Lance Olsen - Calendar of Regrets

Здесь есть возможность читать онлайн «Lance Olsen - Calendar of Regrets» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2010, Издательство: Fiction Collective 2, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

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Calendar of Regrets The poisoning of the painter Hieronymus Bosch; anchorman Dan Rather’s mysterious mugging on Park Avenue as he strolls home alone one October evening; a series of postcard meditations on the idea of travel from a young American journalist visiting Burma; a husband-and-wife team of fundamentalist Christian suicide bombers; the myth of Iphigenia from Agamemnon’s daughter’s point of view — these and other stories form a mosaic, connected through a pattern of musical motifs, transposed scenes, and recurring characters. It is a narrative about narrativity itself, the human obsession with telling ourselves and our worlds over and over again in an attempt to stabilize a truth that, as Nabokov once said, should only exist within quotation marks.

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This, in a word, was the vertiginous understanding that drew Aleyt in: the rowdy idea that our minds are unable to grasp why those neural crackles and snaps observed from the outside should give rise to the impression of subjective experience from the inside, because—

Because—

Because it's not you, I said, is it?

It's not any of us, Aleyt said. That's the thing I just can't shake. I mean, how bizarre . That's the thought that kept me coming back to the scene of the crime my entire undergrad education, though these days, um, well, you know, what with Jerry and the kids…

No. I mean, you're not you. Her. Aleyt.

Her expression remained steady.

Want another latté? she asked, all perky. My treat. I'm thinking what the heck. Calories be damned. Actually, you really should try Toffee Nut Crème. It'll change your life.

You're somebody else. That's why you don't look like her or speak like her or feel like her.

People change, I guess, she said, shrugging. You know how it is.

Not that much, they don't.

You'd be surprised.

The blurriness spread like the first swells of flu from the back of my skull into the bottom of my throat.

UnAleyt studied the brown top of her forest-green cup.

I posed a question to the part in her black bob that made her head look too small for her body:

How'd you find me?

She looked up quickly and laughed.

I didn't find you , silly. You found me . Remember? That's what's so wonderful about these website thingies. All you have to do is sit and wait long enough. I knew you'd eventually get around to dropping by. Everybody wants to figure out where their childhoods went, right? You sure you won't take me up on another cup of caffeine?

You do thish lots, I said.

Startled by the slur, I raised my hand to my mouth to check what was going on down there.

UnAleyt's eyes crinkled.

Do what?

What you're doing. Thish. This . Who are you?

It's really good to see you, Moira. I'm so happy things worked—

Fuck you, I said, rising, wobbly, my knees befuddled.

The teen sponging the counter at the cash register glanced over in our direction, smiled like employees in coffeehouses across the country smile at their patrons, like we've been fast friends forever, then returned to what she was doing, her smile wiped clean as the wood veneer beneath her palm.

One of her buddies stacked chairs upside-down on tables across the room.

UnAleyt appeared shocked by what I'd said.

Moira. Hey—

And you get exactly what out of all of thish?

Out of what?

Some stupid rush or something?

She read me as if reading a difficult calculus problem. Then she became two people with six eyes and four noses. They all asked:

You okay, hon?

I'm fuh-fuh-fuh-fine.

You don't look fine. You just went all pasty. Here. Let me have a—

Fuck you twice, I said, stepping past her, weaving for the door that immediately started skating away from me.

Have a great evening! the kid behind the counter called after what was left of Moira, and, next, icy night air was splashing my face, and her heart was banging hard and slow in the center of her brain, panicky and hurt, ashamed and rattled, fizzy and increasingly indistinct, and I was aiming myself across the parking lot, was bending over her Corolla, was sorting through the keys multiplying on my keychain, which is when UnAleyt's gloved hand landed on Moira's shoulder and loitered there, only Moira didn't pay any attention to it, she didn't pay attention to it some more, I just kept clinking through her options, and next the gloved hand squeezed.

