Tom Robbins - Even Cowgirls Get the Blues

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The whooping crane rustlers are girls. Young girls. Cowgirls, as a matter of fact, all “bursting with dimples and hormones”—and the FBI has never seen anything quite like them. Yet their rebellion at the Rubber Rose Ranch is almost overshadowed by the arrival of the legendary Sissy Hankshaw, a white-trash goddess literally born to hitchhike, and the freest female of them all.
Freedom, its prizes and its prices, is a major theme of Tom Robbins’s classic tale of eccentric adventure. As his robust characters attempt to turn the tables on fate, the reader is drawn along on a tragicomic joyride across the badlands of sexuality, wild rivers of language, and the frontiers of the mind.

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Setting her tray on the bedside table, Sissy interrupted. “No, I'm afraid that part isn't true. Jack was in awe of me and tracked me down. We spent a night talking and hugging in a corn field, but he was hardly my lover. He was a sweet man and a more honest writer than his critics, including the Countess's little playmate Truman, who said such bitchy things about him. But he was strictly a primitive as a hitchhiker. Besides, I always traveled alone.”

“Well, that doesn't matter; that part never interested me anyway. The beatniks were before my time, and I never got anything outta the hippies but bad dope, clichés and the clap. But you, even though you weren't a cowgirl, you were sort of an inspiration to me. The example of your life helped me in my struggle to be a cowgirl.”

New York City keeps its allotment of sunshine in a Swiss bank account and tries to get by on the interest, which is compounded quarterly. In contrast, the Dakota sun is as open as the books of a village church steward, and even in September, after summer's big bucks have all been spent, it is so charitable no one would think of demanding an audit. Sunlight streaked into the credits column of the Rubber Rose, making a series of warm entries upon the bare legs of Bonanza Jellybean and upon the upraised legs of Sissy H. Gitche, bare, too, beneath the quilt. During a sunlit pause in conversation, the puffs and huffs of the guests at their early exercises were heard, and for no good reason, the two women giggled.

“Tell me about it,” said Sissy.

“About. .”

“About being a cowgirl. What's it all about? When you say the word you make it sound like it was painted in radium on the side of a pearl.”

Jelly drew her feet up on the bed, not minding that her boots bore testimony to the digestive facility of the equine species. “I saw my first cowgirl in a Sears catalogue. I was three. Up until then I had heard only of cow boys . I said, 'Mama, Daddy, that's what I want Santa Claus to bring me.' And I got a cowgirl outfit that Christmas. Next Christmas I got another one because I'd worn that first one to shreds. I asked for a cowgirl suit, as we called 'em, every Christmas until I was ten, and then my folks told me, 'You're too big now; Santa doesn't have any cowgirl suits that'll fit you. How'd you like a Barbie doll with her own fashion wardrobe?' 'Bullshit,' I said. 'Dale Evans wears cowgirl suits and she's way bigger than me. I want new cowgirl clothes and a gun that shoots.' I'd been teased by my classmates for some time because of my particular fantasy, but that year was when my real struggle began.”

As if prodded by a hard memory of childhood, Jelly sat up straight, making the bed creak. Sissy realigned her own posture, and another creak was issued. Sissy's creak followed Jelly's creak down the hall of sonar eternity. Sounds travel through space long after their wave patterns have ceased to be detectable by the human ear; some cut right through the ionosphere and barrel on out into the cosmic heartland, while others bounce around, eventually being absorbed into the vibratory fields of earthly barriers, but in neither case does the energy succumb; it goes on forever — which is why we, each of us, should take pains to make sweet notes.

“I just said 'fantasy' and 'struggle' in the same sentence, and on one level, at least, I guess that's what it's about. That's what it's about for cowgirls, and maybe everybody else. A lot of life boils down to the question of whether a person is going to be able to realize his fantasies, or else end up surviving only through compromises he can't face up to. The way I figure it, Heaven and Hell are right here on Earth. Heaven is living in your hopes and Hell is living in your fears. It's up to each individual which one he chooses.” Jelly paused. “I told that to the Chink once and he said, 'Every fear is part hope and every hope is part fear — quit dividing things up and taking sides.' Well, that's the Chink for you. What do you think?”

