Haruki Murakami - Norwegian Wood

Здесь есть возможность читать онлайн «Haruki Murakami - Norwegian Wood» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 1987, ISBN: 1987, Издательство: Vintage, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Norwegian Wood: краткое содержание, описание и аннотация

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This stunning and elegiac novel by the author of the internationally acclaimed
has sold over 4 million copies in Japan and is now available to American audiences for the first time.  It is sure to be a literary event.
Toru, a quiet and preternaturally serious young college student in Tokyo, is devoted to Naoko, a beautiful and introspective young woman, but their mutual passion is marked by the tragic death of their best friend years before.  Toru begins to adapt to campus life and the loneliness and isolation he faces there, but Naoko finds the pressures and responsibilities of life unbearable.  As she retreats further into her own world, Toru finds himself reaching out to others and drawn to a fiercely independent and sexually liberated young woman.
A poignant story of one college student's romantic coming-of-age,
takes us to that distant place of a young man's first, hopeless, and heroic love.

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"I do."

"I hate to ask, but could I borrow your notes? I've missed twice, and I don't know anybody in the class."

"No problem," I said, pulling the notebook from my bag.

After checking to make sure I hadn't written anything personal in it, I handed it to Midori.

"Thanks," she said. "Are you coming to lectures the day after tomorrow?"

"Yeah."

"Meet me here at noon. I'll give you back your notebook and buy you lunch. I mean... it's not as if you get an upset stomach or anything if you don't eat alone, right?"

"No," I said. "But you don't have to buy me lunch just because I'm lending you my notebook."

"Don't worry," she said. "I like buying people lunch. Anyway, shouldn't you write it down somewhere? You won't forget?"

"I won't forget. Day after tomorrow. Twelve o'clock. Midori. Green."

From the other table, somebody called out, "Hurry up, Midori, your food's getting cold!"

She ignored the call and asked me, "Have you always talked like that?"

"I think so," I said. "Never noticed before." And in fact no one had ever told me there was anything unusual about the way I spoke.

She seemed to be mulling something over for a few seconds. Then she stood up with a smile and went back to her table. She waved to me as I walked past their table, but the three others barely glanced in my direction.

At noon on Wednesday there was no sign of Midori in the restaurant. I thought I might wait for her over a beer, but the place started to fill up as soon as the drink arrived, so I ordered lunch and ate alone. I finished at 12.35, but still no Midori. Paying my bill, I went outside and crossed the street to a little shrine, where I waited on the stone steps for my head to clear and Midori to come. I gave up at one o'clock and went to read in the library. At two I went to my German lecture.

When it was over I went to the student affairs office and looked for Midori's name in the class list for History of Drama. The only Midori in the class was Midori Kobayashi. Next I flipped through the cards of the student files and found the address and phone number of a Midori Kobayashi who had entered the university in 1969. She lived in a north-west suburb, Toshima, with her family. I slipped into a phone box and dialled the number.

A man answered: "Kobayashi Bookshop." Kobayashi Bookshop?

"Sorry to bother you," I said, "but I wonder if Midori might be in?"

"No, she's not," he said.

"Do you think she might be on campus?"

"Hmm, no, she's probably at the hospital. Who's calling, please?"

Instead of answering, I thanked him and hung up. The hospital? Could she have been injured or fallen ill? But the man had spoken without the least sense of emergency. "She's probably at the hospital," he had said, as easily as he might have said "She's at the fish shop". I thought about a few other possibilities until thinking itself became too problematic, then I went back to the dorm and stretched out on my bed reading Lord Jim, which I'd borrowed from Nagasawa. When I had finished it, I went to his room to give it back.

Nagasawa was on his way to the dining hall, so I went with him for dinner.

"How'd the exams go?" I asked. The second round of upper level exams for the Foreign Ministry had been held in August.

"Same as always," said Nagasawa as if it had been nothing.

"You take 'em, you pass. Group discussions, interviews... like screwin' a chick."

"In other words, easy," I said. "When do they let you know?"

"First week of October. If I pass, I'll buy you a big dinner."

"So tell me, what kind of guys make it to round two? All superstars like you?"

