Karen Fowler - Black Glass

“Listen to this,” says Gretchen. She is holding the Chronicle, folded open to the women’s section, in two white fists. The strain in her voice tells Linda she is about to read from Count Marco’s column.

“I don’t want to hear it,” says Linda. “Why read it? Why torture yourself?”

There is no stopping Gretchen. “He’s complaining about the unattractiveness of women you see in hospital emergency rooms,” she says. “‘Set aside a flattering outfit, loose, no buttons, of course, and a pair of fetching slippers. Think ahead a little.’ He’s concerned that, in the case of an emergency, we may become eyesores. God! I’m going to write the Chronicle another letter.”

“Any attention to a columnist, they consider good attention. The more letters he provokes, the more secure his job. He’s ridiculous. Just don’t read him.”

“It’s not trivial,” says Gretchen. “You think it is, but it’s not. They pay this flaming misogynist to write antifemale poison, and then they put it in the women’s section. Can’t they just move his column? Is it too much to ask? Put it in the goddamn sports section.” Her voice has risen steadily in volume and pitch until she hits its limits.

Linda reaches out and brushes Gretchen’s bangs back with one hand. They won’t stay; they fall back into Gretchen’s outraged eyes.

“It’s important,” Gretchen says.

“About this party—”

“I don’t want to go.” The newspaper crackles in Gretchen’s hands. “I told you that.”

“Why not?”

“I just don’t like them. They look like fraternity escapees. Jock city. Fifties time warp. Have you ever tried to have a conversation with Fred Zukini? He thinks Bernadette Devlin is a French saint. He told me he saw the movie about her.”

“Dave and Kenneth are nice.”

“Shall I tell you about this party?” Gretchen asks. She takes a deep breath; she is talking more slowly and has regained control of her voice. “I know about this party. We’re talking party games. We’re talking people passing oranges around using only their chins and everyone maneuvering to be the lucky guy who gets his orange from the woman in the low-cut blouse with the Mae West body. We’re talking beer cans that people have crushed with their hands, collecting like flies on the windowsills.”

“They’ve ordered a keg,” says Linda.

“Excuse the pun, but I rest my case.”

Lauren is standing behind Linda. She clears her throat in a way that makes Linda turn to look at her. She is combing her hair higher and wider. “Julie says you’ve got a thing for Dave. But Gretchen says you don’t.” Her voice is quiet. “Who’s right?”

Linda tries to think what answer she wants to give. She takes too long.

“If we thought you liked him we would never have sent him up to Suzette’s. You’ve got to know that,” Lauren says.

“Even if he is all wrong for you,” adds Gretchen.

“It’s all right,” Linda tells them. “He was going to meet Suzette sooner or later.” But come to the party. You’re supposed to be my friends. She doesn’t say it out loud so nobody does it.

• • •

ARE WE ALL BACK? Does anyone have any questions or comments to make?

Actually, the curfew was more of an annoyance factor. If you could demonstrate persuasively to the police that your reasons for being out were nonpolitical, you were likely to get off with a warning and the instructions to go right home. Unless you were a male with long hair. Later the National Guard brought tanks into Berkeley and stationed them at critical intersections, but even this was primarily for show. Though you must remember that there was real fighting and some serious injury.

Well, cats are one of those topics on which you find only partisans. You love cats or you hate cats; no one is indifferent. I can’t explain this. Perhaps these questions are taking us a little far afield. The course is Romance. The point of view is female. Does anyone have a question that is a little more penetrating?

No, no, we will be looking at the romances of older (and younger) women later. Mrs. Kirk will not be a focus, although we will be meeting her. Her partiality for alcohol would make her a difficult subject. Absorption is tricky enough without the added complication of chemical abuse. Let me tell you, though, that on the two occasions when Mrs. Kirk’s husband has remarried, his wives have both been thirty-three years of age. He himself was fifty-two and then fifty-eight. Mrs. Kirk herself is now fifty-eight, and in 1969 if she had become enamored of a man of thirty-three, even in Berkeley, this would have been considered humorous or pathetic. Yet Mrs. Kirk at fifty-eight, judging by appearance alone, has aged less than Mr. Kirk at fifty-eight. There may be variables in this situation, the significance of which we have not yet grasped. Keep the issue in mind, though for the purpose of our current case study all the participants are contemporaries. In the back there?

He was not really a Count. Yes?

Those changes are sexual. The course is Romance. We will not be discussing them this term, although you will find them even more pronounced when the subjects are younger and male.

I must mention to you the possibility of sensory overload in this next Encounter. We are going with Linda to the party. The room is smoky and hot; the music is loud and primitive. This will be an exercise in academic detachment. Ready?

• • •

GRETCHEN HAD OFFERED Linda grass before she left, but Linda had refused. She wanted to keep her wits about her, but now, standing in the open doorway to 201, she realizes suddenly that in a couple of hours she will be surrounded by drunken strangers. And she will still be sober. There is nothing to drink but beer, and she finds the taste of beer extremely vile.

The Doors are on the stereo: “Twentieth Century Fox.” Linda is glad Gretchen is not there. Just yesterday Gretchen had called Leopold’s to ask them to remove records with sexist lyrics from the bins. She had a list of the most outrageous offenders.

“Sure,” the salesman on the phone had said. “Anything for you chicks. Why don’t you come down and we’ll talk about it. Are you a fox?”

“No, I’m a dog,” said Gretchen, slamming down the phone and repeating the conversation to Linda. “Male chauvinist pig!”

Linda passes Dave on her way in. He is in the kitchen washing some glasses. Suzette is with him, perched on the countertop. She has dressed for the evening as Nancy Sinatra, short skirt, white boots, mane of sensuous hair. She is leaning into Dave’s face, saying something in a low, intimate whisper. Linda cannot hear what she says, doesn’t even want to know. Anything Suzette says is rendered interesting and charming by that damned accent she has. Linda doesn’t say hello to either of them.

She finds Kenneth and he hands her a beer, which she accepts tactfully. “I was just thinking of you,” Kenneth says. “I’m glad you’re here. I’ve got someone I think you’ll like.” He uses his elbows to force a path through the ROTC. Linda has to follow very closely; it closes up behind them like water. At the end of the path is the living room couch. On the couch is a thin, pale woman with eyeliner all around her eyes. She’s done her lashes like Twiggy, tops and bottoms. No lipstick, but she’s wearing a skirt and nylons. This surprises Linda, who glances around quickly and sees that a lot of people in the room have legs. She is wearing jeans herself, not Levi’s, since Levi’s doesn’t make a jean small enough to fit her, not even boys’ jeans, which are too large at the waist and too small through the hips, but as close to Levi’s as she is capable of coming. They should have been appropriate to the occasion, but Gretchen was right. Linda finds herself in the fifties, where it is still possible to underdress. Where did Kenneth find these people?