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Jonathan Dee: The Privileges

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Jonathan Dee The Privileges

The Privileges: краткое содержание, описание и аннотация

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Smart, socially gifted, and chronically impatient, Adam and Cynthia Morey are so perfect for each other that united they become a kind of fortress against the world. In their hurry to start a new life, they marry young and have two children before Cynthia reaches the age of twenty-five. Adam is a rising star in the world of private equity and becomes his boss's protégé. With a beautiful home in the upper-class precincts of Manhattan, gorgeous children, and plenty of money, they are, by any reasonable standard, successful. But the Moreys' standards are not the same as other people's. The future in which they have always believed for themselves and their children — a life of almost boundless privilege, in which any desire can be acted upon and any ambition made real — is still out there, but it is not arriving fast enough to suit them. As Cynthia, at home with the kids day after identical day, begins to drift, Adam is confronted with a choice that will test how much he is willing to risk to ensure his family's happiness and to recapture the sense that the only acceptable life is one of infinite possibility. The Privileges

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The rest of them proceed to the altar a man down. What seemed like such a lightweight job has proved so brutal that it’s starting to seem a little funny, all the more so when they stare across the altar at the bridesmaids, who look as if they have just come from a five-mile hike in their red dresses. But then the familiar martial introduction rolls down from the organist’s loft, a hundred and twenty people struggle gamely to their feet, and their attention gathers at the point where the light is strongest, at the church door. In the heat and glare the bride and her father shimmer slightly.

Marietta, who unlike most of them has had a few hours to grow used to the sight of her best friend in a wedding dress, keeps thinking about the ceremony itself, how many of its accepted elements seem wrong on symbolic grounds and should be changed. Why would you walk toward the man with whom you wanted to share your life in that halting, infantile gait, slower than you’d walked across any room in your life, as if you were being brought in by the tide? Wouldn’t it be more auspicious to slip off your torture shoes and run up there? Then she realizes that what she’s having, in effect, is a conversation with Cynthia, who would normally share her subversive interest in the day’s many weirdnesses, but who’s on the other side of the glass now. They have promised each other over and over that none of what exists between them will be lost, but neither of them has ever had a married friend and so neither of them really knows. She watches Cynthia’s father, that charming piece of shit, squeeze his daughter’s arm emotively without taking his eyes off their destination; he looks like Washington standing in the boat. Knowing how to behave on grand occasions has never been his problem; it’s the ordinary that could never sustain his interest.

When they finally arrive and the last note of the processional fades, he kisses her on the cheek, says something private to her, and withdraws. All eyes turn to the priest, who, in his mountainous bell-shaped surplice, resembles one of those eternally trickling monuments.

“Before we begin,” he rumbles into the microphone, “may I suggest that under the circumstances it is permissible for gentlemen to remove their jackets.”

For about a year after her husband left her, Ruth took Cynthia to Saint George’s in Joliet Park every Sunday, trying to make the best of his absence by mounting a campaign of moral improvement. Then one Sunday Cynthia announced she would never go again, and that was that. So Ruth was surprised when her daughter said she wanted a church wedding. Surprised and a little offended, because a house of worship is not a stage set; but Warren convinced her to let that particular grievance go. Now, as the guests sit in unison and the sound of their sitting throws an echo over the faint buzz of the fans, she’s glad to be where she is, if no less mystified.

They have agreed to two short readings. Cynthia’s friend Natalie, whose hands she held when Natalie cried after their art history TA called her a cock tease, reads from Rilke’s Letters to a Young Poet . Bill Stearns, Adam’s sophomore-year roommate, who once helped him pop his shoulder back in at a touch football game and then broke a date to wait with him at the emergency room for three hours afterward, soldiers through his unprecedented recital of a poem by Juvenal. The words carry no specific meaning in this context; the hymns and Bible verses, too, are only appurtenances of meaning, but no less heartfelt for that. The trappings of belief are themselves a kind of belief, just as the priest’s cassock is his office.

