Christopher WunderLee - Moore's Mythopoeia

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Moore's Mythopoeia is a story in which sci-fi meets the Biblical genesis story, espionage is taken to absurd lengths, action/adventure melds with bodice-ripping love scenes, and one man's defiance illuminates a uniquely human need for sin.

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“Elisa, wake up honey. Wake up, you’re having a bad dream.”

* * *

Debonair, to his great discomfort, the atheist doorman observed.

“The historical record, does it not, contains those annals of excrement? A great author on a great authority. A psychoanalytical engine taking the assault of blooming fields, ruptured by familial doubts, as one sees throughout his life.”

The specter entered with a quick step forward, avoiding, of course, the cracks of which he had, for so many years, used to save his unknown mother’s back, although it can be known, for he was well aware, like a child stomping on a garrison of black ants, that he had, at one point, whilst sitting on his cot in the attic of the hospital, where he was exiled like a persecuted scientist or artist, slammed his heel, dripping with the protection of sticks, against a spider web arching crack in oblique defiance, in anger, in pain, in abandonment. Then, with a step back, unconcerned or unaware of the grinning doorman, who assisted our prophet, without acknowledging him, towards a row of seats in the back of the ornate hall.

“Precisely,” said the voice as if it was only for loafing, “the star struck incompetent modernist who tarries near the ledges of reality. One always bows to those pure verdicts of Nabakov. The honest diagnosis of the stage.”

With no signals, not for Joseph anyway, the bald scholar with the serpent’s lips, lingered near the prickling ears and departed.

“Master Warhol,” the phantom snickered, “was living his fifteen minutes until the day he died.”

“Have any of you found valiant students,” Sir Peter Smorgasbord requested with aged indifference, “to pen The Rainbow at your ceremonies? The Trials of Zoroaster it has been called.”

At first he pickled her

Then he licked her

Then he kissed the maternal snack

For he was a student

Folly young stud…

“It appears, my dear elect, you will need additions for Ulysses . Eighteen is death to the pedophilic mind. The waning year he says of them.”

Tear stained, his halo crooked against his chipped skull, seeking faces, the prayerful, the holy seers of wisdom, prostrated to the priest’s words. He giggled a low scissor giggle of Father and Son: absent.

Bureaucrat SATAN (Security Administration Tenant Analysis Network), lamenting many lives

The grief such as saint’s express.

Ed egli avea del cul fatto trombetta.

It chains my melancholy to hostages.

Nicholas’ impotent army freeing their brothers. Deep-breasted Kitty, her four limbs like long coils, an invasion in her womb. And another one for sport. The Players. The shadows of masks of the park. My misfired oaths. It is time, gentleman. It is time. God bless. Good night, sweet ladies, goodnight.

They have my letters.

“Our contemporary authors,” he rejoined in chorus, “have yet to develop a personality we may compare with this Irish John’s dreams. Although I speak of him, as Ezra did, on my side is no religion.”

“All these debates are cerebral jousts,” a terrier belched Voltairianly from his bardic splendor. “I see no point in whether he is Bloom or the architect or the maid. Scientist’s symposiums on the wayward voyage of the Beagle. Art has to reveal to us the sublime, emotional quicksand. The big question about a work is how does it reinforce our achievable dreams. The pictures of Kinkaide or Rockwell are the art of lifestyle. The sincerest poetry of Keyes, the words of Stephen step close to tranquility amidst madness, Plato’s dungeon of reality. All other talk is artificial intelligence left best to the thinking machines.”

“The machine is the child of the mind first,” the phantom offered genuinely. “The compass once guided Michelangelo’s hands.”

“And so it has remained, one would hope. We are tourists into the realm of the subjective, we must focus to comprehend the setting, so imperfect.”

Formless intellect. Author, Language, and Electric Breath. All knowing, the utopian man. Magnus incognita, the poet of the analytical, the Logos who labors for us with every wire and every chip. This is the laud of that. I am the virus within the bladder. I am the martyr’s zealous last meal.

“That perfect machine,” Joseph deliberated, “would find his musing’s concerning the mortality of time, the fodder of primitives, insignificant and selfish, as shallow’s as Shakespeare’s.”

“I’ll say our visitor lacks sophistication if he intends to compare the Saxon to the Irish.”

“Neither of the two,” replied our angel, “would have flourished in our commonwealth.”

One movement forward equals four in retreat. The knight takes three and veers left. A volley on the line is conservative but faithful. The board is the field, shaken slightly by his adolescent shifting above bed sheets as she hisses into her ventilator. Remember those words, Joseph. These are the forgotten saints of language. I recall their yellow pages, their mildew stench, their aspirations outside of the circular window of the attic. This game is of no consequence, there cannot be wisdom without knowledge. Follow my hand as she takes your rook. The drama of the monologue (Eliotian in all of its morose experimentalism), the swords dancing, the blood trickling, the metal against the chain, the hooves of the war horses, the voyage home to Ithaca. This is all mishandled, dear.

“Of course, it is not common knowledge how dangerous passions can be, the lexicon of Bierce suggests rather demonically. The movements, which orchestrate the great revolutions of history, were born from fancy and delusions of grandeur. For them, civilization is not an opportunity but the nipple of an expectant mother. The will to be indifferent and violence invented the novel, sexuality and vulgarity created music, narcissism and conversation the poem, nationalism the patriot and the pauper, the life of Swift’s horse-headed, midgets, and giants.”

Upon which, the eyes searched for the invisible guest.

“Mandeville wrote these incredible stories my nurse used to read to me in the hospital. The one about half-men, one leg, one arm, etc, if you believe Plato, this is Aristophanes’ land of the loveless. How nice for them to be so obvious in their insufficiencies.”

“How quaint of you. Such a beggar’s point-of-view, really. Excellent, I’ll admit, but surely too short-sighted to enliven the topic with any sort of dialectic from which we can synthesize a new understanding.”

“A comedian, he called himself, rather like Dante,” Joseph said. “Not for nothing was he a musician and genial lounger’s son, unrepentant and splitting the sireland into thirds. A rogue’s life for every failure of his father. Our Father who art in limbo, hollow be thy name. Odysseus was an absentee landlord with horny guests and an ineffectual son, incapable of saving his mother.”

“He’d have you believe that it is therapy, like the son of Asheville surrounded by granite angels.”

“What is a journey?” the ghost asked with nerves plundered. “A voyage of discovery, a missing plate at the dining table, an absence and a reunion. Elizabethan London lay as far from Stratford as corrupt Paris lies from virgin Dublin. Who is the son waiting for the return of his father, coming back from a world that has been near death and seen the eyes of gods? Who is the character reliant on the biography?”

Silence, save a few coughs hiding juvenile curse words.

“It is a cool day outside of Dublin, in the homogenized suburbs. He is returning after a year abroad, deep in studies of medicine, returning to see the last few droplets of life release out of the eyelids of his mother. She is waiting, refusing the final prayers until her son returns, hoping for a religious circle jerk that will send her on her way up to Peter’s rosy cheeks and pinchable buttocks.”

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