Elena Ferrante - The Story of a New Name

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The second book, following 2012’s acclaimed
, featuring the two friends Lila and Elena. The two protagonists are now in their twenties. Marriage appears to have imprisoned Lila. Meanwhile, Elena continues her journey of self-discovery. The two young women share a complex and evolving bond that brings them close at times, and drives them apart at others. Each vacillates between hurtful disregard and profound love for the other. With this complicated and meticulously portrayed friendship at the center of their emotional lives, the two girls mature into women, paying the sometimes cruel price that this passage exacts.

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I found Rino sleeping in the sun, his hair wet, his heavy body lying, stomach down, on the sand, and Pinuccia walking back and forth on the shore. I invited her to go toward the fumaroles, she refused rudely. I walked for a long time alone in the direction of Forio to calm myself.

The morning passed slowly. When I came back I went swimming, then lay in the sun. I had to listen to Rino and Pinuccia, who, as if I weren’t there, were murmuring to each other phrases such as:

“Don’t go.”

“I have to work: the shoes have to be ready for the fall. Did you see them, do you like them?”

“Yes, but the things Lina made you add are ugly, take them off.”

“No, they look good.”

“You see? What I say counts for nothing with you.”

“That’s not true.”

“It’s very true, you don’t love me anymore.”

“I do love you, and you know how much I want you.”

“No way, look at the belly I have.”

“I’d give that belly ten thousand kisses. For the whole week all I do is think about you.”

“Then don’t go to work.”

“I can’t.”

“Then I’ll leave tonight, too.”

“We’ve already paid our share, you have to have your vacation.”

“I don’t want it anymore.”

“Why?”

“Because as soon as I fall asleep I have terrible dreams and I’m awake all night.”

“Even when you sleep with my sister?”

“Even more, if your sister could kill me, she would.”

“Go sleep with my mamma.”

“Your mamma snores.”

Pinuccia’s tone of voice was unbearable. All day I tried to figure out the reasons for her complaints. That she didn’t sleep much or very well was true. But that she wanted Rino to stay, or that she really wanted to leave with him, seemed to me a lie. At one point I was convinced that she was trying to tell him something that she herself didn’t know and so could express only in the form of peevishness. But then I forgot about it, I had other things to think about. Lila’s exuberance, first of all.

When she appeared at the beach with her husband, she seemed happier than the night before. She wanted to show him how she had learned to swim, and together they headed away from the shore — out where it’s deep, Stefano said, even though it was really only a few meters from the shore. With her elegant and precise strokes, and the rhythmic turn of the head to breathe that she had by now learned, moving her mouth away from the water, she immediately left him behind. Then she stopped to wait for him, laughing, until he caught up, clumsily flailing his arms, his head straight up, as he snorted at the water that sprayed in his face.

She was even livelier in the afternoon, when they went for a ride on the Lambretta. Rino wanted to drive around, too, and since Pinuccia refused — she was afraid of falling and losing the baby — he said to me, “You come, Lenù.” It was my first such experience, with Stefano in the lead, Rino following, and the wind, and the fear of falling or crashing, and the increasing excitement, the strong odor that came from the sweaty back of Pinuccia’s husband, and the swaggering self-confidence that pushed him to violate every rule and to respond to any protests according to the habits of the neighborhood, braking suddenly, threatening, always ready to fight to assert his right to do as he pleased. It was fun, a return to those feelings of a bad girl, very different from the ones Nino inspired in me when he appeared on the beach, in the afternoon, with his friend.

In the course of that Sunday I named the two boys often: I especially liked saying the name of Nino. I quickly noticed that both Pinuccia and Lila acted as if it hadn’t been the three of us who spent time with Bruno and Nino, but only me. As a result, when their husbands said goodbye, hurrying off to catch the ferry, Stefano asked me to say hello to Soccavo’s son for him, as if I were the only one who would have the opportunity to see him, and Rino teased me, with remarks like: Who do you like more, the son of the poet or the son of the mortadella maker? Who do you think is handsomer? as if his wife and sister had no basis for forming their own opinions.

Finally, the reactions of both to the departure of their husbands annoyed me. Pinuccia became cheerful, she wanted to wash her hair, which — she said aloud — was full of sand. Lila lounged about the house listlessly, then she lay down on her unmade bed, paying no attention to the mess in the room. When I went to say good night I saw that she hadn’t even undressed: she was reading the book about Hiroshima, frowning, eyes narrowed. I didn’t reproach her, I said only, perhaps a little sharply:

“How is it that you suddenly feel like reading again?”

“It’s none of your business,” she answered.

51

On Monday Nino appeared, like a ghost evoked by my desire, not at four in the afternoon, as usual, but, surprisingly, at ten in the morning. We three girls had just arrived at the beach, resentful, each convinced that the others had spent too much time in the bathroom, Pinuccia particularly upset about how her hair had been ruined by her sleeping on it. It was she who spoke first, stern, almost aggressive. She asked Nino, even before he could explain to us, why in the world he had turned his schedule upside down:

“Why didn’t Bruno come, he had better things to do?”

“His parents are still here, they’re leaving at noon.”

“Then he’ll come?”

“I think so.”

“Because if he’s not coming I’m going back to sleep, with just the three of you I’ll be bored.”

And while Nino was telling us how terrible his Sunday in Barano had been, and so he had left early and, since he couldn’t go to Bruno’s, had come straight to the beach, she interrupted once or twice, asking in a whine: Who’s going to go swimming with me? Since both Lila and I ignored her, she went into the water angrily by herself.

Never mind. We preferred to listen attentively to the list of wrongs that Nino suffered at the hands of his father. A cheater, he called him, a malingerer. He had settled himself in Barano, extending his leave from work on the ground of some feigned illness, which had been properly certified, however, by a health-service doctor who was a friend of his. “My father,” he said in disgust, “is in everything and for everything the negation of the general interest.” And then, without a break, he did something unpredictable. With a sudden movement that made me jump he leaned over and gave me a big, noisy kiss on the cheek, followed by the remark: “I’m really glad to see you.” Then, slightly embarrassed, as if he had realized that with that effusiveness toward me he might be acting rudely toward Lila, he said: “May I also give you a kiss?”

“Of course,” Lila answered, affably, and he gave her a light kiss, with no sound, a barely perceptible contact. After that he began to talk excitedly about the plays of Beckett: Ah, how he liked those guys buried in the ground up to their necks; and how beautiful the statement was about the fire that the present kindles inside you; and, even though among the thousand evocative things that Maddy and Dan Rooney said he had had a hard time picking out the precise point cited by Lila, well, the concept that life is felt more when you are blind, deaf, mute, and maybe without taste or touch was objectively interesting in itself. In his view it meant: Let’s get rid of all the filters that prevent us from fully savoring our being here and now, real.

Lila appeared bewildered, she said that she had thought about it and that life in the pure state frightened her. She expressed herself with some emphasis, she exclaimed, “Life without seeing and without speaking, without speaking and listening, life without a covering, without a container, is shapeless.” She didn’t use exactly those words, but certainly she said “shapeless” and she said it with a gesture of revulsion. Nino repeated reluctantly, “shapeless,” as if it were a curse word. Then he started talking again, even more overwrought, until, with no warning, he took off his shirt, revealing himself in all his dark thinness, grabbed us both by the hand, and dragged us into the water, as I cried happily, “No, no, no, I’m cold, no,” and he answered, “ Here finally another happy day ,” and Lila laughed.

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