Jonathan Dee - A Thousand Pardons

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For readers of Jonathan Franzen and Richard Russo, Jonathan Dee’s novels are masterful works of literary fiction. In this sharply observed tale of self-invention and public scandal, Dee raises a trenchant question: what do we really want when we ask for forgiveness? Once a privileged and loving couple, the Armsteads have now reached a breaking point. Ben, a partner in a prestigious law firm, has become unpredictable at work and withdrawn at home — a change that weighs heavily on his wife, Helen, and their preteen daughter, Sara. Then, in one afternoon, Ben’s recklessness takes an alarming turn, and everything the Armsteads have built together unravels, swiftly and spectacularly.
Thrust back into the working world, Helen finds a job in public relations and relocates with Sara from their home in upstate New York to an apartment in Manhattan. There, Helen discovers she has a rare gift, indispensable in the world of image control: She can convince arrogant men to admit their mistakes, spinning crises into second chances. Yet redemption is more easily granted in her professional life than in her personal one.
As she is confronted with the biggest case of her career, the fallout from her marriage, and Sara’s increasingly distant behavior, Helen must face the limits of accountability and her own capacity for forgiveness.

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“The reason I haven’t told you where I am is that I’m ashamed of it. I thought that losing my home and my family would be the price I paid for my behavior over the summer, but it turns out there was more of a price than I thought. I am an inmate in the Mineville minimum security prison, which is about two hours north of Albany. It’s not a rough or dangerous place at all, but we aren’t allowed phones, and I get access to the internet only at a certain time of day, i.e., now. It’s a 28 day sentence and I’ve already served 22 of them. I thought I could keep it from you for 6 more days; I should not have tried to keep it from you at all, but I hope you at least understand why I did. Please forgive me, for this and for everything else. You deserve much better from your father.”

That night there was no food in the apartment, so she met her mother for dinner at Hunan Garden, where the service was fast and they offered bad but complimentary white wine. When their plates were cleared away, and Helen tried unsuccessfully to stifle an expansive yawn, Sara said, “Mom, do you know where Dad is living right now?”

Helen was taken aback. “No,” she said. “Actually, I don’t. I know he’s out of that Stages place. The child support checks come via the lawyer’s office, which makes me think he doesn’t really want any contact with me at this point, which is fine. I don’t really want any with him either. We’re officially divorced, so as long as he fulfills his obligations to you, I’ve pretty much given up my right to keep tabs on where he is and what he does.”

Sara searched her face. There was no way she was lying. She really didn’t know. Her mother had always been a poor liar.

“Do you think there’s any way,” Sara said, “that the two of you would ever get back together?”

Helen’s mouth fell open. It wasn’t an unusual question for a child to ask, of course, but through all the drama and upheaval of the last seven or eight months, Sara had never once asked it. Still, it was a rebuke to Helen that this moment should have caught her with her guard down so completely. Of course, of course she wanted Ben’s and Sara’s relationship to be repaired, but only when the time was right, only when she could feel confident that he was sane enough not to hurt her again: as it stood, she had no idea how much of an unfiltered, impulsive wreck he might still be. She’d resolved never to badmouth him in front of Sara, but that had wound up meaning that she never mentioned him at all. Just be honest, she told herself now: she knows when you’re lying anyway. “No,” Helen said, not harshly. “The way he treated us is something I can’t really forgive. But there’s no law that says it has to be the same for you as for me. Do you want to see him? It’s totally natural that you should. I’ve sort of been waiting for him to make the first move there, but you’re right, I’ve let it go way too long, I can call the lawyer tomorrow and—”

“No,” Sara said quickly. “I mean no thank you. Maybe soon. I was just wondering.”

That Friday she took the crosstown bus to get to basketball, but they were detoured all the way to Ninety-sixth Street just because one block of Amsterdam was cordoned off for what looked like some sort of religious festival. Passengers were swearing and rolling their eyes. The air smelled great, though — like meat, basically — and Sara, on a whim, got off the bus and watched it roll away. She spent the next hour or so wandering by herself on the fringes of the festival, watching a short and inscrutable parade, checking out what was for sale. For a dollar she bought a huge empanada out of a cart; it was so good she went back for another one, but by then the cart was gone and traffic was starting to flow again. She made her way back down to Eighty-sixth and got on the eastbound bus for home, where she changed out of her uniform and then checked her mother’s email every few minutes until a message came in from her coach, not mad at her for ditching, just making sure she was okay. She deleted it. An hour or so later, Helen came home from the office. “How was your game?” she said. Sara told her that her team had won a thriller, 30–29, and that she’d hit the winning shot.

CLIENTS NEVER CAME TO THEIR PLACE, which was just as well, since it was a gloomy, underpopulated setting: just the two women, working side by side in the outer room, while Harvey’s office sat there empty like a particularly dusty shrine, except on the days when his son came in. Those days had grown more frequent as the winter went on, even though the website on which he was nominally working was nowhere in evidence, or even mentioned much anymore. He was clearly a creature of habit, and he seemed to have nowhere else in particular to go. In the afternoons he would walk through the unlocked door, nod uncomfortably to Helen and Mona, go into his father’s office, and close that door behind him. One Monday before he arrived (he never made it there more than an hour or two before the end of business), Mona stood up from her desk and marched purposefully into Harvey’s office to boot up the computer and check its Internet history: a while later she came out looking more confounded than sheepish and reported that he seemed to spend most of his time posting comments on a variety of music blogs, something he could just as easily have done from his home in Brooklyn. “No porn, at least,” she said with equal parts relief and bemusement.

So other than Michael at three o’clock or so, and the mail delivery about an hour before that, the door to Harvey Aaron Public Relations seldom swung open during business hours, which did at least lower their level of self-consciousness during stretches of the workday in which there was no real work to do. Helen could, for instance, at her desk on a Friday morning at 9:30, allow herself to finish the Vanity Fair profile of Hamilton Barth she had started reading on the train. She always read anything about Hamilton that she came across, hoping mostly for some reference to their old school or their old hometown. But he never seemed to want to talk about it, or maybe they just never asked him. He usually had loftier things on his mind.

“Barth, in town for the film festival, had asked to be moved from his hotel because the windows didn’t open,” Helen read. “He wound up instead at an efficiency motel a few miles away, where the windows were indeed open, though the curtains had to be kept closed because of all the photographers in the parking lot. Clearly restless, he suggested we decamp to the Art Gallery of Ontario, where there was an exhibition of Motherwell drawings. I asked him what time he needed to be back for that night’s premiere; ‘I was hoping you knew that,’ he grinned.”

Mona picked up the office phone, as she sometimes did when she was bored, just to see if it was working.

“ ‘I’m not afraid of death,’ he said — apropos of the Motherwell we were looking at, or perhaps apropos of nothing—‘but I resent it. I think it’s unfair and irritating. I know I’m not going to get to all the beautiful places I want to go, I’m not going to read all the books I want to read, or revisit all the beautiful paintings I want to see. There’s a limit.’ He paused. ‘I mean, I understand limits are good for character and all that, but I would rather live forever.’ ”

A soft knock on the office door caused both women to jump in their seats. Helen dropped the Vanity Fair facedown on her desk and reflexively pretended to be typing something.

“Come in?” she called out, shrugging at Mona.

In walked a white-haired man in an excellent suit, with fashionably tiny glasses held up by large cheeks. Actually, what enlarged the cheeks was his smile, which was constant, even as he took in, without having to so much as crane his neck, the entirety of the operation — the two women at mismatched, perpendicular desks in the outer office, the inner room, at this hour, open but unoccupied.

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