Stop, Moi. Please. Really. Stop for a second here, okay? I don't get what just happened back there. What just happened back there? Tell me. What did I do that ticked you off so bad?

Moira kept clinking.

Look, UnAleyt said. I'm clueless. Help me out here. I think maybe you think I'm somebody I'm not, but I'm not. I'm me. Honest. I'm who you thought I was. Am. Aleyt.

Moira's keys were abruptly big and clumsy as tennis racquets, her hands small and jittery as mouse mitts.

You shouldn't be driving, honey, you know that? UnAleyt said.

Moira tried to shrug off her gray glove, but that only caused its twin to join in, caused the imposter to say: Come on over to my minivan, okay? We don't have to do anything or anything. We can just sit inside and listen to the radio and rest until you feel more like yourself. Remember how we used to lie in bed next to each other playing S gt. Pepper's over and over on your plastic stereo? “A Day in the Life”? Remember? We can do that. We can drive to my place. We can have a sleepover. Jerry won't mind. And tough if he does. What about it? Whaddya say?

No we dinnit, Moira said. I dinnit have a plastic stereo and we dinnit meet the Beatles and you're making all thish shtuff uh—

I want to say that's when I found the right car key, I want to say it wasn't, I want to say that after some more fumbling I may or may not have snicked it into the lock, I may or may not have tried to add something to what I already thought I thought I had already added, although I'm not sure what that possibly could have been, I want to say that there may or may not have ensued a minor scuffle in the shadowy coffeehouse parking lot beneath a spindly undressed elm next to my desert-sand Corolla, then several thousand years passed, then a picosecond, and then I awoke in this place, wherever this place is, wherever it isn't, let's call it, what, let's call it a stuffy basement room with a mattress in the middle and bare brick walls all around and no windows in sight and a door whose knob turns both ways, clockwise and counter-clockwise, only when it does nothing happens, it may be bolted, unless it's stuck, there's always that option, too, it may be stuck, I feel drunk, and a space heater by that door and a brash bare fluorescent light hanging on wires from the ceiling like in a shed and a rickety side table with one leg shorter than the others on which are piled three of my videos and one blank cartridge and a camcorder and a pen and a marbled notebook in which I may or may not have started writing everything I know, everything I don't know, here, in this, I'm not really sure, maybe I haven't begun yet, maybe I will, maybe I won't, but what I'm sure of is that there is also a beat-up television with a built-in VCR player on the floor by the door, because I've watched them all, the videos, that is, I've watched them all, I recall that very well, I think, paying close attention, I recognized me in each one, on my bed at home, doing the things I did, except these aren't the cartridges I normally use, no, look at the label, they're somebody else's, these videos are copies of copies of the videos I made, I want to say, I think, I think I want to say, and who would have thought I'd become my own underground industry without knowing it because—

Because—

Because in another version, one that seems equally plausible, this feels like a downstairs guestroom, feels like the place in which I'm recuperating from whatever it is that I'm recuperating from, sleeping it off, I don't know quite what that might be, call it a reaction, an allergic reaction, sure, why not, or maybe food poisoning, maybe age poisoning, it happens every day, everywhere, the world after all isn't as filthy and mortal as it looks, no, it's a lot filthier, a lot more mortal, it's a pigsty and I've been very tired lately, my immune system weak as a whimper, it feels like I may have been conked out for hours, weeks, anything is probable, which is to say nothing is, several months, several seconds, the principles of time no longer quite holding here, from what I can tell, for all I know I'm still dreaming, or maybe I never went to sleep, sure, why not, or maybe it only felt that way, but, whatever the case, my limbs are logs and I can't open my eyes, or I can open my eyes but it feels like I can't, I certainly don't want to, if that makes any difference, I doubt it does, open or shut them, it's all the same to me, I want to say, because I remember someone talking to me, and this may have been some time ago, and this may have been the dream or may have been the other thing, in either case we were in a bar, no, a bistro, no, someplace else, yes, and this voice said the brain is brilliant, look at what it can do, because who needs hope when you have a corpus callosum

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