Kelly Link - Get in Trouble - Stories

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Get in Trouble: Stories: краткое содержание, описание и аннотация

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She has been hailed by Michael Chabon as “the most darkly playful voice in American fiction” and by Neil Gaiman as “a national treasure.” Now Kelly Link’s eagerly awaited new collection — her first for adult readers in a decade — proves indelibly that this bewitchingly original writer is among the finest we have.
Link has won an ardent following for her ability, with each new short story, to take readers deeply into an unforgettable, brilliantly constructed fictional universe. The nine exquisite examples in this collection show her in full command of her formidable powers. In “The Summer People,” a young girl in rural North Carolina serves as uneasy caretaker to the mysterious, never-quite-glimpsed visitors who inhabit the cottage behind her house. In “I Can See Right Through You,” a middle-aged movie star makes a disturbing trip to the Florida swamp where his former on- and off-screen love interest is shooting a ghost-hunting reality show. In “The New Boyfriend,” a suburban slumber party takes an unusual turn, and a teenage friendship is tested, when the spoiled birthday girl opens her big present: a life-size animated doll.
Hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas,
superheroes, the Pyramids. . These are just some of the talismans of an imagination as capacious and as full of wonder as that of any writer today. But as fantastical as these stories can be, they are always grounded by sly humor and an innate generosity of feeling for the frailty — and the hidden strengths — of human beings. In
this one-of-a-kind talent expands the boundaries of what short fiction can do.

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“Oh, shit.” Aliss’s hand goes up to her nose. She ducks down behind the counter. “Conrad, you asshole. Where did you go last night?”

“No idea,” Conrad says. “I was drunk. Where did you go?”

“Home.” Aliss says the word like it’s a blunt instrument. She’s still submerged. “You want something? Room need making up? Night-shift Darin said he saw you in the elevator around three in the morning. With a girl.” Girl is a dagger.

“Entirely possible,” Conrad says. “Like I said, drunk. Need any help down there? Taking out the piercing? Helping this kid? Because I want to make last night up to you. I’m sorry, okay?”

Which would be the right thing to say, but Billie thinks this guy sounds not so penitent. More like he’s swallowing a yawn.

“That’s very nice of you, but I’m fine. ” Aliss snaps upright. The piercing is gone and her eyes glitter with either tears or murder. “This must be for you,” she tells Billie in a cheery desk-clerk robot voice. It’s not much of an improvement on the stabby voice. “I’m so sorry about the confusion.” There’s an envelope in her hand.

Billie takes the envelope and goes to sit on a sofa beside a dentist. He’s wearing a convention badge with his name on it and where he comes from and that’s how she knows he isn’t a superhero and he isn’t Paul Zell.

She opens her envelope. There’s a room key inside and a piece of paper with a room number written on it. Nothing else. What is this, FarAway? Billie starts to laugh like an utter maniac. The dentist stares.

Forgive her. She’s been on a bus for over twenty hours. Her clothes smell like bus, a cocktail of chemical cleaners and other people’s breath, and the last thing she was expecting when she went off on this quest, Paul Zell, was to find herself in a hotel full of superheroes and dentists.

It’s not like we get a lot of superheroes in Keokuk, Iowa. There’s the occasional flyover or Superheroes on Ice event, and every once in a while someone in Keokuk discovers they have the strength of two men, or can predict the sell-by date on cans of tuna in the supermarket with 98.2 percent accuracy, but even minor-league talents head out of town pretty quickly. They take off for Hollywood, to try and get on a reality show. Or New York or Chicago or even Baltimore, to form novelty rock bands or fight crime or both.

But, here’s the thing: the thing is that under ordinary circumstances, Billie would have nothing better to do than to watch a woman with a raven’s head wriggling upstream through the crowd around the lobby bar, over to the fountain and that epic bubble of blood. The woman holds up a pink drink, she’s standing on tiptoes, and a slick four-fingered hand emerges from the bubble of blood and takes the glass from her. Is it a love story? How does a woman with a raven’s beak kiss a bubble of blood? Paul Zell, how are you and me any more impossible than that?

