Don DeLillo - The Angel Esmeralda

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This is Don DeLillo’s first collection of short stories, written between 1979 and 2011; in it he represents the wide range of human experience in contemporary America — and forces us to confront the uncomfortable shadows lurking in the background. His characters are plagued by their own deep, often unconscious, longings; they are subjected to shocking violations, exposed to unexpected acts of terror. No matter whether he is focused upon the slums of New York or astronauts in orbit around the Earth, DeLillo chooses never to turn away from the unsettling manner in which humans are brought together. These nine stories describe the extraordinary journey of a great American writer who changed the literary landscape.

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Not that she claimed the power to live without doubt.

She doubted and she cleaned. That night she leaned over the washbasin in her room and cleaned every bristle of the scrub brush with steel wool drenched in disinfectant. But this meant she had to immerse the bottle of disinfectant in something stronger than disinfectant. And she hadn’t done this. She hadn’t done it because the regression was infinite. And the regression was infinite because it is called infinite regression. You see how doubt becomes a disease that spreads beyond the pushy extrusions of matter and into the elevated spaces where words play upon themselves.

And another morning a day later. She sat in the van and watched Sister Grace emerge from the convent, the rolling gait, the short legs and squarish body, Gracie’s face averted as she edged around the front of the vehicle and opened the door on the driver’s side.

She got in and gripped the wheel, looking straight ahead.

“I got a call from the friary.”

Then she reached for the door and shut it. She gripped the wheel again.

“Somebody raped Esmeralda and threw her off a roof.”

She started the engine.

“I’m sitting here thinking, Who do I kill?”

She looked at Edgar briefly, then put the van in gear.

“Because who do I kill is the only question I can ask myself without falling apart completely.”

They drove south through local streets, the tenement brick smoked mellow in the morning light. Edgar felt the weather of Gracie’s rage and pain — she’d approached the girl two or three times in recent weeks, had talked to her from a distance, thrown a bag of clothing into the pokeweed where Esmeralda stood. They rode all the way in silence with the older nun mind-reciting questions and answers from the Baltimore Catechism. The strength of these exercises, which were a form of perdurable prayer, lay in the voices that accompanied hers, children responding through the decades, syllable-crisp, a panpipe chant that was the lucid music of her life. Question and answer. What deeper dialogue might right minds devise? She reached her hand across to Gracie’s on the wheel and kept it there for a digital tick on the dashboard clock. Who made us? God made us. Those clear-eyed faces so believing. Who is God? God is the Supreme Being who made all things. She felt tired in her arms, her arms were heavy and dead and she got all the way to Lesson 12 when the projects appeared at the rim of the sky, upper windows white with sunplay against the broad dark face of beaten stone.

When Gracie finally spoke she said, “It’s still there.”

“What’s still there?”

“Hear it, hear it?”

“Hear what?” Edgar said.

“Ku-ku-ku-ku.”

Then she drove the van down past the projects toward the painted wall.

When they got there the angel was already sprayed in place. They gave her a pink sweatshirt and pink and aqua pants and a pair of white Air Jordans with the logo prominent — she was a running fool, so Ismael gave her running shoes. And the little kid named Juano still dangled from a rope, winched down from the roof by the old hand-powered hoist they used to grapple cars onto the deck of the truck. Ismael and others bent over the ledge, attempting to shout correct spellings down to him as he drifted to and from the wall, leaning in to spray the interlaced letters that marked the great gone era of wildstyle graffiti. The nuns stood outside the van, watching the kid finish the last scanted word and then saw him yanked skyward in the cutting wind.

ESMERALDA LOPEZ

12 YEAR

PETECTED IN HEVEN

They all met on the third floor and Gracie paced the hollow room. Ismael stood in a corner smoking a Phillies Blunt. The nun did not seem to know where to begin, how to address the nameless thing that someone had done to this child she’d so hoped to save. She paced, she clenched her fists. They heard the gassy moan of a city bus some blocks away.

“Ismael. You have to find out who this guy is that did this thing.”

“You think I’m running here? El Lay Pee Dee?”

“You have contacts in the neighborhood that no one else has.”

“What neighborhood? The neighborhood’s over there. This here’s the Bird. It’s all I can do to get these kids so they spell a word on the freaking wall. When I was writing we did subway cars in the dark without a letter misspell.”

“Who cares about spelling?” Gracie said.

Ismael exchanged a secret look with Sister Edgar, giving her a snaggle smile from out of his history of dental neglect. She felt weak and lost. Now that Terror has become local, how do we live? she thought. The great thrown shadow dismantled — no longer a launched object in the sky named for a Greek goddess on a bell krater in 500 BC. What is Terror now? Some noise on the pavement very near, a thief with a paring knife or the stammer of casual rounds from a passing car. Someone who carries off your child. Ancient fears called back, they will steal my child, they will come into my house when I’m asleep and cut out my heart because they have a dialogue with Satan. She let Gracie carry her grief and fatigue for the rest of that day and the day after and the two or three weeks after that. Edgar thought she might fall into crisis, begin to see the world as a spurt of blank matter that chanced to make an emerald planet here and a dead star there, with random waste between. The serenity of immense design was missing from her sleep, form and proportion, the power that awes and thrills. When Gracie and the crew took food into the projects, Edgar waited in the van, she was the nun in the van, unable to face the people who needed reasons for Esmeralda.

Mother of Mercy pray for us. Three hundred days.

Then the stories began, word passing block to block, moving through churches and superettes, maybe garbled slightly, mistranslated here and there, but not deeply distorted — it was clear enough that people were talking about the same uncanny occurrence. And some of them went and looked and told others, stirring the hope that grows on surpassing things.

They gathered after dusk at a windy place between bridge approaches, seven or eight people drawn by the word of one or two, then thirty people drawn by the seven, then a tight silent crowd that grew bigger but no less respectful, two hundred people wedged onto a traffic island in the bottommost Bronx where the expressway arches down from the terminal market and the train yards stretch toward the narrows, all that industrial desolation that breaks your heart with its fretful Depression beauty — the ramps that shoot tall weeds and the old railroad bridge spanning the Harlem River, an openwork tower at either end, maybe swaying slightly in persistent wind.

Wedged, they came and parked their cars if they had cars, six or seven to a car, parking tilted on a high shoulder or in the factory side streets, and they wedged themselves onto the concrete island between the expressway and the pocked boulevard, feeling the wind come chilling in and gazing above the wash of madcap traffic to a billboard floating in the gloom — an advertising sign scaffolded high above the riverbank and meant to attract the doped-over glances of commuters on the trains that ran incessantly down from the northern suburbs into the thick of Manhattan money and glut.

Edgar sat across from Gracie in the refectory. She ate her food without tasting it because she’d decided years ago that taste was not the point. The point was to clean the plate.

Gracie said, “No, please, you can’t.”

“Just to see.”

“No, no, no, no.”

“I want to see for myself.”

“This is tabloid. This is the worst kind of tabloid superstition. It’s horrible. A complete, what is it? A complete abdication, you know? Be sensible. Don’t abdicate your good sense.”

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