They went down the passageways past a hundred closed doors and Edgar thought of all the infants in limbo, unbaptized, babies in the seminether, hell-bordered, and the nonbabies of abortion, a cosmic cloud of slushed fetuses floating in the rings of Saturn, or babies born without immune systems, bubble children raised by computer, or babies born addicted — she saw them all the time, bulb-headed newborns with crack habits, they resembled something out of peasant folklore.
They heard garbage crashing down the incinerator chutes and they walked one behind the other, three boys and two girls forming one body with the nuns, a single sway-backed figure with many moving parts. They rode the elevators down and finished their deliveries in a group of tenements where boards replaced broken glass in the lobby doors.
Gracie dropped the crew at the Bird just as a bus pulled up. What’s this, do you believe it? A tour bus in carnival colors with a sign in the slot above the windshield reading SOUTH BRONX SURREAL. Gracie’s breathing grew intense. About thirty Europeans with slung cameras stepped shyly onto the sidewalk in front of the boarded shops and closed factories and they gazed across the street at the derelict tenement in the middle distance.
Gracie went half berserk, sticking her head out of the van and calling, “It’s not surreal. It’s real, it’s real. You’re making it surreal by coming here. Your bus is surreal. You’re surreal.”
A monk rode by on a rickety bike. The tourists watched him pedal up the street. They listened to Gracie shout at them. They saw a man come along with battery-run pinwheels he was selling, brightly colored vanes pinned to a stick, and he held a dozen or so in his hands with others jutting from his pockets and clutched under his arms, plastic vanes spinning all around him — an elderly black fellow in a yellow skullcap. They saw this man. They saw the ailanthus jungle and the smash heap of mortified cars and they looked at the six-story slab of painted angels with streamers rippled above their cherub heads.
Gracie shouting, “This is real, it’s real.” Shouting, “Brussels is surreal. Milan is surreal. This is the only real. The Bronx is real.”
A tourist bought a pinwheel and got back in the bus. Gracie pulled away muttering. In Europe the nuns wear bonnets like cantilevered beach houses. That’s surreal, she said. A traffic jam developed not far from the Bird. The two women sat with drifting thoughts. Edgar watched children walk home from school, breathing air that rises from the oceans and comes windborne to this street at the edge of the continent. Woe betide the child with dirty fingernails. She used to drum the knuckles of her fifth-graders with a ruler if their hands were not bright as minted dimes.
A clamor rising all around them, weary beeping horns and police sirens and the great saurian roar of fire-engine klaxons.
“Sister, sometimes I wonder why you put up with all this,” Gracie said. “You’ve earned some peace and quiet. You could live upstate and do development work for the order. How I would love to sit in the rose garden with a mystery novel and old Pepper curled at my feet.” Old Pepper was the cat in the motherhouse upstate. “You could take a picnic lunch to the pond.”
Edgar had a mirthless inner grin that floated somewhere back near her palate. She did not yearn for life upstate. This was the truth of the world, right here, her soul’s own home, herself — she saw herself, the fraidy child who must face the real terror of the streets to cure the linger of destruction inside her. Where else would she do her work but under the brave and crazy wall of Ismael Muñoz?
Then Gracie was out of the van. She was out of the seat belt, out of the van and running down the street. The door hung open. Edgar understood at once. She turned and saw the girl, Esmeralda, half a block ahead of Gracie, running for the Bird. Gracie moved among the cars in her clunky shoes and frump skirt. She followed the girl around a corner where the tour bus sat dead in traffic. The tourists watched the running figures. Edgar could see their heads turn in unison, pinwheels spinning at the windows.
All sounds gathered in the dimming sky.
She thought she understood the tourists. You travel somewhere not for museums and sunsets but for ruins, bombed-out terrain, for the moss-grown memory of torture and war. Emergency vehicles were massing about a block and a half away. She saw workers pry open subway gratings in billows of pale smoke and she said a fast prayer, an act of hope, three years’ indulgence. Then heads and torsos began to emerge, indistinctly, people coming into the air with jaws skewed open in frantic gasps. A short circuit, a subway fire. Through the rearview mirror she spotted tourists getting off the bus and edging along the street, poised to take pictures. And the schoolkids going by, barely interested — they saw tapes of actual killings on TV. But what did she know, an old woman who ate fish on Friday and longed for the Latin mass? She was far less worthy than Sister Grace. Gracie was a soldier, a fighter for human worth. Edgar was basically a junior G-man, protecting a set of laws and prohibitions. She heard the yammer of police cars pulsing in stalled traffic and saw a hundred subway riders come out of the tunnels accompanied by workers in incandescent vests and she watched the tourists snapping pictures and thought of the trip she’d made to Rome many years ago, for study and spiritual renewal, and she’d swayed beneath the great domes and prowled the catacombs and church basements and this is what she thought as the riders came up to the street, how she’d stood in a subterranean chapel in a Capuchin church and could not take her eyes off the skeletons stacked there, wondering about the monks whose flesh had once decorated these metatarsals and femurs and skulls, many skulls heaped in alcoves and catty-corners, and she remembered thinking vindictively that these are the dead who will come out of the earth to lash and cudgel the living, to punish the sins of the living — death, yes, triumphant — but does she really want to believe that, still?
Gracie edged into the driver’s seat, unhappy and flushed.
“Nearly caught her. We ran into the thickest part of the lots and then I was distracted, damn scared actually, because bats, I couldn’t believe it, actual bats — like the only flying mammals on earth?” She made ironic wing motions with her fingers. “They came swirling up out of a crater filled with medical waste. Bandages smeared with body fluids.”
“I don’t want to hear it,” Edgar said.
“I saw, like, enough used syringes to satisfy the death wish of entire cities. Dead white mice by the hundreds with stiff flat bodies. You could flip them like baseball cards.”
Edgar stretched her fingers inside the milky gloves.
“And Esmeralda somewhere in those shrubs and junked cars. I’ll bet anything she’s living in a car,” Gracie said. “What happened here? Subway fire, looks like.”
“Yes.”
“Any dead?”
“I don’t think so.”
“I wish I’d caught her.”
“She’ll be all right,” Edgar said.
“She won’t be all right.”
“She can take care of herself. She knows the landscape. She’s smart.”
“Sooner or later,” Gracie said.
“She’s safe. She’s smart. She’ll be all right.”
And that night, under the first tier of scratchy sleep, Edgar saw the subway riders once again, adult males, females of childbearing age, all rescued from the smoky tunnels, groping along catwalks and led up companion ladders to the street — fathers and mothers, the lost parents found and gathered, shirt-plucked and bodied up, guided to the surface by small faceless figures with Day-Glo wings.
And some weeks later Edgar and Grace made their way on foot across a patch of leaf rot to the banks of the Bronx River near the city limits where a rear-ended Honda sat discarded in underbrush, plates gone, tires gone, windows lifted cleanly, rats ascratch in the glove compartment, and after they noted the particulars of abandonment and got back in the van, Edgar had an awful feeling, one of those forebodings from years long past when she sensed dire things about a pupil or a parent or another nun and felt stirrings of information in the dusty corridors of the convent or the school’s supply room that smelled of pencil wood and composition books or the church that abutted the school, some dark knowledge in the smoke that floated from the altar boy’s swinging censer, because things used to come to her in the creak of old floorboards and the odor of clothes, other people’s damp camel coats, because she drew News and Rumors and Catastrophes into the spotless cotton pores of her habit and veil.
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