"Don't be stupid. They're a bunch of idiots. Idiots or weirdos. I'd say 95 per cent of the guys who want to be bureaucrats aren't worth shit.

I'm not kidding. They can barely read."

"So why are you trying to join the Foreign Ministry?"

"All kinds of reasons," said Nagasawa. "I like the idea of working overseas, for one. But mainly I want to test my abilities. If I'm going to test myself, I want to do it in the biggest field there is - the nation. I want to see how high I can climb, how much power I can exercise in this insanely huge bureaucratic system. Know what I mean?"

"Sounds like a game."

"It is a game. I don't give a damn about power and money per se.

Really, I don't. I may be a selfish bastard, but I'm incredibly cool about shit like that. I could be a Zen saint. The one thing I do have, though, is curiosity. I want to see what I can do out there in the big, tough world."

"And you have no use for "ideals', I suppose?"

"None. Life doesn't require ideals. It requires standards of action."

"But there are lots of other ways to live, aren't there?" I asked.

"You like the way I live, don't you?"

"That's beside the point," I said. "I could never get into Tokyo University; I can't sleep with any girl I want whenever I want to; I'm no great talker; people don't look up to me; I haven't got a girlfriend; and the future's not going to open up to me when I get a literature BA from a second-rate private university. What does it matter if I like the way you live?"

"Are you saying you envy the way I live?"

"No, I don't," I said. "I'm too used to being who I am. And I don't really give a damn about Tokyo University or the Foreign Ministry.

The one thing I envy you for is having a terrific girlfriend like Hatsumi."

Nagasawa shut up and ate. When dinner was over he said, "You know, Watanabe, I have this feeling like, maybe 10 years or 20 years after we get out of this place, we're going to meet again somewhere. And one way or another, I think we're going to have some connection."

"Sounds like Dickens," I said with a smile.

"I guess it does," he said, smiling back. "But my hunches are usually right."

The two of us left the dining hall and went out to a bar. We stayed there drinking until after nine.

"Tell me, Nagasawa," I asked, "what is the "standard of action' in your life?"

"You'll laugh if I tell you," he said.

"No I won't."

"All right," he said. "To be a gentleman."

I didn't laugh, but I nearly fell off my chair. "To be a gentleman? A gentleman?"

"You heard me."

"What does it mean to be a gentleman? How do you define it?"

"A gentleman is someone who does not what he wants to do but what he should do."

"You're the weirdest guy I've ever met," I said.

"You're the straightest guy I've ever met," he said. And he paid for us both.

I went to the following week's drama lecture, but still saw no sign of Midori Kobayashi. After a quick survey of the room convinced me she wasn't there, I took my usual seat in the front row and wrote a letter to Naoko while I waited for the lecturer to arrive. I wrote about my summer travels - the roads I had walked, the towns I had passed through, the people I had met.

And every night I thought of you. Now that I can no longer see you, I realize how much I need you. University is incredibly boring, but as a matter of self-discipline I am going to all my lectures and doing all the assignments. Everything seems pointless since you left. I'd like to have a nice, long talk with you. If possible, I'd like to visit your sanatorium and see you for several hours. And, if possible, I'd like to go out walking with you side by side the way we used to.

Please try to answer this letter - even a short note. I won't mind.

I filled four sheets, folded them, slipped them into an envelope, and addressed it to Naoko care of her family.

By then the lecturer had arrived, wiping the sweat from his brow as he took the register. He was a small, mournfullooking man who walked with a metal cane. While not exactly fun, the lectures in his course were always well prepared and worthwhile. After remarking that the weather was as hot as ever, he began to talk about the use of the deus ex machina in Euripides and explained how the concept of "god" was different in Euripides than in Aeschylus or Sophocles. He had been talking for some 15 minutes when the lecture-hall door opened and in walked Midori. She was wearing a dark blue sports shirt, cream- coloured cotton trousers and her usual sunglasses. After flashing a "sorry I'm late" kind of smile at the professor, she sat down next to me. Then she took a notebook - my notebook - from her shoulder bag, and handed it to me. Inside, I found a note: Sorry about Wednesday.

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