Maybe it’s just two old friends having a drink. The four-fingered hand orients the straw into the membrane or force field or whatever it is and the glass empties itself like a magic trick. The bubble quivers.

But: Paul Zell. All Billie can think about is you, Paul Zell. She has the key to Paul Zell’s hotel room. Back before she met you, way far back in FarAway, Billie was always up for a quest. Why not? She had nothing better to do. And the quest always went like this: Find yourself in a strange place. Encounter a guardian. Outwit them or kill them or persuade them to give you the item they’ve been guarding. A weapon or a spell or the envelope containing the key to room 1584.

Except the key in Billie’s hand is a real key and I don’t do that kind of quest much anymore. Not since I met you, Paul Zell. Not since the Enchantress Magic EightBall met the Master Thief Boggle in King Nermal’s Chamber and challenged him to a game of chess.

While I’m coming clean, here’s a minor confession. Why not? Why should you care that besides the Enchantress Magic EightBall I used to have two other avatars in FarAway? There’s Constant Bliss, who’s an elfin healer, and frankly kind of a pill, and there’s Bearhand, who, as it turns out, was kind of valuable in terms of accumulated points, especially weapons class. There was a period, you see, when things were bad at school and worse at home, which I don’t really want to talk about and anyway it was a bad period during which I liked running around and killing things. Whatever. Last month I sold Bearhand when you and I were planning all of this, for bus fare. It wasn’t a big deal. I’d kind of stopped being Bearhand except for every once in a while when you weren’t online and I was lonely or sad or had a really, really shitty day at school.

I’m thinking I may sell off Constant Bliss, too, if anyone wants to buy her. If not, it will have to be Magic EightBall. Or maybe I’ll sell both of them. But that’s part of the story I haven’t gotten to yet.

And, yeah, I do spend a lot of time online. In FarAway. Like I said, it’s not like I have a lot of friends, not that you should feel sorry for me, because you shouldn’t, Paul Zell, that’s NOT why I’m telling you all of this.

My sister? Melinda? She says wait a few years and see. Things get better. Of course, based on her life, maybe they do get better. And then they get worse again, and then you have to move back home and teach high school. So how exactly is that better?

And, yes, in case you’re wondering, my sister, Melinda Bowles, is kind of stunning and all the boys in my school who despise me have crushes on her even when she flunks them. If you’re still speaking to me after you read this, I’ll be happy to make up a spreadsheet of character traits and biographical incidents. One column will be Melinda Bowles and the other will be Billie Faggart. There will be little checkmarks in either column — or both — depending. But the story about shaving off my eyebrows when I was a kid? That was true. I mean, that was me. And so was the thing about liking reptiles. Melinda? She’s not so fond of the reptiles. But then, maybe you don’t really have a chameleon named Moe and a tokay gecko named Bitey. Maybe you made up some stuff, too, except, yeah, okay, why would you make up some lizards? I keep having to remind myself: Billie, just because you’re a liar doesn’t mean the world is full of liars. Except that you did lie, right? You were at the hotel. You left me the key to your room at the hotel in an envelope addressed to Melinda Bowles. Because if you didn’t, then who did?

Sorry. This is supposed to be me. Not me solving the big mysteries of the universe and everything. Except, here’s the thing about Melinda, in case you’re thinking maybe the person you fell in love with really exists. The salient thing. Melinda has a boyfriend. Also, she’s super religious, like seriously born again. Which you’re not. So even if Melinda’s boyfriend got killed or something, which I know is something she worries about, it would never work out between you and her.

And one more last thing about Melinda, or maybe it’s actually about you. This is the part where I have to thank you. Because: because of you, Paul Zell, I think Melinda and I have become friends. Because all year I’ve been interested in her life. I ask her how her day was and I actually listen when she tells me. Because how else could I convince you that I was a thirty-two-year-old divorced high school algebra teacher? And it turns out that we actually have a lot in common, me and Melinda, and it’s like I even understand what she thinks about. Because she has a boyfriend who’s far away (in Afghanistan) and she misses him and they write e-mails to each other, and she worries about what if he loses a leg or something and will they still love each other when he gets back?

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