Margaret Atwood - Stone Mattress - Nine Tales

A wizened, elf-like man at Verna’s lunchtime table grumbles that he hopes they’ll be seeing something more exciting than rocks. He’s one of the other Bobs: Verna’s been taking an inventory. An extra Bob may come in handy. “I’m looking forward to them,” she says. “The stone mattresses.” She gives the word mattress the tiniest hint of suggestiveness, and gets an approving twinkle out of Bob the Second. Really, they’re never too old to flirt.

Out on deck after coffee, she surveys the approaching land through her binoculars. It’s autumn here: the leaves on the miniature trees that snake along the ground like vines are red and orange and yellow and purple, with rock surging out of them in waves and folds. There’s a ridge, a higher ridge, then a higher one. It’s on the second ridge that the best stromatolites are to be found, the geologist has told them.

Will someone who has slipped behind the third ridge be visible from the second one? Verna doesn’t think so.

Now they’re all stuffed into their waterproof pants and their rubber boots; now they’re being zipped and buckled into their life jackets like outsized kindergarten kids; now they’re turning their tags from green to red; now they’re edging down the gangway and being whisked into the black inflatable Zodiacs. Bob has made it into Verna’s Zodiac. He lifts his camera, snaps her picture.

Verna’s heart is beating more rapidly. If he recognizes me spontaneously, I won’t kill him, she thinks. If I tell him who I am and he recognizes me and then apologizes, I still won’t kill him. That’s two more escape chances than he gave her. It will mean forgoing the advantage of surprise, a move that could be hazardous — Bob is much bigger than she is — but she wishes to be more than fair.

They’ve landed and have shed their life jackets and rubber footwear and are lacing up their hiking boots. Verna strolls closer to Bob, notes that he hasn’t bothered with the rubber boots. He’s wearing a red baseball cap; as she watches, he turns it backward.

Now they’re all scattering. Some stay by the shore; some move up to the first ridge. The geologist is standing there with his hammer, a twittering cluster already gathered around him. He’s in full lecture mode: they will please not take any of the stromatolites, but the ship has a sampling permit, so if anyone finds a particularly choice fragment, especially a cross-section, check with him first and they can put it on the rock table he’ll set up on board, where everyone can see it. Here are some examples, for those who may not want to tackle the second ridge. .

Heads go down; cameras come out. Perfect, Verna thinks. The more distraction the better. She feels without looking that Bob is close by. Now they’re at the second ridge, which some are climbing more easily than others. Here are the best stromatolites, a whole field of them. There are unbroken ones, like bubbles or boils, small ones, ones as big as half a soccer ball. Some have lost their tops, like eggs in the process of hatching. Still others have been ground down, so that all that’s left of them is a series of raised concentric oblongs, like a cinnamon bun or the growth rings on a tree.

And here’s one shattered into four, like a Dutch cheese sliced into wedges. Verna picks up one of the quarters, examines the layers, each year black, grey, black, grey, black, and at the bottom the featureless core. The piece is heavy, and sharp at the edges. Verna lifts it into her backpack.

Here comes Bob as if on cue, lumbering slowly as a zombie up the hill towards her. He’s taken off his outer jacket, tucked it under his backpack straps. He’s out of breath. She has a moment of compunction: he’s over the hill; frailty is gaining on him. Shouldn’t she let bygones be bygones? Boys will be boys. Aren’t they all just hormone puppets at that age? Why should any human being be judged by something that was done in another time, so long ago it might be centuries?

A raven flies overhead, circles around. Can it tell? Is it waiting? She looks down through its eyes, sees an old woman — because, face it, she is an old woman now — on the verge of murdering an even older man because of an anger already fading into the distance of used-up time. It’s paltry. It’s vicious. It’s normal. It’s what happens in life.

“Great day,” Bob says. “It’s good to have a chance to stretch your legs.”

“Isn’t it?” Verna says. She moves towards the far side of the second ridge. “Maybe there’s something better over there. But weren’t we told not to go that far? Out of sight?”

Bob gives a rules-are-for-peasants laugh. “We’re paying for this,” he says. He actually takes the lead, not up the third ridge but around behind it. Out of sight is where he wants to be.

The gun-bearer on the second ridge is yelling at some people straying off to the left. He has his back turned. A few more steps and Verna glances over her shoulder: she can’t see anyone, which means that no one can see her. They squelch over a patch of boggy ground. She takes her thin gloves out of her pocket, slips them on. Now they’re at the far side of the third ridge, at the sloping base.

“Come over here,” Bob says, patting the rock. His backpack is beside him. “I brought us a few drinks.” All around him is a tattered gauze of black lichen.

“Terrific,” Verna says. She sits down, unzips her backpack. “Look,” she says. “I found a perfect specimen.” She turns, positioning the stromatolite between them, supporting it with both hands. She takes a breath. “I think we’ve known each other before,” she says. “I’m Verna Pritchard. From high school.”

Bob doesn’t miss a beat. “I thought there was something familiar about you,” he says. He’s actually smirking.

She remembers that smirk. She has a vivid picture of Bob capering triumphantly in the snow, sniggering like a ten-year-old. Herself wrecked and crumpled.

She knows better than to swing widely. She brings the stromatolite up hard, a short sharp jab right underneath Bob’s lower jaw. There’s a crunch, the only sound. His head snaps back. Now he’s sprawled on the rock. She holds the stromatolite over his forehead, lets it drop. Again. Once again. There. That seems to have done it.

Bob looks ridiculous, with his eyes open and fixed and his forehead mashed in and blood running down both sides of his face. “You’re a mess,” she says. He looks laughable, so she laughs. As she suspected, the front teeth are implants.

She takes a moment to steady her breathing. Then she retrieves the stromatolite, being careful not to let any of the blood touch her or even her gloves, and slides it into a pool of bog water. Bob’s baseball cap has fallen off; she stuffs it into her pack, along with his jacket. She empties out his backpack: nothing in there but the camera, a pair of woollen mitts, a scarf, and six miniature bottles of Scotch. How pathetically hopeful of him. She rolls the pack up, stuffs it inside her own, adds the camera, which she’ll toss into the sea later. Then she dries the stromatolite off on the scarf, checking to make sure there’s no visible blood, and stows it in her pack. She leaves Bob to the ravens and the lemmings and the rest of the food chain.

Then she hikes back around the base of the third ridge, adjusting her jacket. Anyone looking will assume she’s just been having a pee. People do sneak off like that, on shore visits. But no one is looking.

She finds the young geologist — he’s still on the second ridge, along with his coterie of admirers — and produces the stromatolite.

“May I take it back to the ship?” she asks sweetly. “For the rock table?”

“Fantastic sample!” he says.

Travellers are making their way shoreward, back to the Zodiacs. When she reaches the bags with the life jackets, Verna fumbles with her shoelaces until all eyes are elsewhere and she can cram an extra life jacket into her backpack. The pack is a lot bulkier than it was when she left the ship, but it would be odd if anyone noticed that.