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Elena Ferrante: Those Who Leave and Those Who Stay

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Elena Ferrante Those Who Leave and Those Who Stay

Those Who Leave and Those Who Stay: краткое содержание, описание и аннотация

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Since the publication of , the first of the Neapolitan novels, Elena Ferrante's fame as one of our most compelling, insightful, and stylish contemporary authors has grown enormously. She has gained admirers among authors-Jhumpa Lahiri, Elizabeth Strout, Claire Messud, to name a few-and critics-James Wood, John Freeman, Eugenia Williamson, for example. But her most resounding success has undoubtedly been with readers, who have discovered in Ferrante a writer who speaks with great power and beauty of the mysteries of belonging, human relationships, love, family, and friendship. In this third Neapolitan novel, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts of her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women have attempted are pushing against the walls of a prison that would have seem them living a life of mystery, ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to see each other by a strong, unbreakable bond.

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A long time passed, filled with tension. I felt that Nino was uneasy and yet amused. I’m going to call Papa, said Dede, who, with her stomach full, was now worried about Pietro. Go, I said. She came back almost on tiptoe, she whispered in my ear: He went to bed, he’s sleeping. Nino heard her anyway, he said:

“I’m leaving tomorrow.”

“Did you finish your work?”

“No.”

“Stay a little longer.”

“I can’t.”

“Pietro is a good person.”

“You defend him?”

Defend him from what, from whom? I didn’t understand, I was on the point of getting mad at him, too.

110

The children fell asleep in front of the television, I put them to bed. When I came back Nino wasn’t there, he had gone to his room. Depressed, I cleaned up, washed the dishes. How foolish to ask him to stay longer, it would be better if he left. On the other hand, how to endure the dreariness of life without him. I would have liked him at least to leave with the promise that sooner or later he would return. I wished that he would sleep again in my house, have breakfast with me in the morning and eat at the same table in the evening, that he would talk about this and that in his playful tone, that he would listen to me when I wanted to give shape to an idea, that he would be respectful of my every sentence, that with me he would never resort to irony, to sarcasm. Yet I had to admit that if the situation had so quickly deteriorated, making our living together impossible, it was his fault. Pietro was attached to him. It gave him pleasure to see him around, the friendship that had arisen was important to him. Why had Nino felt the need to hurt him, to humiliate him, to take away his authority? I took off my makeup, I washed, I put on my nightgown. I locked the house door, I turned off the gas, I lowered all the blinds. I checked on the children. I hoped that Pietro wasn’t pretending to sleep, that he wasn’t waiting for me in order to quarrel. I looked at his night table, he had taken a sleeping pill, he had collapsed. It made me feel tender toward him, I kissed him on the cheek. What an unpredictable person: extremely intelligent and stupid, sensitive and dull, courageous and cowardly, highly educated and ignorant, well brought up and rude. A failed Airota, he had stumbled on the path. Could Nino, so sure of himself, so determined, have gotten him going again, helped him improve? Again I asked myself why that nascent friendship had changed to hostility in one direction. And this time it seemed to me that I understood. Nino wanted to help me see my husband for what he really was. He was convinced that I had an idealized image that I had submitted to on both the emotional and the intellectual level. He had wanted to reveal to me the lack of substance behind this very young professor, the author of a thesis that had become a highly regarded book, the scholar who had been working for a long time on a new publication that was to secure his reputation. It was as if in these last days he had done nothing but scold me: You live with a dull man, you’ve had two children with a nobody. His project was to liberate me by disparaging him, restore me to myself by demolishing him. But in doing so did he realize that he had proposed himself, like it or not, as an alternative model of virility?