For this reason they are all suddenly united in the expectation that the priest, who does not know them, who won’t see them again after today, who has even less experience with intimacy than they do, who has probably said the same thing to thirty other anonymous couples this year, has something crucial to impart to them. With majestic unself-consciousness, he blots the very top of his bald head with what is presumably a handkerchief.

“It is good,” he says, “that your life together has begun in conditions that suggest a test.” He pauses to appreciate the small laugh that ripples through the pews; the faces right in front of him, those of the bride and groom, are locked in sobriety. “There will be great joys in your life together, of course, but there will also be tests, maybe even severe ones, and the joys and the tests will not always appear in such a way as to seem to offset one another. We may lose sight, at such difficult moments, of the path, the promise, the blessedness of our lives, because we grow too close to ourselves; our purpose here is something that surely we too could begin to make out, if it were given to us to see as God sees. But we do not possess the farsightedness of God. Trust that He sees what you cannot, and that will enable you to go on trusting in each other. And if ever you should doubt yourselves, if ever there comes a time when you doubt your ability to endure hardship, remember that God, on this day and for all time, has given you to each other. He hath made all of us. And He will never ask us to shoulder more of a burden than He knows we have the strength to bear.”

The vows they have chosen are the traditional ones. The kiss is more of a relief than anything else; shyly they proceed out the door and down the church steps into the odiferous haze and climb directly into the back of a limo for the one-minute drive around the park to the reception. The guests can see the limo pulling up at the hotel entrance as they trudge back across the park themselves. The bells are ringing, evening is approaching, and though it’s still ninety-two degrees, the solemn air has lifted; there’s a party at the other end of this walk, and an air-conditioned one at that.

When they reach the end of the receiving line they are at the doorway to the ballroom, where the empty tables glitter and it’s as cold as a skating rink. Three idle bartenders smile helpfully. Within minutes they are working like coal stokers, as the younger guests try to recover the buzz they had going in their hotel rooms before the ceremony sweated it out of them. At the head table, a long dais perpendicular to the bandstand, the groom’s mother finds that she and her husband have been seated in between their new daughter-in-law’s natural parents, perhaps to keep them from killing each other. She tries gamely not to be offended by the idea that the role she has been given to play, on this momentous day in the life of her firstborn son, is that of a human shield. She has an idea who’s behind it, even if now is not the time, even if it will never be the time; besides, Sandy feels, the fault is ultimately hers anyway. She went through a rough patch when the boys were little and had to leave home for a while. Literally doctor’s orders. Maybe not surprising, then, that her son winds up with a girl who makes every decision, who calls all the shots. Who treats him like a child. But this isn’t an appropriate moment for Sandy to start losing herself in the past; for one thing, she needs to remember to count her husband’s drinks. Historically, in terms of his capacity for saying the unsayable, five is the magic number.

Scarcely a minute goes by without a knife clinking against a glass somewhere in the ballroom, first one and then a chorus of them: You made us come all the way here to witness your love? Okay, then — let’s witness some love. The waitstaff bursts through the double doors like a football team and serves a hundred dinners. Conrad eats his salmon without tasting it and then waits, smiling robotically whenever others at his table laugh at something, until the meal is over and the champagne is poured and the moment is finally upon him.

“I have always looked up to my brother,” Conrad says, eyes down, watching with dismay his own spit hitting the microphone. He memorized his toast but now he wishes he hadn’t, because holding a piece of paper would at least occupy his right hand, the one not holding the champagne glass, the one floating spastically from his pants pocket to his chin to the back of his head. “When we were kids, everything he set out to achieve he achieved, everything he wanted he worked for until he earned it, everything he did set an example not just for me but for everyone around him. An older brother’s distinction, in his little brother’s eyes, is pretty much automatic for a long time. But even when I got old enough to get over that feeling and decide for myself, he has never lost any of my esteem. Until today.”

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