it isn’t in Harper and Thanh’s bank account. They went through catalogs. IQs, hobbies, genetic histories. It seemed impersonal. Like ordering take-out food from an online menu. Should we have the chicken or the shrimp? Naomi and Harper have thick, curly blond hair, similar chins, mouths, athletic builds. So they decided to use Thanh’s sperm. Harper says once, late at night: he thinks it would be harder to love his own child.

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