That question made me angry. Nino had been reckless. He had thrown confusion into a situation that for me constituted the only possible equilibrium. Why sow disorder without even consulting me? Who had asked him to open my eyes, to save me? From what had he deduced that I needed it? Did he think he could do what he wanted with my life as a couple, with my responsibility as a mother? To what end? What did he think he was driving at? It’s he — I said to myself — who ought to clarify his ideas. Doesn’t our friendship interest him? The holidays are close. I’ll go to Viareggio, he said he’s going to Capri to his in-laws’ house. Must we wait until the end of the vacations to see each other again? And why? Now, during the summer, it would be possible to consolidate the relation between our families. I could telephone Eleonora, invite her, her husband, the child to spend a few days with us in Viareggio. And I would like to be invited, in turn, to Capri, where I’ve never been, with Dede, Elsa, and Pietro. But if that doesn’t happen, why not write each other, exchange ideas, titles of books, talk about our work?

I couldn’t quiet myself. Nino was wrong. If he really was attached to me, he had to take everything back to the starting point. He had to regain the liking and friendship of Pietro, my husband asked nothing else. Did he really think he was doing me good by causing those tensions? No, no, I had to talk to him, tell him it was foolish to treat Pietro that way. I got out of bed cautiously, I left the room. I went down the hall barefoot, knocked on Nino’s door. I waited a moment, I went in. The room was dark.

“You’ve decided,” I heard him say.

I was startled, I didn’t ask decided what . I knew only that he was right, I had decided. I quickly took off my nightgown, I lay down beside him in spite of the heat.

111

I returned to my bed around four in the morning. My husband started, he murmured in his sleep: What’s happening? I said in a peremptory way: Sleep, and he became quiet. I was stunned. I was happy about what had happened, but no matter how great an effort I made I couldn’t comprehend it inside of my situation, inside of what I was in that house, in Florence. It seemed to me that everything between Nino and me had been sealed in the neighborhood, when his parents were moving and Melina was throwing things out the window and yelling, racked by suffering; or on Ischia, when we went for a walk and held hands; or the night in Milan, after the meeting in the bookstore, when he had defended me against the fierce critic. That for a while gave me a sense of irresponsibility, maybe even of innocence, as if the friend of Lila, the wife of Pietro, the mother of Dede and Elsa had nothing to do with the child-girl-woman who loved Nino and finally had made love with him. I felt the trace of his hands and his kisses in every part of my body. The craving for pleasure wouldn’t be soothed, the thoughts were: the day is far off, what am I doing here, I’ll go back to him, again.

Then I fell asleep. I opened my eyes suddenly, the room was light. What had I done? Here, in my own house, how foolish. Now Pietro would wake up. Now the children would wake up. I had to make breakfast. Nino would say goodbye, he would return to Naples to his wife and child. I would become myself again.

I got up, took a long shower, dried my hair, carefully put on my makeup, chose a nice dress, as if I were going out. Oh, of course, Nino and I had sworn in the middle of the night that we would never lose each other, that we would find a way to continue to love each other. But how, and when? Why should he have to look for me again? Everything that could happen between us had happened, the rest was only complications. Enough, I set the table carefully for breakfast. I wanted to leave him with a beautiful image of that permanence, the house, the customary objects, me.

Pietro appeared disheveled, in his pajamas.

“Where are you going?”

“Nowhere.”

He looked at me in bewilderment — I never dressed that carefully as soon as I got up.

“You look nice.”

“No thanks to you.”

He went to the window, looked out, then muttered:

“I was very tired, last night.”

“Also very rude.”

“I’ll apologize to him.”

“You should apologize to me.”

“I’m sorry.”

“He’s leaving today.”

Dede appeared, barefoot. I went to get her slippers and woke Elsa, who, as usual, her eyes still closed, covered me with kisses. What a good smell she had, how soft she was. Yes, I said to myself, it happened. Fortunately, it could never happen. But now I had to discipline myself. Telephone Mariarosa to find out about France, talk to Adele, go in person to the publishers to find out what they intend to do with my book, if they are thinking about it seriously or just want to please my mother-in-law. Then I heard noises in the hall. It was Nino, I was overwhelmed by the signs of his presence, he was here, for a short time still. I disentangled myself from the child’s hug, I said: sorry, Elsa, Mamma will be right back, and I hurried out.

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