“I'd like to hear more,” said Sissy. She was feeling a certain kinship with this duded-up bundle of wild muscle and baby fat. “Can you be more specific?”

“Specific. Okay. I'm talking about our fantasies. You know the difference between fantasy and reality, don't you? Fantasy is when you wake up at four o'clock on Christmas morning and you're so crazy excited you can't possibly go back to sleep. But when you go downstairs and look under the tree — podner, that's reality.

“They teach us to believe in Santa Claus, right? And the Easter Bunny. Wondrous critters, both of 'em. Then one day they tell us, 'Well, there really isn't any Santa Claus or Easter Bunny, it was Mama and Daddy all along.' So we feel a bit cheated, but we accept it because, after all, we got the goodies, no matter where they came from, and the Tooth Fairy never had much credibility to begin with. Okay. So they let you dress up like a cowgirl, and when you say, 'I'm gonna be a cowgirl when I grow up,' they laugh and say, 'Ain't she cute.' Then one day they tell you, 'Look, honey, cowgirls are only play. You can't really be one.' And that's when I holler, 'Wait a minute! Hold on! Santa and the Easter Bunny, I understand; they were nice lies and I don't blame you for them. But now you're screwing around with my personal identity, with my plans for the future. What do you mean I can't be a cowgirl?' When I got the answer, I began to realize there was a lot bigger difference between me and my brother than what I could see in the bathtub.

“You dig me, don't you? A little boy, he can play like he's a fireman or a cop — although fewer and fewer are pretending to be cops, thank God — or a deep-sea diver or a quarterback or a spaceman or a rock 'n roll star or a cowboy , or anything else glamorous and exciting (Author's note: What about a novelist, Jellybean?), and although chances are by the time he's in high school he'll get channeled into safer, duller ambitions, the great truth is, he can be any of those things, realize any of those fantasies, if he has the strength, nerve and sincere desire. Yep, it's true; any boy anywhere can grow up to be a cowpoke even today if he wants to bad enough. One of the top wranglers on the circuit right now was born and raised in the Bronx. Little boys may be discouraged from adventurous yearnings by parents and teachers, but their dreams are indulged, nevertheless, and the possibilities of fulfilling their childhood expectations do exist. But little girls? Podner, you know that story as well as me. Give 'em doll babies, tea sets and toy stoves. And if they show a hankering for more bodacious playthings, call 'em tomboy, humor 'em for a few years and then slip 'em the bad news. If you've got a girl who persists in fantasizing a more exciting future for herself than housewifery, desk-jobbing or motherhood, better hustle her off to a child psychologist. Force her to face up to reality. And the reality is, we got about as much chance of growing up to be cowgirls as Eskimos have got being vegetarians. I'll tell you.”

Sissy's right thumb, which she'd been hesitant to move lest it disturb Jelly's oration, had gone to sleep — and when a Sissy thumb sleeps it SNORES! She massaged it vigorously. “What about in movies or rodeos?” she inquired.

“Ha!” said Jelly with dramatic disdain. “Movies. There hasn't been a cowgirl in Hollywood since the days of the musical Westerns. The last movie cowgirl disappeared when Roy and Gene got fat and fifty. And there's never been a movie about cowgirls. Delores del Ruby, she's really down on Dale Evans. Says she was just an accessory for the good guy in the white hat, a weakling to be protected, a piece of sex interest who never got laid. I don't know. I thought ol' Dale looked mighty fine up there on that screen. But she did ride second saddle, all right. Well, galloping your pretty ass off trying to escape the hoss thieves was better than nothing. Today, we got nothing.”

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