Haruki Murakami - Norwegian Wood

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Norwegian Wood: краткое содержание, описание и аннотация

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This stunning and elegiac novel by the author of the internationally acclaimed
has sold over 4 million copies in Japan and is now available to American audiences for the first time.  It is sure to be a literary event.
Toru, a quiet and preternaturally serious young college student in Tokyo, is devoted to Naoko, a beautiful and introspective young woman, but their mutual passion is marked by the tragic death of their best friend years before.  Toru begins to adapt to campus life and the loneliness and isolation he faces there, but Naoko finds the pressures and responsibilities of life unbearable.  As she retreats further into her own world, Toru finds himself reaching out to others and drawn to a fiercely independent and sexually liberated young woman.
A poignant story of one college student's romantic coming-of-age,
takes us to that distant place of a young man's first, hopeless, and heroic love.

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Midori then asked about my new life. I gave her a description of the layout of the house, and the big garden and Seagull the cat, and my landlord.

"Are you enjoying yourself?" she asked. "Pretty much," I said.

"Could have fooled me," said Midori.

"Yeah, and it's springtime, too," I said.

"And you're wearing that cool pullover your girlfriend knitted for you."

With a sudden shock I glanced down at my wine-coloured jumper.

"How did you know?"

"You're as honest as they come," said Midori. "I'm guessing, of course! Anyway, what's wrong with you?"

"I don't know. I'm trying to whip up a little enthusiasm."

"Just remember, life is a box of chocolates."

I shook my head a few times and looked at her. "Maybe I'm not so smart, but sometimes I don't know what on earth you're talking about."

"You know, they've got these chocolate assortments, and you like some but you don't like others? And you eat all the ones you like, and the only ones left are the ones you don't like as much? I always think about that when something painful comes up. "Now I just have to polish these off, and everything'll be OK.' Life is a box of chocolates."

"I suppose you could call it a philosophy."

"It's true, though. I've learned it from experience."

We were drinking our coffee when two girls came in. Midori seemed to know them from university. The three of them compared enrolment cards and talked about a million different things: "What kind of mark did you get in German?"

"So-and-so got hurt in the campus riots."

"Great shoes, where did you buy them?" I half-listened, but it felt as though their comments were coming from the other side of the world.

I sipped my coffee and watched the scene passing by the shop window. It was a typical university springtime scene as the new year was getting under way: a haze hanging in the sky, the cherry trees blooming, the new students (you could tell at a glance) carrying armloads of new books. I felt myself drifting off a little and thought about Naoko, unable to return to her studies again this year. A small glass full of anemones stood by the window.

When the other two went back to their table, Midori and I left to walk around the neighbourhood. We visited a few second-hand bookshops, bought some books, went to another café for another cup, played some pinball at an arcade, and sat on a park bench, talking - or, rather, Midori talked while I merely grunted in response. When she said she was thirsty, I ran over to a newsagent's and bought us two Cokes. I came back to find her scribbling away with her ballpoint pen on some ruled paper.

"What's that?" I asked.

"Nothing," she said.

"I have to go," she announced at 3.30. "I'm supposed to meet my sister at the Ginza."

We walked to the subway station and went off in different directions.

As she left, Midori stuffed the piece of paper, now folded in four, into my pocket. "Read this when you get home," she said. I read it on the train.

I'm writing this letter to you while you're off buying drinks. This is the first time in my life I've ever written a letter to somebody sitting next to me on a bench, but I feel it's the only way I can get through to you.

I mean, you're hardly listening to anything I say. Am I right?

Do y ou realize you did something terrible to me today? You never even noticed that my hairstyle had changed, did you? I've been working on it forever, trying to grow it out, and finally, at the end of last week, I managed to get it into a style you could actually call girlish, but you never even noticed. It was looking pretty good, so I thought I'd give you a little shock when you saw me for the first time after so long, but it didn't even register with you. Don't you think that's awful? I bet you can't even remember what I was wearing today. Hey, I'm a girl! So what if you've got something on your mind? You can spare me one decent look! All you had to say was "Cute hair", and I would have been able to forgive you for being sunk in a million thoughts, but no!

Which is why I'm going to tell you a lie. It's not true that I have to meet my sister at the Ginza. I was planning to spend the night at your place. I even brought my pyjamas with me. It's true. I've got my pyjamas and a toothbrush in my bag. I'm such an idiot! I mean, you never even invited me over to see your new place. Oh well, what the hell, you obviously want to be alone, so I'll leave you alone. Go ahead and think away to your heart's content!

But don't get me wrong. I'm not totally mad at you. I'm just sad. You were so nice to me when I was having my problems, but now that you're having yours, it seems there's not a thing I can do for you.

You're all locked up in that little world of yours, and when I try knocking on the door, you just sort of look up for a second and go right back inside.

So now I see you coming back with our drinks - walking and thinking.

I was hoping you'd trip, but you didn't. Now you're sitting next to me drinking your Coke. I was holding out one last hope that you'd notice and say "Hey, your hair's changed!" but no. If you had, I would have torn up this letter and said: "Let's go to your place. I'll make you a nice dinner. And afterwards we can go to bed and cuddle." But you're about as sensitive as a steel plate. Goodbye.

PS. Please don't talk to me next time we meet.

I rang Midori's flat from the station when I got off the train in Kichijoji, but there was no answer. With nothing better to do, I ambled around the neighbourhood looking for some part-time work I could take after lectures began. I would be free all day Saturday and Sunday and could work after five o'clock on Mondays, Wednesdays and Thursdays; but finding a job that fitted my particular schedule was no easy matter. I gave up and went home. When I went out to buy groceries for dinner, I tried Midori's place again. Her sister told me that Midori hadn't come home yet and that she had no idea when she'd be back. I thanked her and hung up.

After eating, I tried to write to Midori, but I gave up after several false starts and wrote to Naoko instead.

Spring was here, I said, and the new university year was starting. I told her I missed her, that I had been hoping, one way or another, to be able to meet her and talk.

In any case, I wrote, I've decided to make myself strong. As far as I can tell, that's all I can do.

There's one other thing. Maybe it's just to do with me, and you may not care about this one way or another, but I'm not sleeping with anybody any more. It's because I don't want to forget the last time you touched me. It meant a lot more to me than you might think. I think about it all of the time.

I put the letter in an envelope, stuck on a stamp, and sat at my desk a long while staring at it. It was a much shorter letter than usual, but I had the feeling that Naoko might understand me better that way. I poured myself an inch-and-a-half of whisky, drank it in two swallows, and went to sleep.

The next day I found a job near Kichijoji Station that I could do on Saturdays and Sundays: waiting on tables at a smallish Italian restaurant. The conditions were pretty poor, but travel and lunch expenses were included. And whenever somebody on the late shift took the day off on a Monday, Wednesday or Thursday (which happened often) I could take their place. This was perfect for me. The manager said they would raise my pay when I had stayed for three months, and they wanted me to start that Saturday. He was a much more decent guy than the idiot who ran the record shop in Shinjuku.

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